Best Way to Use the Final Stock of Fuji FP3000B? Party!

I have a beautiful old Polaroid 250 instant camera. This is a pack film camera, which uses FP3000B or FP100C pack film from Fuji. While the FP100C is still being produced (fingers crossed for the future!), FP3000B has been discontinued. That's really too bad. FP100C is 100 speed color instant film, while FP3000B is 3000 speed (!) black and white. Neither of these films can cover for the other.

 

Anyway, I'm not going to get down about the fact that no new FP3000B is being made. I have a few packs left, and plan to use them well.

 

Last night, I used two packs of FP3000B at my company's holiday party. Knowing that it would be pretty dark at the party, and understanding that Polaroid cameras have relatively slow lenses, it was clear that flash was going to be necessary. So, I put the Polaroid camera on a flash bracket, on which I mounted a modern Nikon SB600 flash. Using a cable that I cobbled together from an old Polaroid flash bulb mount and an accessory hot shoe, I got the whole contraption to work. Testing it out ahead of time, I found that full power manual flash from the SB600 works very well with FP3000B at about 5-10 feet distance. Perfect for the party.

 

Now, this is harsh, direct light. That's the look I decided to go for, since the theme of the party was "sock hop," reminiscent of the days when someone would have photographed it with instant film and a big, bright, direct flash bulb. I got exactly what I wanted. Here are the results.

 

 

I can't think of a better way to use up what's left of this awesome black and white instant film.

 

People loved posing for me, and especially seeing the results. My catch phrase was "by the time your eyesight recovers from the flash, the print will be ready."

 

Fun.

 

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Parkour Photography - Indoors

Last Friday night, I got invited to Urban Evolution in Manassas, Virginia, to photograph an indoor parkour workout. (Click Here) to see what Urban Evolution is all about.

 

Here is a shot where I got the chance to set up multiple wireless flashes. I didn't get it just right, as you can see the backdrop flash at the bottom of the image, but otherwise this one worked well:

 

I shot the entire evening with my Nikon D700, with the exception of a few fisheye shots I made with a Lumix DMC-GX7.

 

The workout was not particularly organized, so after making the shot above, I had to just move around amongst the raconteurs and do my best. Most of these were made with a single flash (SB-800) mounted on the camera hotshoe.

This final shot was made with rear curtain shutter, at 1/15 second exposure. I like the combination of motion blur and sharp image captured when the flash fired.

 

I am encouraged by the first shot, which shows that I can light a scene well with planning. I will try to work with this group again in a more organized fashion, where I work with them to set up a few scenes and light them very carefully.

 

I also figured out that shooting up close with wide angle lenses works very well in this situation. Here I used my Nikkor 28mm f1.8 AF-S and my 20mm f2.8 AF-D lenses quite a lot.

 

I learn something every time I get out to photograph.

 

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Fun Snaps With Polaroid 250, Bounced Flash, FP3000 Pack Film

I have a newly-serviced Polaroid 250, which is one of the high end models, with Zeiss finder and a metal body. I've been playing with bounced flash (my Nikon SB600, for which I made a sync cable out of an accessory hot shoe cable and the terminal from the original Polaroid flash). I have found that setting the flash to manual, 1/2 power, pointed at the ceiling gives a good exposure for a close up subject when the camera is loaded with Fujifilm FP3000B black and white film and the camera is set for asa75 film with flash.

 

Coming home tonight, I saw my daughter sitting on the couch in her American flag socks, and just had to get a couple of pictures. I made her get up and pose on the stairs for me. Here's the best exposure of four:

 

And here's a slightly strange one, which is the result of two failed exposures where the flash didn't fire, plus a third good one, where it did:

 

 

Something about these old Polaroids. Somehow, the weirder the result, the better.

 

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Some Old Friends Play Purcellville

Some of my friends in bands got together for somewhat of a reunion last night in Purcellville, Virginia. I knew most of the people in the audience, as well as in the bands.

 

First, Jake and the Burtones opened the show.

Jake and the Burtones, by Reed A. George

Nikon Df, Nikkor 24mm f2.8 AF-D Lens

iso 3200, f3.5, 1/125 sec.

with SB-600 flash and Gary Fong diffuser

 

Then, Timmy (Tmoney) Griffin and his band SpaceCanoe took over. Tmoney has moved to North Carolina for college, so we don't get to see him so often. A true creative, Timmy has been busy writing new songs.

 

TMoney, by Reed A. George

Nikon Df, Nikon Series E 100mm f2.8 Lens

iso 3200, f2.8, 1/60 sec.

with SB-600 flash and Gary Fong diffuser

In addition to his original tunes, Timmy and SpaceCanoe played some carefully-selected covers, including one of my favorite Grateful Dead tunes, "Brokedown Palace." I actually requested that song years ago, and Timmy worked it out for me! Awesome.

 

SpaceCanoe, by Reed A. George

Nikon Df, Nikkor 50mm f1.4 AF-D Lens

iso 3200, f4, 1/60 sec.

with SB-600 flash and Gary Fong diffuser

This was a very tough show to shoot, even with my shoot-in-the-dark Nikon Df and 50mm f1.4 lens. Using the Nikon SB-600 and Gary Fong light diffuser saved the day (night). I was quite pleased with the results, given that the stage lighting was so poor (non-existent).

 

I'm especially pleased with the second image, which I made with my recently purchased, inexpensive, Nikon Series E 100mm f2.8 lens. Manual focus, in the dark. That's right. I'm proud of it. This lens will be in my travel bag in Japan; it's very sharp and oh so light compared to the also amazing 105mm f2.5 AIS Nikkor.

 

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Self-Portrait at 50

I posted a self-portrait yesterday. Here's another. This one was harder for me, and deals with the fact that I've just turned fifty. There's symbolism in the cards, and no attempt to hide my age in my face.

 

Self-Portrait at 50, by Reed A. George

Nikon Df, Nikkor 35mm f2 AF-D Lens, Nikon SB-600 Flash

iso 200, f8, 1/60 sec.

 

You'll notice there are only two cards left in my pocket, and one's the ace of spades. The other fifty say something about the years behind me now. The queen of hearts is still there, close by.

 

I shot this by setting up my Nikon Df on a tripod, pointing straight down at me as I lay on the floor on black background material. The SB-600 flash is pointed in exactly the opposite direction, bouncing off of the ceiling. Twenty second self-timer, just enough time to get the cards in place.

 

Again, the inspiration for doing self-portraits came from the Photographer's Playbook. See the Amazon link below if you want to know more about that book.

 

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Self Portrait

I've been referring to the Photographer's Playbook (see Amazon link below) for some inspiration. Self-portraits come up multiple times in the book.

 

It was a very cold Sunday, so I decided to set up and try to make one that I had in mind. Here's the result:

 

Zen Circle, Self-Portrait, by Reed A. George

Nikon Df, Nikkor 35mm f2 AF-D Lens, 3-stop ND Filter, Nikon SB-600 Flash

iso 200, f11, 2 seconds

 

I hung up a black backdrop, put the Df on a tripod, and connected the SB-600 flash with a remote cord and mounted it up higher on a second tripod with a small softbox over it. Using a 20 second self-timer setting on the Df, I was able to get situated before the shutter opened. With a 2 second exposure, I had enough time to make the circle with a small flashlight I held in my hand. It was my intention to leave the circle unfinished as it is. The flash was set to rear curtain sync, so that it froze my position at the end of the exposure. I also like how the preflash left an impression of where my arm was at the beginning of the exposure.

 

Overall, I'm pretty happy with this. I have a couple of other self-portrait ideas that I may try next.

 

If you think it's easy to do a self-portrait, you should give it a try. I find it quite difficult to get an image of myself that I don't hate.

 

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Dancing to Woody Pines on a Tuesday Night

Yesterday's post was about my friends in the band Mink, playing at Jammin' Java on a Tuesday night.

 

After Mink, Woody Pines hit the stage. I had to leave early, but did capture these shots of people having a good ol' time dancing to their music.

Dancing to Woody Pines, by Reed A. George

Nikon Df, Nikkor 24mm f2.8 AF-D Lens

iso 1600, f3.2, 1/60 sec.

Bounced flash (Nikon SB800) on manual, ~1/32 power

 

I was about to walk out the door as the band started, but the music was pretty infectious. Noticing that people had started to dance, I shot several images of them silhouetted against the stage lights, without flash, and with my 50mm f1.4 lens. None of those images really came out very well.

 

Then, I decided to move in closer with the 24mm, and add just enough flash to illuminate the dancers in front of the stage. I reduced the expose I'd already set for the previous shots by decreasing my iso from 3200 to 1600, and set the flash on a lower power manual setting. I was quite pleased with this result.

 

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