Showing posts with label SMC Pentax 50mm f17. Show all posts
Showing posts with label SMC Pentax 50mm f17. Show all posts

Thursday, February 14, 2013

Skeletons From The Closet - Pentax K1000 Results, In Color This Time

While using my Pentax K1000 during the month of January, I shot mostly black and white film. However, I did shoot a couple of rolls of color print film as well. Here are some of my color results.
 
Winter Berries, by Reed A. George
Asahi Pentax K1000, SMC Pentax 40-80mm f2.8-4 Lens
 
I had never tried this Pentax zoom lens before. It came with some other lenses I was more interested in. However, at f2.8-4, it's pretty fast. And, it has close focus capability. To me, 40-80mm is sort of a funny focal range, but it does seem to work pretty well. Mine is in excellent condition. I was impressed with the sharpness of the lens.
 
I took the camera and lens out for a walk during a break from work. We have a walking path that goes down to the river. The bridge is a common subject for me.
 
Bridge, by Reed A. George
Asahi Pentax K1000, SMC Pentax 40-80mm f2.8-4 Lens
 
On this particular winter day, the sky was clear and bright, making for some interesting reflections of the trees that tower over the river side.
 
Flowing Trees, by Reed A. George
Asahi Pentax K1000, SMC Pentax 40-80mm f2.8-4 Lens


Flowing Trees, by Reed A. George
Asahi Pentax K1000, SMC Pentax 40-80mm f2.8-4 Lens
 
The following images were shot during a Japanese New Year event in Washington, DC. Taking advantage of the fast SMC Pentax 50mm f1.7 and iso 400 film, I did a couple of rounds of the event. I found that people were happy to let me photograph them with the old film SLR. I felt like a kid again shooting with it.
 
Japanese Festival, by Reed A. George
Asahi Pentax K1000, SMC Pentax 50mm f1.7 Lens
 
Japanese Festival, by Reed A. George
Asahi Pentax K1000, SMC Pentax 50mm f1.7 Lens
 
The shot above is an example where I believe that out of focus foreground objects (like on the right side of this image) help to focus the viewer on the true area of interest.
 
Japanese Festival, by Reed A. George
Asahi Pentax K1000, SMC Pentax 50mm f1.7 Lens
 
I love the warm design on the girl's kimono in the shot above.
 
Japanese Snacks, by Reed A. George
Asahi Pentax K1000, SMC Pentax 50mm f1.7 Lens
 
Japanese Festival Games, by Reed A. George
Asahi Pentax K1000, SMC Pentax 50mm f1.7 Lens
 
Japanese Festival, by Reed A. George
Asahi Pentax K1000, SMC Pentax 50mm f1.7 Lens
 
Sometimes I wonder what all of my other gear really adds to my creative pursuit, when I can have so much fun with the first real camera I ever owned, and a couple of lenses. And, the Pentax has capabilities wider than I've explored here. There is a full set of lens options, from very wide to long telephoto. It's a very capable camera system. Of course, other cameras bring different strengths and weaknesses, but the Pentax K1000 is a favorite for a reason.
 
What a blast to get out and shoot mine after such a long time! Not bad for a 35 year old camera.
 
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Wednesday, January 2, 2013

New Regular Column On DMC-365: "Skeletons from the Closet" - Using and Reviewing Cameras From My Collection

Now that I've officially completed my first year running DMC-365, it's time to freshen it up a bit. I'm still working on a list of ideas, but have one or two that I want to get started right away.
 
This one will be called "Skeletons from the Closet," meaning that I'll pull out some old favorite cameras from my collection (which literally is stored in a closet) over the coming year. In fact, my plan is to feature a different camera each month. I will write at least two posts on each camera - one introducing the camera of the month, and a follow-up, showing some of the images that I captured, and reviewing my thoughts on using the camera. Since these are film cameras, and I like to mail my film to The Darkroom (thedarkroom.com) for processing, the follow-up will normally come out mid month, the month after I use the camera. So, you can expect the first results around February 15.
 
To kick it off, for the month of January, I'm going back to where it all started. The Pentax K1000. Not just any K1000, this specific one. My parents bought it for me when I was in sixth grade, which must have been 1977. The K1000 came out in 1976. This camera moved across the country with me multiple times, and finally ended up with an old friend of mine during my 20 year hiatus from serious photography.
 
A couple of years back, my daughter asked about my first camera. The K1000 was my first serious camera, after a Kodak 126 Instamatic. On a whim, I called up my friend to see if he still had it. Not only did he have it, he was still using it. The meter was not working, but otherwise it was fully functional. I had him send it to me, and sent him an old Ricoh to use instead.
 
As soon as I got it back, I sent it off to Eric Hendrickson, Pentax Guru, for a CLA. Now it works as well as new. By the way, Eric is a great guy, and if you need a Pentax SLR serviced, you should contact him at pentax27@aol.com
 
Anyway, here's my first skeleton from the closet for 2013:
 
My normal lens back in the day was a 50mm f1.7 like that one shown above. I had to buy this one to replace the cheapo zoom that had made its way onto the camera over the years. The 50/1.7 is an amazingly good lens.
 
I may also shoot with another lens or two, most likely the 135mm f2.5 that I recently picked up for next to nothing.
 
So, wish me luck on this project! I have some real old beauties in store for the coming months.
 
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