Contemplative Geology

Contemplative Geology, by Reed A. George

Panasonic Lumix DMC-LX100

iso200, f5.6, 1/800 sec.

 

Just part of the geology at the Desolation Wilderness in Northern California. This place is pretty zen.

 

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Those Northern California Clouds

 

All photographed with the Panasonic Lumix DMC-LX100.

 

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A Glass Menagerie - Panasonic Lumix DMC-TS5

I carry a camera with me every day. Today, it happened to be my little waterproof Lumix TS5, which I was bringing in to work to loan to a friend. The camera has accompanied her to Central America, and is now on its way to Tibet.

 

Anyway, the building where I work represents one of the world's largest installations of structural glass. Walking to my office, I noticed these apparently random tracks on the condensed water droplets on the outside surface. Obviously not guided by gravity, these tracks twist and turn, intersecting themselves and wandering both up and down. After looking at a few of them closely, I determined the source.

 

Slug, by Reed A. George

Panasonic Lumix DMC-TS5

 

At about 1 1/2" in length, these guys cover some territory.

 

Further down the hall, I found this predator:

 

Praying Mantis, by Reed A. George

Panasonic Lumix DMC-TS5

 

I'm not sure if a mantis will eat slugs, but I have a suspicion they will. Quite an interesting little world in operation just on the other side of the glass...

 

The TS5's macro capability came in handy here. The wifi did as well, allowing me to quickly transfer the images to my iPad so I could include them in this morning's post.

 

Then, I look up from the table where I'm writing and see this:

 

 

I grabbed this shot with the iPad's onboard camera. Okay, digital imaging can be pretty cool.

 

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16:9 Format - Panasonic Lumix DMC-LX100

 

Landscape in 16:9, by Reed A. George

Panasonic Lumix DMC-LX100

iso 400, f5.6, 1/100 sec.

 

I've just uploaded a set of images from my recent trip to the Desolation Wilderness in Northern California to my flickr page. (Click Here) to view them all (or if you want to see this image larger). Every single one of the images in this set was captured with the LX100. What a wonderfully compact and capable camera this is, perfect for a long hiking trip like the one I was on (3 days, two nights camping).

 

I love the native 16:9 format in the LX100, though I did crop a larger image to get it in this case.

 

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Desolation - Lumix LX100

Desolation, by Reed A. George

Panasonic Lumix DMC-LX100

 

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Wood - Shot With the Panasonic Lumix DMC-LX100

A series of photos of trees, close up, from my trip to The Desolation Wilderness in Northern California. All shot with the LX100.

 

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Calm Maui Sunrise

Calm Maui Sunrise, by Reed A. George

Panasonic Lumix DMC-TS5

 

This is exactly the type of calm seas I hoped for on the day of our scuba trip. The weather gods smiled upon us, and it was a wonderful trip.

 

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Leaving Molokini

Leaving Molokini, by Reed A. George

Panasonic Lumix DMC-TS5

 

Taken from our dive boat as we motored toward our second dive location.

 

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Broken Pattern of Color

Broken Pattern, by Reed A. George

Panasonic Lumix DMC-TS5

 

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Final Day at the Beach

And it already looks like this in my mind... Taken with the Lumix DMC-LX100 and built-in soft focus filter. I think the effect works well in this shot.

 

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Some Aquatic Life

I shot these images with my Lumix DMC-TS5 underwater camera. This time, I did not bring an external light source, so had to rely on natural light, the tiny in-camera flash, and in the case of the eel, I benefited from our dive master's powerful flashlight. So, these aren't near professional quality, but do get the point across.

 

 

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Our Annual Scuba Diving Trip

The Descent, by Reed A. George

Panasonic Lumix DMC-TS5

 

I only get to go scuba diving about once per year. This time, I found myself anxious about the trip, kind of obsessing about how big the waves would be. You see, our last trip, in Belize, had us getting in and out of the boat in very rough seas. While the diving turned out to be spectacular, I did not enjoy the boat ride.

 

This time, I spent too much time reading the marine forecast for Maui. There is a hurricane approaching the islands, and the forecast called for 4-6 foot seas. Less than what we experienced in Belize, but still too much for comfort. I awoke this morning thinking that maybe I'm just too old for diving.

 

Well, when we showed up at the boat ramp this morning, the Maui coast looked more like a placid lake. I have to say the waves here were zero, non-existent. A quick, smooth ride out to Molokini, and we were diving! The little Lumix DMC-TS5 once again did a great job for me.

 

After thinking about this experience, a couple of things occurred to me. First, had I had the chance to cancel this dive based on the marine forecast, I would have taken it; that would have meant missing a wonderful experience. Second, I'm not too old for diving. I'm just not doing it often enough. I'm sure my anxiety level would be much lower if I dove more often.

A-OK, by Reed A. George

Panasonic Lumix DMC-TS5

 

 

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Maui Sunset, Lumix LX100

Maui Sunset, by Reed A. George

Panasonic Lumix DMC-LX100

 

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Spider's Web, Waihe'e Ridge, Maui

 

Spider's Web, by Reed A. George

Panasonic Lumix DMC-GX7, Sigma 60mm f2.8 Art Lens

 

From my sunrise hike up Waihe'e Ridge in Maui. Sometimes jet lag can be a good thing. Today, it made it awfully easy to be up before dawn for the drive to the trailhead.

 

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Long Shadows - Waikiki Beach

 

Long Morning Shadows, Waikiki, by Reed A. George

Panasonic Lumix DMC-GX7, Sigma 60mm f2.8 Art Lens

 

In this scene, I was struck by the extremely long shadow projecting from the person on the beach, and an even longer one from a palm tree not visible from this viewpoint. This highly directional strip of light was coming through between two large hotel towers. I took this from the 19th floor of the hotel.

 

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Haleakala Crater

Haleakala Crater, by Reed A. George

Panasonic DMC-GX7, Lumix 20mm f1.7 Lens

Graduated ND Filter

 

What an amazing, nearly-alien landscape this is...

 

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Sunrise on Haleakala

 

Sun Worship, Haleakala, by Reed A. George

Panasonic Lumix DMC-LX100

 

Long drive up to 10,000 feet of elevation to witness sunrise at Haleakala, Maui this morning. Up at 3:30 AM, back at sea level six hours later.

 

Shooting directly into the sun with the LX100 produces unavoidable flare; I decided to go with it rather than fighting it.

 

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Sunrise on the Potomac

Sunrise Paddle on the Potomac, by Reed A. George

Panasonic Lumix DMC-TS5

 

I'm on vacation for the next two weeks. I plan to keep blogging, but prepare for some brief posts! I'll be focused on relaxation, and will be back in earnest soon.

 

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Another Corn Crib Shot - HDR

I added one more shot to the corn crib set, this one a high dynamic range (HDR) image from inside the corn crib.

 

Inside Looking Out, by Reed A. George

Panasonic Lumix DMC-GX7, Lumix 20mm f1.7 Lens

HDR from three separate exposures

 

I'm looking forward to getting refamiliarized with the GX7 on my upcoming vacation.

 

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The Old Corn Crib, Revisited

I was driving home this evening and noticed a lot of dramatic clouds in the sky, accentuated by the sunset. So, I stopped at the old corn crib that I've photographed in the past and made some images. (Click Here) to see one of my previous posts of this cool old building.

 

This time, I had my Panasonic Lumix DMC-GX7 and 20mm f1.7 lens with me. I'm trying to decide whether to bring this camera on vacation with me. I've drifted away from my Micro 4/3 gear recently, but this little shoot has me once again appreciating the GX7.

 

I actually sold some of my Micro 4/3 lenses recently, keeping only those that I hold most dear. Also, I kept the smallest lenses, as that's what shines about Micro 4/3 cameras, small size. So, I sold my 14-140mm zoom, 25mm f1.4 Summilux, and 75mm Olympus lenses. All excellent lenses, I felt that keeping my 20mm f1.7, Pana-Leica Micro-Elmarit 45mm f2.8, 14mm f2.5, Bower fisheye, and the amazing 100-300 f4-5.6 zoom was sufficient. Now I find that I'm missing the medium telephoto length of the Oly 75, especially in planning for travel. So, I'm going to try the new Sigma 60mm f2.8 Art lens, which is very cheap ($200 new), and getting great reviews. More on that to come.

 

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