Some Camping Area Shots from Watermelon Park Festival 2014

I've shared my Watermelon Park Festival writeup on Cosmic Vibes Live, along with my digital photographs, largely taken on or around the stage.

 

Now, I'll share a few more casual shots, taken in the Camping area with my Nikon FM2, 200 speed drugstore color negative film, and 50mm f1.4 Nikkor AF-D lens. Of course on the FM2, I had to manually focus.

 

Deep Morning Thoughts with Erik Burnham, by Reed A. George

 

Chester and Milo, by Reed A. George

 

These two guys are my music photography heroes - Chester Simpson and G. Milo Farineau. Both are mad-skilled, friendly, and generally great to hang out with.

 

Rudy B., by Reed A. George

 

Speaking of fun to hang out with, here's Rudy B. of the Plank Stompers.

 

I really love carrying around the compact FM2 and normal lens while I'm tooling around the festival, especially during the day. Yes, I'll carry the D700 for the lowlight stuff. But, the FM2 just fits my hands so well.

 

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Keller Williams and More Than A Little

I'm just starting to work through all of the pictures I took at my favorite local music festival at Watermelon Park this year. Here's one that I know I like.

 

More Than A Little, by Reed A. George

Nikon D700, 50mm f1.4 AF-D Lens

iso 6400, f2.8, 1/125 sec.

 

This is one of the singers from Keller Williams' "More Than A Little" project, just about the funkiest music around.

 

I treated the digital image to my homemade preset to emulate the look of Ilford Delta 3200 film. For details on the preset, (Click Here).

 

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More Rolleiflex Images from the Smithsonian Folklife Festival - Celebrating Kenya

Yesterday, I shared a couple of images from the China side of this year's Smithsonian Folklife Festival. Today, Kenya.

 

All of these were shot with my Rolleiflex T twin lens reflex (TLR) camera and Kodak Portra 160 film.

Smithsonian Folklife Festival 2014 - Kenya

 

It was a very bright, contrasty sunny day, as you can see in the second image. So, getting under the tent coverings helped to diffuse the light quite a bit, leading to better overall images. That said, it made getting a natural looking background more challenging.

 

In any case, people did seem to like being photographed with an old TLR camera. I've had this camera for several years. I used it quite a lot when I first bought it, less so recently. I've still got it in my bag, and plan to shoot more with it in the near future.

 

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Preparing to Travel to the Film Photography Project (FPP) Walking Workshop!

Image Source: http://en.wikipedia.org/wiki/Nikon_F

 

I've had a crazy busy week, between too many simultaneous efforts at work, and my wife being out of town. I don't know how you single parents do it. Hats off to you.

 

Anyway, my daughter and I are headed out to Columbus, Ohio, tomorrow (5/17/2014, remember my delay in posting). She'll visit with family on Saturday, while I drive up to Findlay to take part in the FPP Walking Workshop. I'm really looking forward to it.

 

Here's what I've packed in camera gear: Nikon F (plain prism and waist level finder), Nikon F2, Nikkor 28mm f3.5, 50mm f1.4, and 135mm f3.5 pre-AI lenses, Agfa Record III 6x9 medium format folding camera, Leica CL and Rokkor 40mm f2 lens. Mini flash (Nikon SB30), light meter. Seems like an awful lot for one day of workshop, but what the heck. It's a film camera workshop, after all.

 

I'll be in Findlay by 10AM on Saturday, and will spend the night, heading back to Columbus very early Sunday morning to spend some time with my Mom, my 94 year old grandfather, and lots of other family. Sunday night, we'll be back on the plane headed to Dulles.

 

I hope to have plenty of nice film images to share in a week or two! I'm carrying my prepaid mailer for The Darkroom, so I can send my film off for processing directly from Ohio, avoiding one trip through airport security.

 

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Thinking About My 2014 Plan for DMC-365

Autumn Abstract, by Reed A. George

Panasonic Lumix DMC-GX7, 14-42mm Series II Kit Zoom at 42mm

iso 200, f20, 1/2 second

 

I've mentioned a few times lately that I'm considering my strategy for this blog in the upcoming year (2014). I know that I want to stay with the core focus of the interface between photographic equipment, technique, and creativity. Beyond that, I'm largely undecided.

 

One thing is for sure - it's a tough assignment to write each and every day. For a one-person operation like DMC-365, that means I'm up every morning, drinking my coffee and thinking what to write about today. On one hand, I love the discipline and the motivation to see everything new out their in the exciting world of photography. I also know from my initial research into how to run a blog that frequent posting is a must for survival (many "pros" post multiple times daily). I have seen that there are tons of potentially interesting blogs out there that completely fail because they haven't been updated for a month.

 

This morning, I read an interesting post by David Hobby of the blog Strobist. He and fellow photography internet personality Zack Arias are both working toward what they refer to as "Low Frequency High Amplitude" posting. By this, they mean fewer posts, but more impact, more depth with the posts they do make.

 

(Click Here) to read David's post on Strobist.

 

In his post, David says he is considering going to lower frequency than two posts per week. Strobist is very well-established, so maybe it can take that. I believe one post per week would be the death of my blog, both because my readers expect news more often than that, and because I would almost surely lose interest myself.

 

I would enjoy going deeper into some subjects, and will. For example, I've really enjoyed doing my two monthly columns this year - Whole Lotta Leica and Skeletons From The Closet. I think that I'll likely select a smaller number of cameras and lenses next year and use them more often. A month seems like a long time to spend with one camera, but it's not. Especially when photography is not your occupation (my real job is reasonably demanding, so I shoot mostly on weekends). In fact, the Skeletons project for 2013 has helped me to identify a few cameras that I really want to spend more time with.

 

So, my current thinking is that I'll continue to post at fairly high frequency (perhaps not every single day) in 2014, but will try to add in more depth at some lower frequency. In the end, it's variety that's the spice of life. To take the frequency/amplitude analogy further, most of us like to hear all of the frequencies (tones) in the music we listen to. We do want the beautiful high frequency vocals and lead guitar, but we also want solid, warm bass tones to anchor it all.

 

Of course, I'm open to my readers' opinions. Drop me a line or comment!

 

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