Fun with Nikon Film SLR - the Venerable FM

My Nikon film SLR collection is nearly complete, I've had my eye out for one I didn't have - the original FM. I finally found one in essentially mint condition, used, on Amazon. I took the chance and was rewarded with this great little camera. One of the best things about the FM is that it can mount and use both AI and non-AI lenses, making it the perfect film companion to my digital Nikon Df.

 

Here are some shots from the test roll of Ilford HP5 that I put through the FM.

 

 

Saying that I'm pleased is an understatement.

 

By the way, I scanned these on a new dedicated film scanner, the Pacific Image XA. While all of the autoloading on this scanner is a bit oversold, the image quality is outstanding. I can actually see film grain in my scans, something that has been elusive on flatbed scanners, even the Epson V750. If you're serious about scanning 35mm films, I suggest you give the XA a try.

 

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Polaroid/Fujifilm FP100C Instant Negatives from the Mamiya Universal Press Camera

I'm still having fun with my Mamiya Universal Press (MUP) camera. Today, I used it to shoot some portraits of my daughter on her birthday using Fujifilm FP100C instant film. Note that pack film is larger than the 6x9 image that the MUP lenses are designed for, hence the vignetting in the corners.

Scanned Instant Print, 14th Birthday, by Reed A. George

MUP, Fujifilm FP100C Film, f5.6, 1/125 sec.

 

 

I was so pleased with some of the images that I decided to figure out how to recover the negatives from the film backing, which you usually throw away.

 

(Click Here) to see a video from the Film Photography Podcast describing how to recover a negative from Fujifilm FP100C instant pack film. Beware that the process uses bleach. Wear gloves and keep a fan on while you work.

 

It was actually pretty easy to do, and the results are quite impressive. Here's a scan of the same negative that was used to make the print above:

 

Scanned Instant Negative, 14th Birthday, by Reed A. George

MUP, Fujifilm FP100C Film, f5.6, 1/125 sec.

 

I think I could have done a better job scanning this negative. The highlights are too high, and the colors are washed out compared to the print.

 

Here is a more impressive comparison, showing the scanned print (left) and negative (right) at 100% magnification.

 

100% Crops (Print on Left, Negative on Right)

 

As you can see, the negative has a lot more detail and sharpness, and grain. Pretty interesting. I could make a 5x7 print from the negative just fine.

 

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Scanning Test - Anti-Newton Ring (ANR) Glass

I've been talking with my friend, Charlie Arnhold, lately about film scanning. I think I've gotten lazy in my scanning with my Epson V750 flatbed. I've gotten my workflow down so routine that I stopped thinking about it. Almost always scanning 35mm at 2400 dpi, just enough for an 8x12 print without resizing things, using the Epson Scan software and the standard holder, because it's easy.

 

Well, in chatting with Charlie, I decided that I should try scanning at 6400 dpi, then resizing after the scan. Then I remembered that I have one of the anti-Newton ring (ANR) glass pieces from Better Scanning.

 

(Click Here) to see the ANR insert offered by Better Scanning.

 

I've tried it in the past, but was not convinced that it made a difference. But, I didn't test it at this resolution.

 

So, with a recent roll of TMax 400 that I'd shot in my Leica IIIG in NYC, I gave it a try. Here is an image scanned twice - Epson film holder on left, Epson film holder with ANR glass on the right, at 1:1 magnification:

 

 

I can see some difference here. The detail in the subject's hair is more clear on the right, in my opinion.

 

But take a look at this one:

 

 

I can see a significant increase in sharpness on the right. Look at the difference in detail in her shirt on her left arm. Pretty striking. I can also see what looks like film grain on the right, which I don't see on the left. That could be an artifact of the texture of the ANR glass, but I don't think so. Being able to see defined grain means that I've reached the necessary limit in scanning accuracy; now resolution is limited by the film instead of the scanner.

 

So, I'll be continuing to use the ANR glass. In fact, I should probably order more, so that I can scan four strips at a time, as I did with the normal Epson film holder.

 

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Final Round of Found Prints from The Gilded Flea

I've made two posts already of found prints and an internegative that I recovered from my friend's antique shop "The Gilded Flea" in Harpers Ferry, West Virginia. (Click Here) to go to their website; they have tons of amazing stuff.

 

Here are some more prints that I picked up on my visit. I selected them just because they interested me.

 

Can anyone guess why I liked this one? The lady with the Polaroid, of course. She's even got her flash bulb pointed to the ceiling for bounced flash. I bet her shot came out great.

And who can argue with "Rockley Music Co.?" Apparently, they also sell Frigidaire appliances.

 

On the back of this print, it says "It's running fine now."

 

And finally, this one. Hey, honey, come sit in this tree so I can take your picture!

 

Thus ends a round of found prints from the past. I hope you enjoy seeing them as much as I did.

 

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