Obscured

I made this shot recently at work. I was shooting my Leica CL and Rokkor 40mm f2 lens, one of my all-time favorite combinations.

Obscured, by Reed A. George

Leica CL, Minolta Rokkor 40mm f2 Lens

Ilford HP5+ Film, Developed in Kodak D-76

 

I've recently gotten back into bulk loading 35mm film, with a couple of my friends. It's weird, but at current prices, Kodak's products cost the same per exposure in bulk (100' rolls) as they do packaged into single rolls. So, there's no advantage to bulk loading Kodak at the moment. Ilford's products are still priced so as to make bulk loading economical. At $54 per 100' roll of Ilford HP5+ (Adorama), I'm paying $3 per roll of 36 exposures. You get 18 rolls of 36 exposures from a bulk roll.

 

I'm also back to processing my own black and white film. I figure that with the relatively little time I have available for shooting, bulk loading will force me to focus on shooting black and white for a while, which is a good thing. So, I'll take the much cheaper route of processing my own film, since it will be mostly black and white anyway. To be honest, I really enjoy the hands-on processing of my film, anyway. It's good to smell the fixer once in a while.

 

The fact that my friend Dennis gave me 20 rolls of Gekko 100 black and white film, and a 100' roll of Agfa black and white 400 speed film only adds to my rationale.

 

So, get ready for a lot of black and white film shots from me! Hope you enjoy.

 

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Lest You Think Gekko 100 Can't Make Sharp Images

Recently, I've posted a few images made on the expired Gekko 100 black and white film that my friend Dennis Gallus sent to me. Some of them are less than tack sharp (see yesterday), but that's due to me, not the film. Here's an example of what the film can produce:

 

Tones and Sharpness, by Reed A. George

Leica CL, Rokkor 40mm f2 Lens, Gekko 100 Film

Developed in D-76 for 7 Minutes

 

Just to show what it can do.

 

DMC-365.blogspot.com

 

 

The Crossing

The Crossing, by Reed A. George

Leica CL, Rokkor 40mm f2 Lens, Gekko 100 Film

 

One of the things I like about film is the stochastic - the thing that can't necessary be repeated. Of course, that random nature goes against one side of photographic purpose, which is to document accurately. On the other end, it makes for some very interesting happy accidents, like in this case. I think this image has an apocalyptic feel. And I like it.

 

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Mystery

Mystery, by Reed A. George

 

Another image made with the Leica CL and Gekko 100 film. When exposing it, I knew that no film could represent the full range of light levels in the scene. So, I had to make a decision - would I expose for the interior, letting the outside light go to pure white (which may have been interesting), or expose for the highlights, letting the inside go black?

 

Obviously, I chose the latter. I love seeing the structure in the window glass and especially the buildings outside. I also like the mystery of the darkness inside.

 

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In Cars - On Composition

I believe that once you've learned the mechanics of photography - exposure, depth of field, focusing, etc., you can begin to look at the less concrete aspects of making good photographs. However, I think there are some concepts that bridge the gap between purely technical and artistic: lighting and composition, for example.

 

I shot a couple of rolls of Gekko 100 black and white film (donated to me by my good friend Dennis Gallus) last weekend. While doing the embassy row walk in DC, I shot two pictures from the Dumbarton Bridge. Here they are, side by side.

 

Two Compositions, by Reed A. George

Leica CL, Rokkor 40mm f2 Lens, Gekko 100 Film

 

Can you see the difference that the location of the cars in the scene makes? To my eye, the line of cars in the image on the left leads the viewer into and up the entrance ramp on the left. In the image on the right, the line of cars leads the eye in a curve to the right, and back to the bridge in the distance. Other than the placement of the cars, these images are nearly identical.

 

I feel that I have mastered the purely technical aspects of photography. Composition and lighting continue to challenge me, and perhaps always will. That's okay; it's part of the fun. I'm just scratching the surface of the higher "artistic" aspects of photography.

 

Here's a fun car shot, made the same day, from the new Metro Silver Line that runs from Reston, VA into DC.

 

Zoom Zoom, by Reed A. George

Leica CL, Rokkor 40mm f2 Lens, Gekko 100 Film

 

 

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