Someone Loves NY, Barefoot

Leica M4-2, 35mm Summicron f2 v.3

 

DMC-365.blogspot.com

Can I Eat Him, Mom? Can I?

 

 

Rollei 35, 40mm f3.5 Tessar Lens

Kodak TMax 400 Film

 

I have a thing for Rollei cameras. My latest is the tiny little Rollei 35, a guess-focus camera with a jewel of a Tessar lens (collapsible). It has a meter, but no provisions for focusing. Seems I guessed the distance pretty well in this shot.

 

DMC-365.blogspot.com

 

Wrapping Up - LHSA International Leica Society Spring Shoot in NYC

 

It's been a while since I last posted, but I think I feel a wave of refreshed enthusiasm coming on. Springtime is here, and there's plenty to get out and photograph.

 

Speaking of Spring, we just wrapped up the Spring Shoot of the LHSA, the Internatioanl Leica Society, in New York City. (Click Here) to check out LHSA.

 

While I mostly shot black and white film on this trip, the image above, from Central Park, was shot on my Leica M9, with the Elmar C 90mm f4 lens. This is a great little telephoto for travel, so tiny.

 

Anyway, the image won second place in the LHSA contest for the Spring Shoot. The prize is a free 16"x20" print from Digital Silver. (Click Here) to check these guys out. They may silver prints from digitial files, as well as offering film processing services. My plan is to get the image above printed for my prize. It will make a nice memory of this event.

 

DMC-365.blogspot.com

 

Georgetown (less cynical)

Georgetown Street Scene, by Reed A. George

Nikon Df, Nikkor 35-70mm f2.8 AF-D at 70mm

iso 400, f5.6, 1/500 sec.

 

Shot through open passenger window while stopped in traffic.

 

DMC-365.blogspot.com

Fun with Nikon Film SLR - the Venerable FM

My Nikon film SLR collection is nearly complete, I've had my eye out for one I didn't have - the original FM. I finally found one in essentially mint condition, used, on Amazon. I took the chance and was rewarded with this great little camera. One of the best things about the FM is that it can mount and use both AI and non-AI lenses, making it the perfect film companion to my digital Nikon Df.

 

Here are some shots from the test roll of Ilford HP5 that I put through the FM.

 

 

Saying that I'm pleased is an understatement.

 

By the way, I scanned these on a new dedicated film scanner, the Pacific Image XA. While all of the autoloading on this scanner is a bit oversold, the image quality is outstanding. I can actually see film grain in my scans, something that has been elusive on flatbed scanners, even the Epson V750. If you're serious about scanning 35mm films, I suggest you give the XA a try.

 

DMC-365.blogspot.com

 

Yearning for a Trip to the City - the Real City - NYC

 

City Dweller, by Reed A. George

Leica M9, Summicron 35mm f2 v.3

iso 320, f6.7, 1/125 sec.

 

It's time. I will start planning my next visit to NYC.

 

It's such a vibrant place, literally full of stories and photographs waiting to be made.

 

DMC-365.blogspot.com

"Captured by Chance" - Inspired by the Work of Masahiko Kishino

 

Weekend at NYC Fish Market, by Reed A. George

Leica M8

 

As you may know, after many years of photography, I have yet to narrow my focus on a particular subject, style, or approach. Sometimes I wonder if I'll ever grow up and narrow my definition. For now, the answer appears to be no. I love street, event, wildlife, even landscape photography. That's why I'm so impressed when someone else focuses and perfects just one thing.

 

That's the case with Masahiko Kishino. He shoots Leica M film cameras, PolyPan F black and white film, and that's it. He's an expert at photographing people, capturing a tiny bit of their personality without ever really getting to know anything about them. I feel that I kind of pulled that off in the image above, and would like to do more of it.

 

(Click Here) to read about Kishino's work on the Leica Camera Blog. Be sure to take a look at his images. The lead image, of a young lady in a coffee shop, is just astounding.

 

DMC-365.blogspot.com

 

 

That One Necessary Element

Face in the Window, by Reed A. George

Leica M3, Summicron 50mm f2 v.3

Ilford HP5+ 400 Speed Film

 

I was admiring the contrast of the bright tablecloths and dark shadows, and the potted plants on the railing through the finder of my Leica M3, but just didn't see a compelling image there. Then, the missing element appeared - the face in the window. Snap!

 

DMC-365.blogspot.com

 

Measuring Up

I Got It, Right?, by Reed A. George

Leica M3, Summicron 50mm f2 v.3 Lens

Ilford HP5+ 400 Film

 

I captured these kids measuring up against the "You Must Be This Tall to Enter This Exhibit" gauge at the National Zoo. I remember those things, back when I had to worry about being tall enough to get on a ride.

 

DMC-365.blogspot.com

 

13 St NW - Washington, DC, Shot with Rolleiflex 2.8F Planar

 

13 St NW, by Reed A. George

Rolleiflex 2.8F Planar, Kodak TMax 400 Film

 

I know it looks like a simple shot, but I worked hard on this composition. I took a few other shots, but this one appeals to me the most. I believe that the two workers (one on a ladder on left, one on stairs at right), the bicyclist, and especially the open window at the top corner of the building are importnat compositional elements. The street sign at top left is as well. I see a compositional triangle of the ladder, window, and either bicyclist or worker on stairs that works well for me. The street sign sort of breaks up the scene in an interesting way.

 

Probably over-thought, but I like it.

 

DMC-365.blogspot.com

 

Inside Looking Out - Rolleiflex 2.8F

 

Inside Looking Out, by Reed A. George

Rolleiflex 2.8F Planar, Kodak Tmax 400 Film

 

I shot this on a lovely, bright, spring morning at Le Diplomate restaurant in Washington, DC. I exposed for the gentleman's face, which meant that I had to dodge the interior (dark) portion of the image to show some detail in the bottles.

 

DMC-365.blogspot.com

 

New Orleans Wedding Party

 

Pretty self-explanatory. Have a great day!

 

DMC-365.blogspot.com

 

 

New Orleans' Royal Street - Leica IIIC and Summar 5cm f2 Lens

 

Royal Intersection, by Reed A. George

Leica IIIC Sharkskin, Summar 5cm f2 Collapsible Lens

 

I was scanning a roll of film that I shot in New Orleans while attending the LHSA Spring Shoot 2015 when I came across this shot.

 

This corner on Royal Street, at Rouse's Grocery, is one of my favorite spots in the city of New Orleans. Always hosting live musicians, rain or shine, it's a real crossroads for everyone who frequents the French Quarter - musicians, tourists, locals, and yes, police officers. This image says a lot about this particular place that I love so much.

 

DMC-365.blogspot.com

French Quarter in the Rain - Leica IIIC and Summar 5cm f2

I recently attended the LHSA (International Leica Society) Spring Shoot in New Orleans, Louisiana. One of my favorite places to photograph, I was hoping we'd get some inclement weather to build some mood into my pictures. I was not let down - it rained on and off, sometimes quite heavily, during my whole trip. I loved it.

 

Here are some shots of street musicians playing in front of Rouse's Grocery on Royal Street as a rain storm rolled in and subsequently left.

 

All were shot with the Leica IIIC and Summar 5cm f2 lens. One of Leica's earliest fast lenses, the Summar is infamous for being being soft. I happen to have a clean copy, without a scratched front element, which is rare. I find it to be a wonderful lens.

 

 

Shooting iso 400 film (Kodak TMax 400), I couldn't quite get a fast enough shutter speed to capture the rain as I wanted. I hope that you can see it in images 2 and 3.

 

DMC-365.blogspot.com

 

 

Japanese Street Scene - Panasonic Lumix DMC-LX100

 

Intersection, by Reed A. George

Panasonic Lumix DMC-LX100

iso 200, f8, 1/1000 sec.

 

I used my Lumix LX100 a lot on my trip to Japan. It is a great little street camera, and is quite capable of good results at high iso settings, though this image was shot at iso 200. I really enjoyed carrying the LX100, which is very compact and light, and exploring what I could do with it. I have not reached its limits yet.

 

DMC-365.blogspot.com

 

Nick DeMarco (Rangefinder Chronicles) Uses His Hasselblad Xpan on the Street

 

 

 

DC Street Vendors, by Reed A. George

Hasselblad Xpan

 

I used to a Hasselblad Xpan panoramic camera. Shooting 24x65mm images on regular 35mm film, it was interesting. I've always been partial to panoramic images.

 

I sold mine, for two major reasons: 1) it was worth too much money for the amount I used it, and 2) I found a panoramic back for my Bronica ETRS. I feel like I had just begun to get how to compose with the XPan when I sold it. Probably too soon. And, I have not used the Bronica pano back nearly as much as I expected.

 

What I did shoot with the Xpan was mostly landscapes.

 

I recently read a post on Nick DeMarco's Rangefinder Chronicles blog about how he uses the Xpan for street photography. (Click Here) to read about it on Nick's blog. He's got some great work there.

 

This doesn't have me back in the market for an Xpan, but it does make me motivated to get out with the Bronica. It's been sitting for far too long.

DMC-365.blogspot.com

 

Rolleicord / Rolleikin (35mm in a Medium Format TLR) at the Farmer's Market in DC

I've been shooting twin lens reflex (TLR) cameras more and more lately. I've always loved TLRs, especially Rolleis. One of the things I love is the square (6x6) format that most of them are set up to use, on medium format 120 film. Today, I'll share something different - an older (1954-1957) Rolleicord V (cheaper version of the Rolleiflex), fitted with a Rolleikin attachment.

 

The Rolleikin, produced by Rollei as an add-on option, allows you to use 35mm film in a TLR. It shoots full-frame on the 35mm format, in portrait orientation. Since the Rolleicord has a 75mm lens (a Schneider Xenar in my case), shooting on 35mm film yields a medium telephoto result. The telephoto lens and portrait orientation make the Rolleicord/Rolleikin a lovely portrait camera.

 

(Click Here) to read more about my Rolleicord/Rolleikin.

 

(Click Here) to see some earlier shots I made with this camera.

 

Here are some shots I made at the farmer's market in DC with my Rolleicord/Rolleikin. All are shot on Ilford HP5+.

Farmer's Market, DC, by Reed A. George

Rolleicord V with Rolleikin Attachment

 

The Rolleikin is quite easy to use. The viewing lens on the Rolleicord, which is used for focusing, is not as bright as my Rolleiflexes, being f3.2 versus f2.8 on the 'flexes. In the bright sunlight of the market, that was not a problem at all.

 

I've also come to realize that I need to wear my reading glasses when focusing a TLR. That's kind of a pain. I understand that there are diopters that can be fitted to the Rollei finder, but have not located one for my camera yet.

 

It's fun to experiment with these lovely old cameras, and the Rolleikin is an interesting attachment that changes the character of the camera.

 

DMC-365.blogspot.com

"Cool Camera" - a Blessing and a Curse

My friends Charlie and Alain have recently pointed out the difference in how people react to a camera when they think it's cool or interesting. Specifically with Rolleiflexes, they have noticed that people come up to them to talk about the camera. It's certainly true.

 

Willing Subject, by Reed A. George

Rolleiflex 2.8F Planar, Kodak TMax 100 Film

 

In the case above, Charlie's Leica IIIC (just back from a CLA) attracted attention. This gentleman recognized both Charlie's Leica and my Rolleiflex.

 

Italian Gentleman, by Reed A. George

Rolleiflex 2.8F Planar, Kodak TMax 100 Film

 

Now, I won't deny that it's nice to have people come up to talk cameras. Sometimes when I'm out shooting, that's exactly what I'd like to have happen, and it typically results in at least one or two images.

 

But, other times, I don't want to be noticed at all. The Rolleiflex is not the best camera for that situation. It's a camera for someone who wants to engage their subject. That said, I have had the experience of using the Rollei inconspicuously, at waist level. Not having it at your eye and noticeably pointed at the subject can really help.

 

DMC-365.blogspot.com

 

Back to New Orleans

Scooter in The Quarter, by Reed A. George

Panasonic Lumix DMC-LX7

iso 400, f4, 1/200 sec.

 

I just made my room reservations (on AirBnB) for a trip to New Orleans next month. I'll be attending the LHSA (International Leica Society)'s Spring Shoot.

 

(Click Here) to learn more about the LHSA, and the Spring Shoot event. If you're a Leica enthusiast, you may really enjoy the Society. I do.

 

I also have a couple of great friends in the area, so will also get to spend a little time with them.

 

DMC-365.blogspot.com

 

Lion and Dragon Dancers - Leica IIIG Film Shots

Here are some images of the lion and dragon dancers from the Chinese New Year celebration in DC this year. All were shot with my Leica IIIG rangefinder and 50mm f2 Summicron collapsible, on Ilford HP5+ film.

 

And here's my favorite:

 

 

I absolutely love using the IIIG. The viewfinder is wonderful. Focusing is a bit of a pain, but works. The early Summicron really performs.

 

Burning through that 100' of HP5+!

 

DMC-365.blogspot.com