Wrapping Up - LHSA International Leica Society Spring Shoot in NYC

 

It's been a while since I last posted, but I think I feel a wave of refreshed enthusiasm coming on. Springtime is here, and there's plenty to get out and photograph.

 

Speaking of Spring, we just wrapped up the Spring Shoot of the LHSA, the Internatioanl Leica Society, in New York City. (Click Here) to check out LHSA.

 

While I mostly shot black and white film on this trip, the image above, from Central Park, was shot on my Leica M9, with the Elmar C 90mm f4 lens. This is a great little telephoto for travel, so tiny.

 

Anyway, the image won second place in the LHSA contest for the Spring Shoot. The prize is a free 16"x20" print from Digital Silver. (Click Here) to check these guys out. They may silver prints from digitial files, as well as offering film processing services. My plan is to get the image above printed for my prize. It will make a nice memory of this event.

 

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Two More From the Fuji GW690II

Adding to my last post, with two more 6x9 medium format images from Jones Gap State Park in South Carolina.

This is a detail shot of the water at my feet . To give an idea of the scale, I'd say the rock at top was about six feet away. I love the deep darkness and blue cast in the water

 

 

This image didn't appeal to me at first, but I've grown to appreciate it.

 

Both were shot on Kodak Portra 400. No filters were used.

 

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Fuji GW690II - Monster Rangefinder Medium Format Camera

Over the holidays, this camera popped up at KEH (keh.com) at an unbelievably low price.

Fuji GW690 II

 

A Fuji GW690II, this big beast shoots 6x9 negatives on 120 medium format film. The camera is in KEH's "BGN" (bargain) condition, which as usual means that it's fully functional. This particular camera has a few bumps and scratches, but the shutter counter has a low number, and the lens glass is just plain perfect.

 

I've long been a fan of Fuji's optics, and enjoy their medium format rangefinder cameras. I used to have the earlier version BL690, which had interchangeable lenses. The GW690II has a fixed 90mm f3.5 lens, and it's a beauty.

 

This is a big, heavy camera. In my opinion, it's best on a tripod.

 

Here's a shot from my first roll shot in the camera, on Kodak Portra 400.

 

 

The detail in this image is incredible. I've made an 8x12 working print. Next stop, 12x18!

 

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I've Got Half a Mind to....

I was at the weekend Georgetown flea market a week or so ago with my friend Charlie. We were visiting with an acquaintance there, who always brings a nice selection of old cameras, when I spotted one of interest - a Canon Demi EE17 half-frame camera. Here's what the camera looks like.

Image Source: http://www.canon.com/c-museum/en/product/film64.html

 

What's a half-frame camera, you ask? Well, it shoots normal 35mm film, but in 24x18mm frames, allowing you to get 72 exposures from a normally 36 exposure roll. This fact also makes the frame orientation to shift from the normal landscape arrangement to portrait, when the camera is held normally.

 

Needless to say, the Demi went home with me. I have not even tried to put a battery in it, happy to use an external light meter and set shutter speed and f-stop manually. The lens is a Canon 30mm f1.7 (fast!) model. Focus is accomplished through a manual distance scale on the outside of the camera, or selecting one of three distances (portrait, group of people, or mountain). At 30mm depth of field is pretty big, so that works.

 

Here are some shots from my first test roll through the camera, an expired roll of Agfa APX400 from my friend Dennis, exposed at 200 speed, and developed in straight D76 for 7.5 minutes. I scanned all of them in pairs, as they appear here. I'm definitely planning to shoot a lot of diptychs (picture pairs) with this little jewel.

 

 

Many people think that 35mm (full frame) is small, and pushes the limits of negative size to give decent image quality. I agree, to an extent, but as long as I'm not trying to make big prints, the half-frame works fine. The Canon optics seem to be quite sharp, and the little camera is a blast to shoot.

 

And, getting 72 exposures on one roll is pretty cool, too.

 

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Protest!

On October 16, 2015, there was a march and protest against genetically modified organisms (GMOs), and more specifically, against Monsanto, in Washington, DC.

 

Disclaimer: My coverage of this event does not indicate that I do/do not identify with the protester's position on this issue.

 

The event began at the United States White House, in Lafayette Park. The protesters took to the street, and marched from the park to the headquarters of the Environmental Protection Agency (EPA).

 

The welcome at the EPA (by Department of Homeland Security) was calm, yet firm. This officer informed the protesters that they were welcome to protest on the front lawn, but if they attempted to enter the EPA building, they would be arrested. No one attempted entry.

 

 

Many of the protesters dressed up as honey bees, a species they have identified as being affected by Monsanto's products.

 

 

The honey bees staged a "die in" on the EPA lawn.

 

There was a range of speakers at the event, ranging from the very young (10 years old?) to adult. Their logic ranged as well, and a lot of numbers and statistics were stated without much context, in my opinion.

 

Next, the group marched on to the DC offices of Monsanto. This gentleman was attempting to get into the building, presumably on some sort of official business, when one of the protesters offered him some "Monsanto Bucks," a printed fake currency meant to represent the money that changes hands between government and company officials. He did not accept it.

 

The Monsanto building had prepared well, and had security guards and tape at the doors. They would not let this gentleman in. Apparently disgusted, he seemed to have had no choice but to walk away.

 

 

Interestingly, his security badge lanyard says "Criminal Division." I'm not sure what to make of that.

 

This was the only instance of tension that I witnessed during the protest. The police were present, but as you can see, quite relaxed and friendly with the protesters.

 

 

At this point, the energy of the group started to wane, and I moved on with my evening.

 

This was an interesting shoot for me. I covered it entirely with my Leica M9, 35mm f2 Summicron v.3, and 90mm f4 Elmar C lenses. Great fun.

 

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What Do You See?

Here's my favorite shot from last weekend's LHSA meeting in Washington, DC.

 

I call it E(ye)nigma.

 

E(ye)nigma, by Reed A. George

Leica Monochrom, 50mm f1.4 Summilux ASPH. lens

iso 1250, f2.4, 1/125 sec.

 

What do you see in this image? I hope you'll see two very different images if you look at it from a distance (or with you eyes squinted a little), and then look close up at some of the details.

 

It's a complicated, busy composition. I know that. That is part of why it works for me.

 

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I Got to Borrow a Leica Monochrom Camera - and I Liked It!

As part of the LHSA (International Leica Society)'s annual meeting in Wahington, DC, Leica camera offered the "Leica On Loan" program to us members. I got to borrow a first version Monochrom camera and 50mm f1.4 Summilux lens. Here are two shots I made with that combo.

 

I am very impressed with the results. Now that the new, improved Monochrom is out, I am really interested in that, too. Purely in an academic sense, that is; I don't have $7,500 laying around...

 

Leica On Loan is a wonderful benefit of being an LHSA member. I thoroughly enjoyed seeing all of my LHSA friends in DC.

 

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Day Sleepers - Cool Project

My Day Sleepers (NYC), by Reed A. George

Panasonic Lumix DMC-LX7

iso 800, f1.8, 1/125 sec.

 

I captured these guys sleeping on the subway in NYC. It's interesting to see people sleeping in public places, especially when they're not unfortunate homeless people.

 

I read an interesting piece on the Leica Camera Blog about Eric Leleu, a Frenchman who did an extensive project, photographing "day sleepers" in China. Interestingly, Eric used a Leica M6 for many years, and more recently a digital Leica M240, but in both cases with just one lens - a 35mm f1.4 Summilux.

 

(Click Here) to read the story on the Leica Camera Blog. Knowing he shot all of these with a 35mm wide angle impresses me. He had to get pretty close in many cases.

 

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Do I Miss My Hasselblad Xpan? I think I Do.

Some of my Xpan Shots, With 45mm f4 Lens

 

I used to own a Hasselblad Xpan and 45mm lens. It's the only Hasselblad I've ever owned. I liked it, but didn't love it at the time. It was valuable enough, I decided to sell it. Now, I wonder if that was a good idea. I was just getting into the panoramic composition. I have continued to play with panos, with a few different cameras that give me the option - the Reality So Subtle 6x17 pinhole camera is my favorite. I also have a Lomography Sprocket Rocket, and a 35mm wide (panoramic) back for my Bronica ETR. But, the Xpan was a nice combination of small size, flexibility (it can also shoot normal 35mm frames), and very high quality optics.

 

As I prepare for my upcoming vacation and hiking trip, I'm thinking about the Xpan again. My plan is to take my Fujifilm GS645S medium format rangefinder, and my Lumix DMC-LX100 on the trip. Both are excellent travel cameras. But, an Xpan would be great, especially for the hike.

 

Nick DeMarco of the Rangefinder Chronicles shoots an Xpan regularly. (Click Here) to see a nice post of Nick's work.

 

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The Handley Library in Winchester, Virginia - Fuji GS645S Medium Format Rangefinder

I have happily re-entered the Fujifilm camera owners crowd. No, I didn't buy an X100... I re-bought a camera that I had owned in the past, the 6x4.5 medium format film rangefinder GS645S. With a slightly wide angle (38mm equivalent) 60mm f4 lens, this is one perfect little travel camera.

 

I shot a 15 exposure test roll of TMax 400 in my new camera in Winchester, Virginia, last weekend.

 

Handley Library, by Reed A. George

Fuji GS645S, Kodak TMax 400 Film, Red Filter

 

The Handley Library is in my opinion by far the most interesting architecture in Winchester. Built in 1913, it strikes me as a little piece of Europe in rural Virginia. I shot this image with a 2-stop red filter, to darken the bright blue summer sky and bring out the contrast in the clouds. I think it worked.

 

Here's a shot from inside the library, in which I was attracted by the light rather than the subject.

 

Inside the Handley Library, by Reed A. George

Fuji GS645S, Kodak TMax 400 Film

 

I think this image demonstrates what I love about this camera. A wide range of tones, and sharpness that is as good as it comes, if you ask me. Not bad for a 30 year old film camera. I'll write more about the camera in coming days, but suffice it to say the GS645S is a wonderfully compact, if not sturdy, high quality imager.

 

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Posing - Not So Easy for Me

I've been reading and working on posing techniques recently. It's not easy for me, but I do believe I'm learning some important tools.

Christine, by Reed A. George

Leica M3, Summicron 50mm f2 v.2 Lens

 

Out of all of the things I've learned so far, getting the arms to be part of the composition, and not just in the way, is one of the most important.

 

I'm definitely continuing to learn, and with each image I make, I can find weaknesses, problems with the pose. In this one, I should have moved a little to the left, to make it where her eyes and face were as close to the camera as her shoulder. As it is, her shoulder draws too much attention.

 

By the way, if you're looking for a good book on the subject, check out Roberto Valenzuela's Picture Perfect Posing. I've included a link to it on Amazon below.

 

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It's Not All About the Camera, but the Camera Matters

Basement Cafe, by Reed A. George

Leica M9, Zeiss Sonnar C 50mm f1.5 Lens

iso 640, f2, 1/45 sec.

 

As you most likely know, this blog is mostly about the interface between cameras (more broadly, photographic equipment) and creativity.

 

The Leica M9 is certainly one of the most wonderful cameras I've ever owned. It's by far the most expensive. But, it's also quite unique in the world of digital cameras. It makes images that just aren't quite like other digital cameras.

 

I recently went through the experience of being convinced that my M9 had the famous sensor corrosion issue, and as a result planned my exit from the M9 experience. Scenarios included an upgrade to the Leica M240 (which I was not thrilled about), or a complete exit from Leica digital (which I was less thrilled about). But, I could have made it work. My shooting style when using the Leica, any Leica, would not suffer much from shooting only film. I'm still deeply into shooting film, so there's no barrier to me in that respect. The only exception would be for travel, where film has become a large pain in the a$$.

 

Luckily, Leica informed me that my sensor was fine, cleaned it, and sent it back to me. No troubles since then. But, I do still think about the upgrade once in a while. The truth is, none of the features of the M240 really seem like an advantage over the M9 to me, with the exception of high iso capability. Let's face it. I don't need to adapt Nikon lenses to my Leica rangefinder. Nor do I need an electronic viewfinder on it.

 

Anyway, I'll stop rambling and just say that I'm glad my M9 is still chugging along. I'll continue to use it alongside some great Leica film bodies.

 

What got me started on this subject? An interesting post on a blog called "Into the Foto," where the author sent his Leica M-E (same sensor as the M9) in to have the sensor replaced, and reverted back to his Ricoh rangefinder and Olympus SLRs. Very interesting. (Click Here) to read that post.

 

Yes, the camera matters. What matters more is creativity and the motivation to get out and shoot. That's what I'm working to maintain and continuously improve.

 

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New Orleans' Royal Street - Leica IIIC and Summar 5cm f2 Lens

 

Royal Intersection, by Reed A. George

Leica IIIC Sharkskin, Summar 5cm f2 Collapsible Lens

 

I was scanning a roll of film that I shot in New Orleans while attending the LHSA Spring Shoot 2015 when I came across this shot.

 

This corner on Royal Street, at Rouse's Grocery, is one of my favorite spots in the city of New Orleans. Always hosting live musicians, rain or shine, it's a real crossroads for everyone who frequents the French Quarter - musicians, tourists, locals, and yes, police officers. This image says a lot about this particular place that I love so much.

 

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French Quarter in the Rain - Leica IIIC and Summar 5cm f2

I recently attended the LHSA (International Leica Society) Spring Shoot in New Orleans, Louisiana. One of my favorite places to photograph, I was hoping we'd get some inclement weather to build some mood into my pictures. I was not let down - it rained on and off, sometimes quite heavily, during my whole trip. I loved it.

 

Here are some shots of street musicians playing in front of Rouse's Grocery on Royal Street as a rain storm rolled in and subsequently left.

 

All were shot with the Leica IIIC and Summar 5cm f2 lens. One of Leica's earliest fast lenses, the Summar is infamous for being being soft. I happen to have a clean copy, without a scratched front element, which is rare. I find it to be a wonderful lens.

 

 

Shooting iso 400 film (Kodak TMax 400), I couldn't quite get a fast enough shutter speed to capture the rain as I wanted. I hope that you can see it in images 2 and 3.

 

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Baseball - Japanese Little League, Shot with Leica IIIG

Baseball is big sport in Japan, including Little League.

 

Little League Baseball, Japan, by Reed A. George

Leica IIIG, Elmarit 5cm f3.5 Collapsible Lens

Kodak TMax 400 Film

 

On one of my morning walks around Tokyo, I came across this team, running drills either before or after their games. I was impressed by the enthusiasm of the young players, and the attention their coach paid to them. All of the following shots were made with the Leica IIIG, this time with a Nikkor 50mm f2 LTM lens that I purchased at Map Camera in Tokyo. It's a beautiful little lens.

 

I very much appreciated capturing a little slice of the Hawks' fun together. Great fun with an old Leica rangefinder.

 

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