Live Music Coverage - The Woodshedders' New CD Release - Shot With Nikon DSLRs

This weekend was live music-filled. I went to two release shows for The Woodshedders' new CD, "Wildfire."

 

(Click Here) to go to The Woodshedders home page. If you haven't listened to them, you should give them a try. An uncommon mix of bluegrass, jazz, and overall Americana, their music has a lot of soul.

 

Anyway, Friday night's show was at the Opera House in Shepherdstown, WV.

 

Shepherdstown Opera House, by Reed A. George

Nikon D700, Nikkor 24mm f2.8 AF lens

iso 200, f8, 1 sec.

 

This is a great venue, an old cinema converted into live performance space.

 

(Click Here) to see what other shows are coming up at Opera House Live.

 

Kicking the night off right, The Green Boys warmed the crowd up. Maybe that's a poor choice of description; it was so hot that night that we could all have used a cooling down. In any case, this Richmond, VA-based group plays bluegrass in lively fashion. I've known these guys for a couple of years, and really enjoy every chance to hear them.

 

(Click Here) to check out The Green Boys.

 

Ryan Green (The Green Boys), by Reed A. George

Nikon D300, Nikkor 85mm f1.8 AF lens

iso 3200, f1.8, 1/60 sec.

 

My go-to Nikon DSLR is the D700. Full-frame, reasonable resolution (not so high that noise becomes an issue), the D700 is the single most capable camera I have ever owned. Not as fun as a Leica rangefinder perhaps, but definitely more flexible and capable, especially at high iso. I recently picked up a nice D300 from KEH for a second body. With the APS-C size sensor, the D300 is not quite as good as the D700 in extremely low light. That said, the D300 performed quite nicely here. The shot above shows what fast class can do for you.

 

Dwayne Brooke of the Woodshedders gave me the opportunity to shoot some pictures of the band. We made good use of the loft area in the Opera House, and here are a couple of my favorites.

 

Marilyn Dropped by the Session, by Reed A. George

Nikon D700, Nikkor 35mm f2 AF lens

iso 400, f5.6, 1/125 sec.

Flash (Nikon SB800) Bounced Off Ceiling

Another example of the flexibility of the Nikon system. Outfitting myself for an evening of low available light shooting, I decided to throw my SB800 flash in the bag. Not knowing that I'd get the chance to pose the band, I wasn't sure I'd use it. When the opportunity came, I simply set the camera to TTL flash, pointed it toward the ceiling, and away we went. This would not have been as easy with any of my other cameras.

 

 

The Woodshedders, by Reed A. George

Nikon D700, Nikkor 35mm f2 AF lens

iso 400, f5.6, 1/125 sec.

Flash (Nikon SB800) Bounced Off Ceiling

 

Here are some shots from the show itself. I don't know how these guys survived the heat.

 

Onstage, by Reed A. George

Nikon D700, Nikkor 35mm f2 AF lens

iso 3200, f2, 1/125 sec.

 

Jesse Shultzaberger, by Reed A. George

Nikon D700, Nikkor 85mm f1.8 AF lens

iso 2200, f1.8, 1/125 sec.

 

 

Ryan Mayo, by Reed A. George

Nikon D700, Nikkor 85mm f1.8 AF lens

iso 2200, f1.8, 1/125 sec.

 

 

"Fiddlin' Dave" VanDeventer, by Reed A. George

Nikon D700, Nikkor 85mm f1.8 AF lens

iso 2200, f1.8, 1/125 sec.

 

 

Jared Pool, by Reed A. George

Nikon D700, Nikkor 85mm f1.8 AF lens

iso 2200, f1.8, 1/90 sec.

 

 

Dwayne Brooke, by Reed A. George

Nikon D700, Nikkor 85mm f1.8 AF lens

iso 4500, f1.8, 1/125 sec.

At the intermission, both bands retired to the loft to chat with members of the audience, many of whom are person friends; these guys have quite a following around here. The shot below was made then, and is one of my very favorite images from the evening. I saw the red light outlining this young lady's hair, and that drew me in. The blue further back adds to the scheme.

Intermission, by Reed A. George

Nikon D700, Nikkor 28mm f2.8 AF lens

iso 6400, f2.8, 1/45 sec.

The crowd stayed lively throughout. In fact, some were so happy they were swept off their feet (or levitated?).

 

Uplifted, by Reed A. George

Nikon D700, Nikkor 35mm f2 AF lens

iso 2200, f2.8, 1/60 sec.

Flash (Nikon SB800)

 

What a great show! If you're interested in seeing more from this show, (Click Here) to go to my web page, creativeobjective.com.

 

I'm still sorting images from Saturday night, and will post them separately. More to come!

 

DMC-365.blogspot.com

 

 

Live Music Coverage - Donna The Buffalo and Floodwood at the State Theater

On May 11, 2013, I got the opportunity to shoot photos of the band Donna The Buffalo for a local live music blog, Cosmic Vibes Live.

 

Donna The Buffalo, by Reed A. George

Nikon D300, Nikkor AF-D 50mm f1.4 Lens

iso 3200, f2.4, 1/90 sec

 

The show was at the State Theater in Falls Church, Virginia. This was the first coverage I've done for Cosmic Vibes Live where I didn't have to do the writing. While I enjoy writing, I found it really nice to be able to focus on the photography. The writing was done by Jim McWalters. Jim and I met at the State before the show so that Jim could interview bandmembers Tara Nevins and Jeb Puryear on their tour bus.

 

Interview With Tara Nevins, by Reed A. George

Nikon D700, Nikkor AF-D 50mm f1.4 Lens

iso 2200, f2.4, 1/45 sec

 

(Click Here) to read Jim's show review on Cosmic Vibes Live. The interview will be covered in an upcoming piece.

 

The show opened with a brand new band, Floodwood. Including two members of the band Moe. (Al Schnier and Vinnie Amico), Floodwood has a distinctly different sound from Moe. This band has a lot of energy on stage, and the new sound is great.

 

Floodwood, by Reed A. George

Nikon D300, Nikkor 85mm f1.8 AF-D Lens

iso 3200, f2, 1/180 sec.

Floodwood, by Reed A. George

Nikon D300, Nikkor 85mm f1.8 AF-D Lens

iso 3200, f2, 1/125 sec.

Floodwood, by Reed A. George

Nikon D300, Nikkor 85mm f1.8 AF-D Lens

iso 3200, f2, 1/125 sec.

 

Here are a few more shots of Donna The Buffalo:

 

 

Donna The Buffalo, by Reed A. George

Nikon D700, Nikkor AF 180mm f2.8 Lens

iso 6400, f2.8, 1/125 sec

 

Tara Nevins, by Reed A. George

Nikon D300, Nikkor AF 180mm f2.8 Lens

iso 3200, f2.8, 1/125 sec

Tara Nevins, by Reed A. George

Nikon D700, Nikkor AF 180mm f2.8 Lens

iso 6400, f2.8, 1/125 sec

 

Donna The Buffalo has been around almost 25 years, starting up in 1989. They have a very rich, positive sound. In fact, they have a new album out, "Tonight, Tomorrow, and Yesterday." It's their tenth studio album, the first in five years. I got a copy before the release on the night of the show - it's really worth listening to! Give it a try.

A little on my photographic approach - I used Nikon DSLRs for this show. It was my first time at the State, and I was happy to have the high iso capability of the Nikons with me. The lighting there was a little low for such a large venue, and a little muddy. As you can see, I did need up to iso 6400 to make the shots. I've just started using a Nikon D300 as a second body; the D700 is my primary. While the D300 does a nice job, the high iso performance is noticeably more noisy than the full-frame D700. No surprise there. Also, while most concert photographers use the 70-200 f2.8 zoom, I have recently gotten a used 180mm f2.8 Nikkor AF lens. I LOVE IT! The 180 is half the weight of the 70-200, and yields excellent images in my opinion. I won't be going back to a zoom for the long end of my concert shooting anytime soon.

 

Overall, it was a great experience shooting this show. Thanks to Jeff and Jim at Cosmic Vibes Live for the opportunity!

 

DMC-365.blogspot.com

 

 

Great Blue Heron Nesting - Nikon 500mm f4, Nikon D300, and Lumix DMC-G3

I got the rare opportunity to get reasonably close to a rookery of nesting great blue herons yesterday. A local real estate developer opened their undeveloped property to nature enthusiasts, at an event they called HeronFest. It was a very nice event for birdwatchers and nature photographers, getting us close enough to shoot (with long lenses) without disturbing the nesting birds.

 

I took out my Nikon Ais-P 500mm f4 manual focus lens, Nikkor 1.4x tele-converter, and two bodies - the Nikon D300 and Panasonic Lumix DMC-G3. With the D300, I think my equivalent focal length was about 1000mm, with f5.6 (due to the one stop loss of the tele-converter). With the G3, I got an amazing equivalent field of view of 1400mm, with the same f5.6!

 

I took the G3 along almost as an afterthought. I wasn't sure how it would perform with a tele-extender, a lens adapter, and manual focus. It turns out that the manual focus aid in the G3 (where it magnifies a portion of the image to allow more accurate focusing) works wonderfully with this big lens setup. I'm pretty pleased with the results.

 

Nesting Great Blue Herons, by Reed A. George

Panasonic Lumix DMC-G3, Nikkor Ais-P 500mm f4 + 1.4X tele-extender

iso 400, f5.6, 1/640 sec.

 

It was an overcast day, which is a mixed blessing and curse. It allowed for nice even lighting, but very little dramatic contrast. The colors of the birds rendered nicely, but the sky (the only background available) was milky white and ugly. I guess it worked out okay.

 

Herons Building Their Nest, by Reed A. George

Panasonic Lumix DMC-G3, Nikkor Ais-P 500mm f4 + 1.4X tele-extender

iso 400, f5.6, 1/640 sec.

I love the composition of the shot above. Unfortunately, it's a pretty major crop from the original, and would not print well above about 8"x12" or so. Most of the others are closer to full frame, and would print well.

 

Here are a couple of shots from the Nikon D300.

 

Herons Building Nests, by Reed A. George

Nikon D300, Nikkor Ais-P 500mm f4 + 1.4X tele-extender

iso 800, f5.6, 1/750 sec.

 

The shot above reminds me of an Audubon painting. He always caught interesting bird poses. I heard some time back that Audubon was a "shotgun naturalist," sometimes killing the birds he wanted to paint, and posing them as he saw fit. Rest assured, none of the birds in my pictures were injured.

 

The D300 handles high iso better than the G3. But, the gap is narrowing. In fact, I wonder if the new DMC-GH3 doesn't perform better than the D300, which is a few versions old for Nikon. The D300 is a very nice camera, which is really meant as a backup to my D700 (one of my very favorite cameras). However, the D300 has a smaller sensor, which has the benefit of extending the telephoto effect based on the crop factor. I knew I would need all the reach I could get, so chose the D300 over the D700 for this shoot.

 

Nesting Pair, by Reed A. George

Nikon D300, Nikkor Ais-P 500mm f4 + 1.4X tele-extender

iso 800, f8, 1/1000 sec.

I like how the flying bird's head is contrasted against the shadow under his wing in the shot above. It was the best I could do with a pure white sky. I used f8 to attempt to get a little more depth of field, which is hard to accomplish at 1000mm!

 

Delivering Nesting Material, by Reed A. George

Nikon D300, Nikkor Ais-P 500mm f4 + 1.4X tele-extender

iso 800, f8, 1/1000 sec.

 

We got a few glimpses of sunlight toward the end of the event. This shot was taking during one of those brief shining moments. I like the tension of the two birds placed diagonally in the shot, looking at each other.

 

These shots, and a couple of additonal ones, can be seen on my other website, creativeobjective.com.

 

(Click Here) to go to the HeronFest photo set on creativeobjective.com

 

DMC-365.blogspot.com

 

 

Backstage at Danny Knicely's Big Winter Concert! Nikon DSLRs Are Unbeatable in Challenging Light

 

On Friday, January 25, 2013, I had the great fortune to be on the guest list with backstage access for Danny Knicely's Big Winter Concert, held at Franklin Park Arts Center in Purcellville, Virginia. This year's concert featured Danny Knicely, Aimee Curl, Nate Leath, and Darren and Matthew Olwell.

(Click Here) to read more about Danny Knicely's musical pursuits. He does a Big Winter Concert every year. Each one is different, and this year's was a blast.

I shot this show with two Nikon DSLRs - my trusty D700, and a D300, which I picked up a while back from KEH for a spare. Other than the difference in sensor sizes, the two cameras are nearly identical. All of the controls are in the same places, with the exception of how you open the little cover to the CF card slot. I can live with that. The D300 is not quite as good as the D700 at high iso levels, so I wasn't sure how happy I'd be shooting it at this show.

Making the Set List

 

It Goes Something Like This...

 

Aimee Curl on Bass

 

Darren Olwell Amongst Cables and Instruments

 

Nate Leath Working the Bow (my favorite shot of the evening)

 

Aimee and Danny

 

Audience and Family Members Joining the Fun Onstage

 

It Really Is Winter Here

 

Franklin Park is a spectacular place for attending performances.

 

(Click Here) to go to Franklin Park's website.

 

So, how did it turn out, photographically? Since I carried both the D700 and D300, I was able to use primes, and carried only the Nikkor 24mm f2.8 AF-D, Nikkor 50mm f1.4 AF-D, and Nikkor 85mm f1.8 AF-D lenses. The 85mm stayed on the D300 all evening, taking advantage of the crop factor of the smaller sensor. In shooting performances here before with the D700 alone, I have always carried along the awesome Nikkor 180mm f2.8 AF lens as well. I didn't need it at all this time.

 

On the D700, I shot the 24mm much more than the 50mm, but did use both. The wide angle of the 24mm lens on the D700s full frame sensor really made shooting in the tight spaces backstage very easy.

 

Most of my shots throughout the evening were taken at iso 3200. Yes, I can see a difference in the noise with the D300, but at iso 3200 it cleaned up very nicely and easily in Lightroom. The final shot above was taken at iso 6400 with the D700.

 

I thoroughly enjoyed using the two Nikon bodies in tandem. It was nice to reduce how often I had to change lenses, which is a weakness of using prime lenses, rather than zooms. However, the primes are faster, sharper, and lighter than zooms. I am very pleased with the results.

 

I also enjoyed every minute of the performance, and hanging out with these extremely friendly musicians. I feel very fortunate to know them.

 

DMC-365.blogspot.com