Parkour Photography - Indoors

Last Friday night, I got invited to Urban Evolution in Manassas, Virginia, to photograph an indoor parkour workout. (Click Here) to see what Urban Evolution is all about.

 

Here is a shot where I got the chance to set up multiple wireless flashes. I didn't get it just right, as you can see the backdrop flash at the bottom of the image, but otherwise this one worked well:

 

I shot the entire evening with my Nikon D700, with the exception of a few fisheye shots I made with a Lumix DMC-GX7.

 

The workout was not particularly organized, so after making the shot above, I had to just move around amongst the raconteurs and do my best. Most of these were made with a single flash (SB-800) mounted on the camera hotshoe.

This final shot was made with rear curtain shutter, at 1/15 second exposure. I like the combination of motion blur and sharp image captured when the flash fired.

 

I am encouraged by the first shot, which shows that I can light a scene well with planning. I will try to work with this group again in a more organized fashion, where I work with them to set up a few scenes and light them very carefully.

 

I also figured out that shooting up close with wide angle lenses works very well in this situation. Here I used my Nikkor 28mm f1.8 AF-S and my 20mm f2.8 AF-D lenses quite a lot.

 

I learn something every time I get out to photograph.

 

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Dancing to Woody Pines on a Tuesday Night

Yesterday's post was about my friends in the band Mink, playing at Jammin' Java on a Tuesday night.

 

After Mink, Woody Pines hit the stage. I had to leave early, but did capture these shots of people having a good ol' time dancing to their music.

Dancing to Woody Pines, by Reed A. George

Nikon Df, Nikkor 24mm f2.8 AF-D Lens

iso 1600, f3.2, 1/60 sec.

Bounced flash (Nikon SB800) on manual, ~1/32 power

 

I was about to walk out the door as the band started, but the music was pretty infectious. Noticing that people had started to dance, I shot several images of them silhouetted against the stage lights, without flash, and with my 50mm f1.4 lens. None of those images really came out very well.

 

Then, I decided to move in closer with the 24mm, and add just enough flash to illuminate the dancers in front of the stage. I reduced the expose I'd already set for the previous shots by decreasing my iso from 3200 to 1600, and set the flash on a lower power manual setting. I was quite pleased with this result.

 

DMC-365.blogspot.com