Showing posts with label Planar. Show all posts
Showing posts with label Planar. Show all posts

Monday, January 25, 2016

A Very Different Rolleiflex - SL2000F - My Latest Passion

So several weeks back, I went to meet my good friends Charlie and Alain for a photo outing. Charlie and I were discussing settings for his new Panasonic Lumix DMC-GX8 when Alain walked up with this beauty.
 
Rolleiflex SL2000F and Planar 50mm f1.8 Lens
 
Now, I admit that I'm pretty passionate about cameras. Passionate, but generally careful. When I realized that this was a 35mm Rolleiflex, with both eye-level and waist-level finders built in, interchangeable lenses (Rollei QBM mount), and interchangeable film backs, well, that was it. I had to have it. I'd never seen anything like it. No looking it up online, no research at all, had to have it. I bought it right then, in the parking lot. Alain was nice enough to part with it for the price he paid. Here it is with the matching Sonnar 135mm f2.8 lens.
 
 
Driving away after our day out shooting, I thought "What have I done?" A dead lens mount (the QBM is no longer made anywhere), electronic (not quiet) advance only (no manual override), maybe I should have been a little more cautious. But, just look at it. So, I smiled and drove on home.
 
Then, just as soon as I got home, I started looking for information on this beauty online. Oh, no! Everywhere I looked were warning signs - electronic failure, no spare parts, DO NOT BUY THIS CAMERA! Well, it gave me pause, but again, just look at it. I decided to take my chances and just plain use it.
 
This camera is a total blast to use. Something between a Rolleiflex TLR and a 35mm SLR system camera, it's just plain wonderful.
 
And then, I found out even more that I liked - a Rollei-made auto-aperture adapter to mount M42 lenses! This immediately expanded my lenses from the Planar 50 and Sonnar 135 to my wider set of Pentax M42 lenses, including a 28mm f2.8 no-namer, 35mm f3.5 Super Takumar, 50mm f1.4 Super Takumar(!), 200mm f4 Takumar, and even a Yashica 300mm f5.6 telephoto. Lots to play with.
 
So what about all of this concern for reliability? Well, I could either try to find someone to service the SL2000F if needed, or think about spares. I determined that a spare body was the best approach. So, I picked up a Rollei SL35 (earliest model SLR) for $35 on ebay. Yes, it needed a little exercise, but now it works fine. Here it is with the Pentax 35mm mounted via adapter.
 
Rollei SL35 and Pentax Super Takumar 35mm f3.5
 
Of course, I also started a followed search on ebay for a second SL2000F body. Pretty slim pickings, as these cameras are pretty rare. But, within a couple of weeks, I found a fully-functional SL2000F listed in Germany, with another M42 adapter, Zeiss Jena Tessar 50mm f2.8 M42 lens, two film backs, the very difficult to find electronic wired remote shutter release, and, even rarer, the dedicated Metz flash and Rollei flash adapter, built specifically for the SL2000F. And at a great price. I emailed the German seller with a few questions, and went for it. The second camera is now here and appears to be fully functional.
 
So, now I'm really deep into these cameras, but loving every minute of it. And, to calibrate it a little, still have less invested than the cost of a single high quality DSLR body.
 
So, how does it work? Like a dream. Here are a few images from the first SL2000F body, shot on a recent road trip down to Asheville, NC.
 
 
The lenses are plenty sharp. Everything seems to work very well. No electronic problems, even though I had a few scares at first. Based on reports online of AA batteries being too high voltage for the camera (they fit), I took others' advice and ordered some rechargables and they work perfectly. I chose Panasonic Eneloop batteries, and highly recommend them.
 
More importantly, this camera just fits me perfectly. It truly feels at home in my hands. I love being able to use the waist-level finder when I want, more often the eye-level finder, without changing any parts. I love that it's 35mm. I love the lenses, both Rollei and M42. I love a lot about this camera.
 
So, I'm glad that I didn't make time to be more rational about this purchase. If I had, I would not have bought it, based on all the warning signs online. I'm glad I bought it, and feel quite fine now with a spare body, just in case.
 
DMC-365.blogspot.com
 

Friday, September 4, 2015

Annoying Some Kids With My Rolleiflex

Get it Over With, Mister. By Reed A. George
Rolleiflex 2.8F Planar, Kodak TMax 400 Film
 
Every single time I use it, I am reminded why the Rolleiflex is such an important piece of photographic history, and my photographic present. I just love the expression on this little girl's face, as well as her posture. I also like that her shirt says "SMILE" on it...
 
DMC-365.blogspot.com

Wednesday, June 24, 2015

A Rolleiflex Portrait - Now That's Nice Bokeh!

I really love my Rolleiflex 2.8F. I dreamed of owning this camera for a very long time. Through the generosity of my friend, Charlie, I was able to get it.
 
Lunchtime Portrait, by Reed A. George
Rolleiflex 2.8F Planar, Kodak TMax 400 Film, at f2.8
 
What an amazing camera this is. Oh, and if you don't know what "bokeh" is, it's the rendering of the out of focus portions of the image. I think the Rollei bokeh is the best.
 
DMC-365.blogspot.com
 

Thursday, June 4, 2015

Inside Looking Out - Rolleiflex 2.8F

 
Inside Looking Out, by Reed A. George
Rolleiflex 2.8F Planar, Kodak Tmax 400 Film
 
I shot this on a lovely, bright, spring morning at Le Diplomate restaurant in Washington, DC. I exposed for the gentleman's face, which meant that I had to dodge the interior (dark) portion of the image to show some detail in the bottles.
 
DMC-365.blogspot.com
 

Monday, March 23, 2015

"Cool Camera" - a Blessing and a Curse

My friends Charlie and Alain have recently pointed out the difference in how people react to a camera when they think it's cool or interesting. Specifically with Rolleiflexes, they have noticed that people come up to them to talk about the camera. It's certainly true.
 
Willing Subject, by Reed A. George
Rolleiflex 2.8F Planar, Kodak TMax 100 Film
 
In the case above, Charlie's Leica IIIC (just back from a CLA) attracted attention. This gentleman recognized both Charlie's Leica and my Rolleiflex.
 
Italian Gentleman, by Reed A. George

Rolleiflex 2.8F Planar, Kodak TMax 100 Film

 
Now, I won't deny that it's nice to have people come up to talk cameras. Sometimes when I'm out shooting, that's exactly what I'd like to have happen, and it typically results in at least one or two images.
 
But, other times, I don't want to be noticed at all. The Rolleiflex is not the best camera for that situation. It's a camera for someone who wants to engage their subject. That said, I have had the experience of using the Rollei inconspicuously, at waist level. Not having it at your eye and noticeably pointed at the subject can really help.
 
DMC-365.blogspot.com
 

Sunday, March 22, 2015

Decisions, Decisions

Selecting Fruit at the Farmer's Market, by Reed A. George
Rolleiflex 2.8F Planar, Kodak Tmax 100 Film
 
Boy, it feels good to get outside and see people outside, not running for protection from the elements.
 
DMC-365.blogspot.com
 
 

Sunday, February 22, 2015

More From the Polar Bear Plunge - Rolleiflex 2.8F

Yesterday, I posted a series of pictures from the Polar Bear Plunge, an event to raise funds for Camp Sunshine, a wonderful place that helps families dealing with childhood cancer.
 
All of the images yesterday were from my Leica M9. Today, I'll show some that I made with my Rolleiflex 2.8 F twin lens reflex (TLR) camera.
 
 
 
And here's my favorite shot - these young spectators were just so cute under their blanket together.
 
 
It was a blast using the Rolleiflex alongside the Leica rangefinder at this event. Perhaps not the optimum equipment, but it sure worked out well.
 
DMC-365.blogspot.com