Happy Holidays!

 

Happy Holidays! Hope everyone has a nice end of 2015 and wonderful 2016!

 

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Waikiki, Honolulu, Hawaii

 

Our single morning at Waikiki. Off to Maui this afternoon! All shot with the DMC-TS5.

 

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Sunrise on the Potomac

Sunrise Paddle on the Potomac, by Reed A. George

Panasonic Lumix DMC-TS5

 

I'm on vacation for the next two weeks. I plan to keep blogging, but prepare for some brief posts! I'll be focused on relaxation, and will be back in earnest soon.

 

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Once Past the Bear...

The Girl and I got out for some fishing. She's very proud to have caught the biggest fish, a smallmouth bass. It's really cool to see her ably control her own kayak and fishing reel, to great success.

 

 

Both taken with the Panasonic Lumix DMC-TS5, the waterproof, shockproof wonder. Perfect to have in my pocket for every kayaking trip.

 

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Impossible Project Instant Film - Color 2.0 Beta

I recently picked up a like-new Polaroid 600 series camera, just for fun. I've wanted to support the Impossible Project, who's restarted a factory making instant film for the 600 and SX70 cameras. (Click Here) to check out the Impossible Project.

 

 

I've shot a little of their black and white film in the past. This time, I ordered a triple pack of a new beta-version color film (2.0 Beta to be exact). I've shot one pack of it, and I like it.

 

Looks like Merlin the Dog wants a sip of Coke.

 

As you can see the color is a little on the yellow side. It has nice subtle tones, and reasonable saturation. I took these at the Waterford Store in Waterford, Virginia, in the exact place where I'd photographed my lovely daughter several years before.

 

It's fun to know that instant photography is still available to us. I like the mix of the immediacy we're used to with digital, and the uniqueness of film.

 

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A Rolleiflex Portrait - Now That's Nice Bokeh!

I really love my Rolleiflex 2.8F. I dreamed of owning this camera for a very long time. Through the generosity of my friend, Charlie, I was able to get it.

 

Lunchtime Portrait, by Reed A. George

Rolleiflex 2.8F Planar, Kodak TMax 400 Film, at f2.8

 

What an amazing camera this is. Oh, and if you don't know what "bokeh" is, it's the rendering of the out of focus portions of the image. I think the Rollei bokeh is the best.

 

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Fun Snaps With Polaroid 250, Bounced Flash, FP3000 Pack Film

I have a newly-serviced Polaroid 250, which is one of the high end models, with Zeiss finder and a metal body. I've been playing with bounced flash (my Nikon SB600, for which I made a sync cable out of an accessory hot shoe cable and the terminal from the original Polaroid flash). I have found that setting the flash to manual, 1/2 power, pointed at the ceiling gives a good exposure for a close up subject when the camera is loaded with Fujifilm FP3000B black and white film and the camera is set for asa75 film with flash.

 

Coming home tonight, I saw my daughter sitting on the couch in her American flag socks, and just had to get a couple of pictures. I made her get up and pose on the stairs for me. Here's the best exposure of four:

 

And here's a slightly strange one, which is the result of two failed exposures where the flash didn't fire, plus a third good one, where it did:

 

 

Something about these old Polaroids. Somehow, the weirder the result, the better.

 

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Another Birthday Portrait with the Mamiya Universal Press

A few days back, I posted an image I shot of my daughter on her birthday, taken with the Mamiya Universal Press (MUP) and Polaroid back, loaded with Fuji FP100C pack film. I also shared a scan of the color negative I recovered from that shot. (Click Here) to see that post.

 

Today, I'll share another shot from the same time and place, only this one was made on Kodak Portra 400 color negative film, using the MUP's 6x9 film back.

 

Birthday Portrait, by Reed A. George

Mamiya Universal Press Camera, 150mm f5.6 Lens

Kodak Portra 400 Color Negative Film

 

I just got the negatives back from The Darkroom (thedarkroom.com). I actually made a mistake with this roll of film, and exposed the Portra 400 at settings for Portra 160. No problem. The Darkroom pulled the processing by 1.5 stops, saving the pictures for me. I'm pleased with the result.

 

I really enjoy shooting the MUP. It's a very large, heavy beast, with matching impressive lenses. But, when you have the time to set it up and think about your shot, it's great fun to use. This is slow photography. I like it.

 

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Polaroid/Fujifilm FP100C Instant Negatives from the Mamiya Universal Press Camera

I'm still having fun with my Mamiya Universal Press (MUP) camera. Today, I used it to shoot some portraits of my daughter on her birthday using Fujifilm FP100C instant film. Note that pack film is larger than the 6x9 image that the MUP lenses are designed for, hence the vignetting in the corners.

Scanned Instant Print, 14th Birthday, by Reed A. George

MUP, Fujifilm FP100C Film, f5.6, 1/125 sec.

 

 

I was so pleased with some of the images that I decided to figure out how to recover the negatives from the film backing, which you usually throw away.

 

(Click Here) to see a video from the Film Photography Podcast describing how to recover a negative from Fujifilm FP100C instant pack film. Beware that the process uses bleach. Wear gloves and keep a fan on while you work.

 

It was actually pretty easy to do, and the results are quite impressive. Here's a scan of the same negative that was used to make the print above:

 

Scanned Instant Negative, 14th Birthday, by Reed A. George

MUP, Fujifilm FP100C Film, f5.6, 1/125 sec.

 

I think I could have done a better job scanning this negative. The highlights are too high, and the colors are washed out compared to the print.

 

Here is a more impressive comparison, showing the scanned print (left) and negative (right) at 100% magnification.

 

100% Crops (Print on Left, Negative on Right)

 

As you can see, the negative has a lot more detail and sharpness, and grain. Pretty interesting. I could make a 5x7 print from the negative just fine.

 

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Lumix DMC-LX100 Portrait

I will be posting my single favorite shot from each day I'm in Japan. For my first day, here's a portrait of my daughter at lunch with me.

 

Christine, Jet-Lagged, by Reed A. George

Panasonic Lumix DMC-LX100, Zoom at 45mm Equivalent

iso 1600, f2.7, 1/640 sec.

 

I knowthat this image shows nothing of Japan; it could have been taken anywhere. I'll be sure to share some that say more about Japan in the coming days.

 

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Time Lapse - Racquetball

I was thinking of doing some time lapse photography, and was thinking which of my cameras allow it. At the time, I was carrying an older Micro 4/3 camera, the Lumix DMC-GX1, which didn't have a time lapse feature.

 

This forced me to think of options, the first being my iPad. I realized that both the iPad and iPhone have a great time lapse feature. No settings required, none at all! You just record, and it decides how many frames to keep, once it knows the complete duration at the end of your recording.

 

Here's a time lapse of my lovely wife and I playing racquetball together. I chose this one because it's one of the rare occasions where I won the match! Only 21 seconds long, give it a try.

 

 

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Leica M9 - Still Something Special About It

 

Teen Style, Morning Light, by Reed A. George

Leica M9, Zeiss Sonnar C 50mm f1.5 Lens

iso 500, f1.7, 1/15 sec.

 

Yes, there's still something unique about how the Leica M9 sensor renders an image. Nothing in your face, for sure. But, this is basically the tonality that I had in mind when I made this shot on the way out of the house this morning. There's something subtle about the way this camera draws.

 

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Low Tech Wonders - A Little Fun with the FPP Debonair

Sometimes I just want to have a little photographic fun. I want to drop all pretense and concern about the technical aspects of photography, and shoot. I suppose I still (kind of) think about composition, but that's about all I control when I shoot my "Debonair" 6x4.5 medium format toy camera from the Film Photography Project (FPP).

 

(Click Here) to check out the awesome Debonair, a <$20 real film real toy camera on the FPP website.

 

Here are some shots I took on an outing to a local farm to pick strawberries with my family last year (it took a while to finish the roll and send it off to The Darkroom).

 

All of these were shot on expired Konica Centurian film, which judging by the name should be good for 100 years, right? I love the vignetting you get with the cheap plastic lens. It's actually kind of sharp in the center, but that falls away very quickly. Theses are pretty much out-of-camera scans, with only cropping in Lightroom.

 

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Weekends at Lake Anne

Weekend Visitors to Lake Anne, by Reed A. George

Leica M9 Titanium, Leica Summicron 35mm f2 (v3)

iso 200 Color Print Film

 

For today's post, I'm simply sharing a couple of images that I took at Lake Anne in Reston, Virginia a few weeks back. We've had an incredibly nice August for this region. This particular morning was sunny, cool, and relatively low in humidity. Not what you'd normally expect in Northern Virginia in August.

 

Lake Anne has a nice farmer's market on the weekends, and has that great symbol of real culture, a used book store. It's the only used book store I know of around here.

 

As you can see, I shot these with my Leica M6 on color print film. I just decided that black and white looked better, so went with it. Hope you enjoy the images.

 

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Mamiya Press Universal and Fuji FP3000B

I'm continuing to enjoy shooting instant pictures with my new Mamiya Universal. Here's a shot I made with Fuji's black and white iso 3000 pack film. I used the standard 100mm f3.5 Mamiya Sekor lens for this one.

 

Cropped, From Scanned Print

 

And, for reference, here's what the whole image looks like, scanned from the paper negative:

 

From the Paper Negative

 

I really need to photograph the Universal camera so that I can share all the details of what's included. It's a big heavy beast, but has a lot of interesting features.

 

I've received my first online scans from film I shot in the Universal, and am really impressed with the image quality. As soon as my film returns home from The Darkroom (thedarkroom.com), I'll make high resolution scans of a few images and share them as well.

 

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Music Festival Photography

I really like shooting at music festivals. I love live music, creative people, and nature. The festivals give me all of that.

 

 

 

 

I especially like the smaller local festivals here in Northern Virginia. In fact, I'm headed out to one this weekend at Watermelon Park, in Berryville. This one's called "River and Roots," and I'll get to see many of my friends there.

 

By shooting at festivals, I've met a few of the best live music photographers there are. One of those is Milo Farineau. Another, his mentor, is Chester Simpson. Both are fabulous photographers and people.

 

Chester recently posted a link to his friend's thoughts on modern festivals, including Glastonbury in the UK.

 

(Click Here) to read Barry Wolman's thoughts, which include comparing Glastonbury to a "prison yard."

 

While the festivals I attend do focus as much on camping and spending time with friends, they also clearly celebrate the music, something that seems to be lost at some of the larger festivals. The music is what really brings us all together around here. If I felt as Wolman does, it would be time for me to stop attending festivals. As it is, I can't wait for this weekend!

 

Oh, and Happy Fourth of July!

 

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Konica 50mm f1.7 Hexanon as a Portrait Lens

My uncle Bob gave me a very nice gift recently, his Konica TC-1 camera, Tokina zoom, and 50mm Hexanon AR 50mm f1.7 lens. I have not cleaned the camera up yet, but did immediately pick up a "Fotasy" adapter for Konica Hexanon lenses on Micro 4/3 cameras. This morning, I mounted up the 50 Hexanon on my Panasonic Lumix DMC-GX7 Micro 4/3 body. Here's how it looks:

Konica 50mm Hexanon f1.7 on GX7

 

The Fotasy adapter made movement of the aperture ring on the Hexanon a little tight, but it's loosening up with exercise. I bought mine on Amazon, and the price is quite reasonable (see link to purchase yours on Amazon below).

 

With the Micro 4/3 sensor, the Hexanon provides an equivalent field of view to a 100mm lens on full frame 35mm format. A nice, fast portrait lens. Here's a shot of my daughter by window light, at f2.8.

 

My Favorite Model, by Reed A. George

Panasonic Lumix DMC-GX7, Konica Hexanon 50mm f1.7 Lens

iso 400, f2.8, 1/50 sec.

 

I have always loved Konica lenses. This one is no exception. I'm quite pleased with the color and sharpness of this image.

 

Thanks, Uncle Bob!

 

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Goodbye Minerva Lake

Backlit Leaves, Minerva Lake, by Reed A. George

Nikon F, Nikkor 28mm f3.5 Pre-AI Lens

Kodak Tmax 400 Film

 

My aunt and uncle are moving out of the house they've lived in since I was a kid. In Minerva Park in Columbus, Ohio, it's a place I spent a lot of time as a kid, going to the pool in the summer with my cousins. This may be the last time I ever have the occasion to walk around Minerva Lake. This picture will remind me of the place forever.

 

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New Orleans Street Poet

Performing Poet, New Orleans, by Reed A. George

Leica M6 Titan, Summilux 50mm f1.4 Titanium Lens

Ilford Delta 3200 Film

 

I really love creative people. This poet was set up in the French Quarter, and would write about anything you asked. He was asking for donations if you liked what he wrote. I very much respect him for using his creativity and skill to make a living here.

 

I asked him to write about my daughter, Christine. I only told him a few things - her age, her interests, that we are very close. He asked me to give him 15 or 20 minutes. When I returned, here's what he had written:

 

"Christine

 

The paintball warrior

with art in her blood,

jumping into the flood of

emotions, running toward

adulthood.

 

A family well in tune,

a room, a canvas,

Christine sees with an

artist's eye, drinking in

the colors and textures,

becoming the young woman she

was meant to be.

 

A Renaissance woman in training

determined to put her mark

on the world,

one ball of paint at at time"

Perfect. Couldn't be more correct.

 

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Preparing to Travel to the Film Photography Project (FPP) Walking Workshop!

Image Source: http://en.wikipedia.org/wiki/Nikon_F

 

I've had a crazy busy week, between too many simultaneous efforts at work, and my wife being out of town. I don't know how you single parents do it. Hats off to you.

 

Anyway, my daughter and I are headed out to Columbus, Ohio, tomorrow (5/17/2014, remember my delay in posting). She'll visit with family on Saturday, while I drive up to Findlay to take part in the FPP Walking Workshop. I'm really looking forward to it.

 

Here's what I've packed in camera gear: Nikon F (plain prism and waist level finder), Nikon F2, Nikkor 28mm f3.5, 50mm f1.4, and 135mm f3.5 pre-AI lenses, Agfa Record III 6x9 medium format folding camera, Leica CL and Rokkor 40mm f2 lens. Mini flash (Nikon SB30), light meter. Seems like an awful lot for one day of workshop, but what the heck. It's a film camera workshop, after all.

 

I'll be in Findlay by 10AM on Saturday, and will spend the night, heading back to Columbus very early Sunday morning to spend some time with my Mom, my 94 year old grandfather, and lots of other family. Sunday night, we'll be back on the plane headed to Dulles.

 

I hope to have plenty of nice film images to share in a week or two! I'm carrying my prepaid mailer for The Darkroom, so I can send my film off for processing directly from Ohio, avoiding one trip through airport security.

 

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