That's Old Time

Banjo Player with Pokey LaFarge, by Reed A. George

Nikon Df, Nikkor 180mm f2.8 AF Lens

iso 1100, f2.8, 1/250 sec.

 

This guy has a very classic look. Easy to photograph.

 

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Watching the Lanterns Lift Off

 

At the Watermelon Park Festival this last weekend, I got to spend some time with friends I haven't seen in a while. In this scene, as we sat around the campfire, my friend Rudy B and his lovely girlfriend Sarah watched as a group of people constructed, lit, and set free some Chinese Lanterns. They flew up and up, finally disappearing into the clouds of the night sky.

 

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Some Camping Area Shots from Watermelon Park Festival 2014

I've shared my Watermelon Park Festival writeup on Cosmic Vibes Live, along with my digital photographs, largely taken on or around the stage.

 

Now, I'll share a few more casual shots, taken in the Camping area with my Nikon FM2, 200 speed drugstore color negative film, and 50mm f1.4 Nikkor AF-D lens. Of course on the FM2, I had to manually focus.

 

Deep Morning Thoughts with Erik Burnham, by Reed A. George

 

Chester and Milo, by Reed A. George

 

These two guys are my music photography heroes - Chester Simpson and G. Milo Farineau. Both are mad-skilled, friendly, and generally great to hang out with.

 

Rudy B., by Reed A. George

 

Speaking of fun to hang out with, here's Rudy B. of the Plank Stompers.

 

I really love carrying around the compact FM2 and normal lens while I'm tooling around the festival, especially during the day. Yes, I'll carry the D700 for the lowlight stuff. But, the FM2 just fits my hands so well.

 

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My Watermelon Park Festival Report on Cosmic Vibes Live

I've been collaborating with Jeff and Jim over at Cosmic Vibes Live for a few years now. I've recently posted a report from the 2014 Watermelon Park Festival, held in Berryville, Virginia with them.

 

(Click Here) to read the report. The lineup this year was amazing, with Keller Williams, The Keels, Sam Bush, Leftover Salmon, and so many others.

 

Watermelon Park Fans, by Reed A. George

 

I shot the entire show with my Nikon D700 and prime lenses. The D700 still rocks, even though it's getting a bit on the mature side. This experience does make me want the awesome retro-styled, D4 sensor-equipped Nikon DF even more.

 

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Studio Shoot with Musician Danny Knicely

Danny Knicely is one of the most productive and talented musicians I know. Danny is a mandolinist, violinist, guitarist, and I'm sure capable on instruments I haven't listed here. He's a member of Furnace Mountain Band, one of the best I know.

 

(Click Here) to see one of my posts on Danny, where he led a mandolin workshop with other legends Sam Bush and Drew Emmitt.

 

A few weeks back, I was thrilled to get a message from him, asking if I could help in making some promotional images for him. He wanted some images of himself to use in promoting his latest effort, a CD called "Waltz for Aimee." He also wanted some images of his classic guitar collection, including several Martin guitars, much older than either he or I.

 

Of course I was happy to oblige, and decided to rent a local photo studio for the project. I've had an increase in requests for this type of work recently, and hope to see that continue. I really enjoy it.

 

Anyway, here are a few of my favorite shots from the photo session.

 

 

 

 

I shot all of these with my Nikon D700 and prime lenses. I mostly relied on the 50mm f1.4 AF-D and 85mm f1.8 AF-D lenses. Using a relatively simple three light setup, supplied with the studio, I feel that I did a decent job with balancing the lighting overall. Getting the hairlight right on the images with a black background is something I've learned from previous sessions. This time, I struggled somewhat with the relatively narrow backdrop, even with shooting just one person and his instruments. This would become more of an issue shooting a multi-person band. I also need to focus on lighting the backdrop better for the white background images. I believe it's important to learn something from every shoot.

 

That said, I'm satisfied overall with the outcome. It was really a pleasure to spend some time with Danny and help him to promote his excellent musical talents.

 

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Another Watermelon Park Festival Highlight - The Knicely Family Band

I'm working through my Watermelon Park images, in between traveling for work (I'm in Albany, NY at the moment), and several other projects. Here's a shot of the Knicely Family Band.

 

Knicely Family Band, by Reed A. George

Nikon D700, Nikkor 20mm f2.8 AF-D Lens

iso 3200, f5.6, 1/125 sec.

 

As you probably already know from my posts, the Knicely family is kind of a core of musical talent here in Virginia. Danny Knicely (second from right) is a musical powerhouse, playing in multiple bands as well as producing his own music, including his latest CD, "Waltz for Aimee." Those are his brothers on the ends, and Mom and Dad next to him.

 

(Click Here) to go to Danny's website and purchase the new CD.

 

I knew that I wanted to get all of their faces in this shot, to the extent possible. The wide angle 20mm f2.8 lens allowed me to do that from right at the front of the stage.

 

Along those lines, Nikon has a new 20mm f1.8 lens out. I'd love to have that extra speed in my 20mm lens. I've been using the 20 more lately for live music, in dark spaces. The extra 1.4 or so f-stops would really help. See the link below to see the new lens on Amazon.

 

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Keller Williams and More Than A Little

I'm just starting to work through all of the pictures I took at my favorite local music festival at Watermelon Park this year. Here's one that I know I like.

 

More Than A Little, by Reed A. George

Nikon D700, 50mm f1.4 AF-D Lens

iso 6400, f2.8, 1/125 sec.

 

This is one of the singers from Keller Williams' "More Than A Little" project, just about the funkiest music around.

 

I treated the digital image to my homemade preset to emulate the look of Ilford Delta 3200 film. For details on the preset, (Click Here).

 

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Watermelon Park Fest 2014 - Mandolin Players Extraordinaire!

It's Sunday, and I just returned home at 2:30 AM from my favorite music festival of this and every year, Watermelon Park. I've been attending for several years now, and it's a big party with so many of my friends, I look forward to it all year long.

 

I'm pretty wiped out today, but thought I'd share a few images of a workshop of three of the world's best mandolin players - (left to right) Sam Bush (Sam Bush Band), Danny Knicely (Furnace Mountain Band), and Drew Emmitt (Leftover Salmon). Check them out.

 

 

These guys were great, sharing several tunes and lots of funny stories, like how Sam was accosted by several "locals" back in the early seventies while attending the festival. The nicest thing they had to say to him was that they were going to cut off his hair. Luckily, Sam escaped unharmed and came back some 40 years later.

 

I was right at the edge of the stage, shooting with my Nikon D700 and 50mm f1.4 AF-D lens. Being held in a big white tent, the background light was much brighter than that on Sam, Danny, and Drew's faces. I simply used the spot meter setting in the D700 to get the exposure right, and then it was a matter of catching a few moments and interactions. What a blast!

 

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Off-Stage at the Music Festival

I shot these images at a recent music festival (River and Roots, in Berryville, VA). I find myself interested in photographing more candid settings with the friends I've made in the local music scene. Of course, I still photograph them on-stage, but I really like hanging out, sharing thoughts, and capturing moments off-stage as well.

 

It's interesting to me that through the festivals that I regularly attend, as well as the bands that I've now known for several years, I'm watching people develop, families come into existence and grow. That continuity makes it even more fun.

 

I shot all of these with my wartime Leica IIIC and 5cm f3.5 Elmar, on Tmax 100 film.

 

 

Hope you enjoy the shots.

 

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Music Festival Photography

I really like shooting at music festivals. I love live music, creative people, and nature. The festivals give me all of that.

 

 

 

 

I especially like the smaller local festivals here in Northern Virginia. In fact, I'm headed out to one this weekend at Watermelon Park, in Berryville. This one's called "River and Roots," and I'll get to see many of my friends there.

 

By shooting at festivals, I've met a few of the best live music photographers there are. One of those is Milo Farineau. Another, his mentor, is Chester Simpson. Both are fabulous photographers and people.

 

Chester recently posted a link to his friend's thoughts on modern festivals, including Glastonbury in the UK.

 

(Click Here) to read Barry Wolman's thoughts, which include comparing Glastonbury to a "prison yard."

 

While the festivals I attend do focus as much on camping and spending time with friends, they also clearly celebrate the music, something that seems to be lost at some of the larger festivals. The music is what really brings us all together around here. If I felt as Wolman does, it would be time for me to stop attending festivals. As it is, I can't wait for this weekend!

 

Oh, and Happy Fourth of July!

 

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Watermelon Park Festival, 2013 - Shot With Nikon D700

I've been shooting a lot of live music and local musicians over the past few years. It's a wonderful project, and has helped me to meet a lot of great people, musicians and fans alike.

Every September, I look forward to the Watermelon Park Festival, held in Berryville, Virginia, about an hour from my home. It's a great time of year to be outdoors, camping, listening to great music. This year was no exception.

There will soon be a review of the festival written by Jim McWalters on the live music blog Cosmic Vibes Live. It will include photos from both Jim and myself.

(Click Here) to check out Cosmic Vibes Live.

Here are my pics from the festival.

Impromptu Music with David Van Deventer, Danny Knicely, and Jared Pool, by Reed A. George

Nikon D700, Nikkor 50mm f1.4 AF-D Lens

iso 1600, f2, 1/125 sec.

The Plank Stompers, by Reed A. George

Nikon D700, Nikkor 85mm f1.8 AF-D Lens

iso 400, f4.8, 1/250 sec.

The Bumper Jacksons, by Reed A. George

Nikon D700, Nikkor 50mm f1.4 AF-D Lens

iso 3200, f1.4, 1/250 sec.

The Green Boys, by Reed A. George

Nikon D700, Nikkor 50mm f1.4 AF-D Lens

iso 800, f4.8, 1/125 sec. With Fill Flash

The Green Boys, by Reed A. George

Nikon D700, Nikkor 85mm f1.8 AF-D Lens

iso 800, f4.8, 1/125 sec. With Fill Flash

Watermelon Boat Float!, by Reed A. George

Nikon D700, Nikkor 50mm f1.4 AF-D Lens

iso 400, f8, 1/250 sec.

 

Dwayne Brooke of The Woodshedders, by Reed A. George

Nikon D700, Nikkor 50mm f1.4 AF-D Lens

iso 3200, f1.7, 1/125 sec.

Dwayne Brooke and Jared Pool of The Woodshedders, by Reed A. George

Nikon D700, Nikkor 50mm f1.4 AF-D Lens

iso 3200, f1.7, 1/125 sec.

David Van Deventer of The Woodshedders, by Reed A. George

Nikon D700, Nikkor 50mm f1.4 AF-D Lens

iso 3200, f1.7, 1/125 sec.

Dwayne Brooke and Jared Pool of The Woodshedders, by Reed A. George

Nikon D700, Nikkor 50mm f1.4 AF-D Lens

iso 3200, f1.4, 1/125 sec.

Larry Keel, by Reed A. George

Nikon D700, Nikkor 85mm f1.8 AF-D Lens

iso 1600, f2, 1/180 sec.

Larry Keel, by Reed A. George

Nikon D700, Nikkor 85mm f1.8 AF-D Lens

iso 1600, f2, 1/180 sec.

Aimee Curl and Danny Knicely of Furnace Mountain Band, by Reed A. George

Nikon D700, Nikkor 85mm f1.8 AF-D Lens

iso 800, f2.8, 1/125 sec.

 

Hoopin' It Up!, by Reed A. George

Nikon D700, Nikkor 50mm f1.4 AF-D Lens

iso 800, f2.8, 1/2 sec.

 

 

This festival presents a lot of opportunities to test my photographic skills. This year, I took the D700, 20mm f2.8, 50mm f1.4, and 85mm f1.8 autofocus lenses. I shot in daylight, dark, with and without flash. The flash came in real handy in the dance tent during the day, as in the Green Boys shots above.

 

I will admit that I was a pretty lazy photographer on this particular weekend. This festival has become a great relaxation for me. I guess that's a pretty good thing in itself.

 

I do have some film shots, taken with my Leica CL and Rokkor 40mm f2.8, but the film is off at The Darkroom for processing. I'll share those later.

 

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This book (below) includes some great festival photography, including some by my buddy J. Milo Farineau.

 

(Click Here) to go to Milo's site. He's a master.

 

 

My Favorite Shot From A Recent Music Festival - So Far, At Least

 

A Little Shy at First, by Reed A. George

Leica M9, Leica Summaron 3.5cm f3.5 (ca. 1937)

iso200, f5.6, 1/125 sec

 
I recently went to my favorite local music festival, the Watermelon Park Festival, held every year in September in Berryville, Virginia.
 
(Click Here) to read more about the festival. If you like bluegrass music, this is a great one. The folks that run the event are super nice, as are the spectators. The festival attracts great local talent, as well as national acts. This year, the headliner was Del McCoury, a living legend.
 
The young man in the picture above is the son of one of the festival's vendors. When I asked permission to take his picture, he ran behind these hanging dresses, and peeked out at me as you can see. The moment really clicked for me. It was a perfect Leica moment, if you'll allow me that expression.
 
Shot with an old Leica Summaron 35mm screwmount lens that I got with a Barnack body some years ago, this image is one of my favorites from the M9 so far. I had to bring the contrast up in Lightroom, but didn't want to go too far with that. The original is almost creamy in its low contrast.
 
I'm quite happy with this one.
 
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