Self Portrait

I've been referring to the Photographer's Playbook (see Amazon link below) for some inspiration. Self-portraits come up multiple times in the book.

 

It was a very cold Sunday, so I decided to set up and try to make one that I had in mind. Here's the result:

 

Zen Circle, Self-Portrait, by Reed A. George

Nikon Df, Nikkor 35mm f2 AF-D Lens, 3-stop ND Filter, Nikon SB-600 Flash

iso 200, f11, 2 seconds

 

I hung up a black backdrop, put the Df on a tripod, and connected the SB-600 flash with a remote cord and mounted it up higher on a second tripod with a small softbox over it. Using a 20 second self-timer setting on the Df, I was able to get situated before the shutter opened. With a 2 second exposure, I had enough time to make the circle with a small flashlight I held in my hand. It was my intention to leave the circle unfinished as it is. The flash was set to rear curtain sync, so that it froze my position at the end of the exposure. I also like how the preflash left an impression of where my arm was at the beginning of the exposure.

 

Overall, I'm pretty happy with this. I have a couple of other self-portrait ideas that I may try next.

 

If you think it's easy to do a self-portrait, you should give it a try. I find it quite difficult to get an image of myself that I don't hate.

 

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Making Tea - A Quick Slideshow

I was looking for something to photograph this evening, and decided to try out the new Teavana tea infuser that I got for Christmas. I set up a black cloth background, put the Nikon Df on iso 200 with my 28mm f2.8 lens and 3-stop ND filter. With this setup, at f16, I could leave the shutter open for minutes at a time without ambient light showing up in the pictures. I then proceeded to "paint" my subjects with a small flashlight, making images at various points in the tea making process.

 

Here's how it turned out:

 

Relaxing Holiday Tea, by Reed A. George

 

Just a little diversion for an afternoon. I learned a few things from this. First, I needed to be more careful about spots on the glass infuser. Second, I needed to pay close attention to the flashlight being directly reflected from the ceramic and glass surfaces. But, it's definitely something I could perfect in a second shooting, if I decided to. I see now why product photography is painstaking and difficult. But, it's actually pretty fun.

 

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Lone Cypress, Pacific Grove, California

Here's a shot I made this afternoon of the Lone Cypress on the 17 Mile Drive in Pacific Grove (near Monterey) California.

 

Lone Cypress, by Reed A. George

Panasonic Lumix DMC-GX7, Lumix 14-42mm f3.5-5.6 Aspheric Series II Kit Zoom

at 23mm, with 3 stop ND + Polarizing Filter

iso 200, f22, 0.5 sec.

Edited in Snapseed on my iPad

 

This same spot is photographed hundreds or thousands of times every day. I tried to think hard about composition. I used the ND and polarizing filter to allow me to shoot a long exposure (1/2 second), in an attempt to make the water motion smooth and ethereal. It worked at a certain level.

 

What a gorgeous place this is.

 

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Belizean Sunrise

I got my butt out of bed at 5AM this morning to catch the sunrise here in Belize. I shot several images, and plan to work on them when I get home, including a plan to try some subtle high dynamic range (HDR) processing. Here's one that I like pretty much as-is:

Belizean Sunrise, by Reed A. George

Panasonic Lumix DMC-GX1, Lumix 20mm f1.7 Lens with 3-Stop ND Filter

iso 160, f16, 1 sec.

 

I liked how the shoreline formed an S-curve, ending at the thatched dock shelter at the horizon. I edited this image in Snapseed on my iPad.

 

More to come.

 

DMC-365.blogspot.com

 

O'er the Beautiful Snow

It's another snowy, stormy day here in Northern Virginia as I write this. Rather than let it keep me inside, I decided to take a walk in the woods and try to capture the mood. Choosing a simple and durable setup, I grabbed my Lumix DMC-TS5 (waterproof, everything-proof compact camera) and figured out how to set long shutter speeds manually. I wanted the longest exposures I could get, so that I could get some nice motion blur as I walked.

 

In order to use 1 second (or 1/2 second in some cases), I had to hold up a 3X neutral density filter over the lens on the TS5. No problem.

 

I've set a short selection of the images (unedited jpegs from the TS5) to one of my favorite songs, "O'er the Beautiful Snow," by Melissa Wright and the Acoustic Burgoo. The mood of the song is perfect for what I wanted to portray.

 

O'er the Beautiful Snow, by Melissa Wright and Acoustic Burgoo

Images by Reed A. George

 

(Click Here) to see the slideshow set to the music (~4 minutes playing time). Be sure to have your volume up to hear the music!

 

Melissa was nice enough to give me permission to use the song for this purpose. I hope you enjoy.

 

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10 Stop Neutral Density - What For?

 

Dramatic Reflection, by Sam M. on mu-43.com

Image Source: http://www.mu-43.com/f60/dramatic-reflection-32274/

 
This is timely for me. I have been known to use a neutral density (ND) filter occasionally, usually to lengthen my shutter speed to allow a longer expsosure, as was done by Sam M. in the image above. However, I carry a 3-stop ND filter, which allows 8 times the normal shutter opening time.
 
(Click Here) to see Sam M.'s post on mu-43.com
 
ND filters basically block a substantial portion of the incoming light, in a color-balanced way, allowing you to increase exposure in bright situations (either by lengthening the shutter opening time, or by opening up your f-stop for shallow depth of field).
 
In my Leica Akademie class on the M9 recently, our instructor, Justin Stailey, talked about 10-stop NDs. I had trouble imaging where I'd need that much of an effect. Sam M.'s image above answers the question well. Let's say you're shooting in broad daylight at iso200 - using the sunny 16 rule, you would want to shoot at about 1/200 second at f16. What would a 10-stop ND filter do for you? Well, if you wanted to make a long exposure, you could shoot at f16 for four seconds!
 
The shot above was made at 20 seconds exposure. That's what makes the clouds look so cool.
 
By the way, this effect would be very hard (impossible) to replicate in post-processing. The same is true if you use your ND for decreased depth of field.
 
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