Showing posts with label Jammin' Java. Show all posts
Showing posts with label Jammin' Java. Show all posts

Saturday, August 1, 2015

More From Jammin' Java - Jamie Lin Wilson

Yesterday, I posted some pictures of Scott Miller's show at Jammin' Java. Here are some additional images from the same night, of Jamie Lin Wilson, who opened the show.
 
I really enjoyed Jamie's music, especially a song from her new album "Holidays and Wedding Rings." It's called "You Left My Chair," and is about an abandoned house, with only an old chair left on the porch. The house really exists, and Jamie said that she photographed it, which inspired the song. I'd love to see that photograph.
 
(Click Here) to check out Jamie Lin Wilson's website.
 
All of these shots were made with the Nikon Df.
 
DMC-365.blogspot.com

Friday, July 31, 2015

Live Music Concert- Scott Miller at Jammin' Java - Shot With the Nikon Df

Last Sunday (July 19, 2015), I went to a live music show at one of my favorite venues, Jammin' Java, in Vienna. (Click Here) to check out Jammin' Java. They have a very full schedule of interesting shows. Most importantly for this evening, Jammin' Java is indoors. It was still in the 90s and very humid outside, even after sunset.
 
 
Scott is a very interesting guy - professional musician and Virginia cattle farmer. (Click Here) to check out his website.
 
Once again, my Nikon Df is the master of darkness. Shooting with my favorite prime lenses (28mm f1.8 AF-S, 50mm f1.4 AF-D, and 85mm f1.8 AF-D), I was able to shoot at either 1/125 or 1/250 of a second and still have enough depth of field to be useful. This meant iso values of 3200 or even 6400 - no problem at all for the Df. I love this camera.
 
DMC-365.blogspot.com
 

Tuesday, June 2, 2015

Songwriter's Tribute to Bob Dylan's 74th Birthday

Whatever you may think of Bob Dylan, you have to admit the man's a creative genius. Possibly not the most polished vocal tones in history, his songs will be with us for a long time, maybe as long as humans listen to music.
 
I attended a celebration of Dylan's 74th birthday, led by three songwriters (left to right) Todd Wright, Luke Brindley, and Anthony Fiacco.
The event was held at Jammin' Java, a really nice live music venue in Vienna, Virginia. (Click Here) to check out Jammin' Java. They have a full schedule of live music, and the place is well set up for listening.
 
I shot with the Nikon Df, new 28mm f1.8 AF-S, 50mm f1.4 D, and 85mm f1.8 D lenses. Here are some more shots from the show.
 
 
These images are pretty much straight from the camera.
 
I am hoping that the 28mm will be a useful lens for my live music shooting. I am pretty pleased with the results from this first trial.
 
DMC-365.blogspot.com

Friday, March 20, 2015

What Was I Shooting a Year Ago? 35mm f1.4 Summilux Version 3

Jammin' Java, by Reed A. George
Leica M9, Leica Summilux 35mm f1.4 v. 3 Lens
iso 1600, f1.7, 1/15 sec.
 
I was just thinking about the end of the winter season, and how excited I am to get outside again as the weather gets nice. That got me thinking about what I was shooting at this time a year ago.
 
Apparently, I was shooting my M9 and my most valuable Leica lens - the classic Summilux 35mm f1.4 version 3. At nearly wide open, this lens has character to spare. Sharp yet glowing. Love it.
 
DMC-365.blogspot.com
 
 

Sunday, February 1, 2015

Dancing to Woody Pines on a Tuesday Night

Yesterday's post was about my friends in the band Mink, playing at Jammin' Java on a Tuesday night.
 
After Mink, Woody Pines hit the stage. I had to leave early, but did capture these shots of people having a good ol' time dancing to their music.
Dancing to Woody Pines, by Reed A. George
Nikon Df, Nikkor 24mm f2.8 AF-D Lens
iso 1600, f3.2, 1/60 sec.
Bounced flash (Nikon SB800) on manual, ~1/32 power
 
I was about to walk out the door as the band started, but the music was pretty infectious. Noticing that people had started to dance, I shot several images of them silhouetted against the stage lights, without flash, and with my 50mm f1.4 lens. None of those images really came out very well.
 
Then, I decided to move in closer with the 24mm, and add just enough flash to illuminate the dancers in front of the stage. I reduced the expose I'd already set for the previous shots by decreasing my iso from 3200 to 1600, and set the flash on a lower power manual setting. I was quite pleased with this result.
 
DMC-365.blogspot.com
 
 

Saturday, January 31, 2015

Mink at Jammin Java

I haven't been able to make it to a lot of live music events recently. I did get out on a Tuesday night (!) to see my friends Melissa, Danny, and Rudy of the band Mink play at a local venue, Jammin Java, in Vienna, Virginia.
 
I brought out my new Nikon Df and three prime lenses - 24mm f2.8, 50mm f1.4, and 85mm f1.8.
 
Mink, by Reed A. George
Nikon Df, Nikkor 24mm f2.8 AF-D
iso 5600, f2.8, 1/125 sec.
 
Keeping the camera in Auto-ISO mode, was able to set a relatively fast shutter speed (1/125 sec.) and shoot wide open with any of the three lenses. As you can see, iso 5600 is just no problem at all for the Df. Actually, 12,800 isn't too bad.
 
Melissa and Danny, by Reed A. George
Nikon Df, Nikkor 85mm f1.8 AF-D
iso 2800, f2, 1/125 sec.
 
It felt good to get out and see my old friends, even for a quick set on a weeknight.
 
(Click Here) to find out more about Mink.
 
(Click Here) to find out about Jammin Java.
 
DMC-365.blogspot.com
 
 

Friday, July 26, 2013

Leica at the Sunday Afternoon Jam Session - Including Whole Lotta Leica Lens for July - Summitar 5cm f2 Collapsible

I went to a jam session at Jammin' Java, a great music venue and coffee house here in Vienna, Virginia.
 
(Click Here) to check out Jammin' Java.
Margot MacDonald, by Reed A. George
Leica M9, Canon 50mm f1.4 LTM
iso 800, f2, 1/125 sec.
 
I took along my WLL lens for this month, the Summitar 50mm f2 collapsible. Here's a shot from that lens.
 
 
Jam Session, by Reed A. George
Leica M9, Summitar 5cm f2 Collapsible LTM Lens (Coated)
iso 640, f2, 1/160 sec.
 
It was pretty dark in there, with bright afternoon light coming from the front windows, but very little additional light inside. It made for some dramatic lighting for those standing in that window light, just plain darkness for the others.
 
I was glad that I had thrown my Canon 50mm f1.4 LTM lens in my bag on the way out. I used it a lot more than the Summitar. Here are a couple of examples.
 
 
Nina, by Reed A. George
Leica M9, Canon 50mm f1.4 LTM
iso 40, f1.4, 1/90 sec.

 
Margot MacDonald and Tony Moreno, by Reed A. George
Leica M9, Canon 50mm f1.4 LTM
iso 1250, f2, 1/90 sec.
 
 
Bass, by Reed A. George
Leica M9, Canon 50mm f1.4 LTM
iso 800, f1,7, 1/125 sec.

 
Margot MacDonald, by Reed A. George
Leica M9, Canon 50mm f1.4 LTM
iso 800, f1.4, 1/125 sec.
I thoroughly enjoyed the session, and met a few new people.
 
For more images from the session, (Click Here).
 
I have always really liked my Summitar. However, the Canon f1.4 really came through for me. I think the Summitar is a street photography lens, not so much a low light, wide open shooter. I have shot it in dark spaces a couple of times recently, and am not really that happy with it wide open. At f5.6 or smaller, it excels. That wasn't going to happen at the jam session.
 
Guess I've got to get the Summitar out on the street this month!
 
DMC-365.blogspot.com