Some Aquatic Life

I shot these images with my Lumix DMC-TS5 underwater camera. This time, I did not bring an external light source, so had to rely on natural light, the tiny in-camera flash, and in the case of the eel, I benefited from our dive master's powerful flashlight. So, these aren't near professional quality, but do get the point across.

 

 

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Once Past the Bear...

The Girl and I got out for some fishing. She's very proud to have caught the biggest fish, a smallmouth bass. It's really cool to see her ably control her own kayak and fishing reel, to great success.

 

 

Both taken with the Panasonic Lumix DMC-TS5, the waterproof, shockproof wonder. Perfect to have in my pocket for every kayaking trip.

 

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Invited for Dinner - Japanese Style

If you're a fish, never accept an invitation to dinner in Japan...

Where Shall I Sit?, by Reed A. George

Nikon Df, Nikkor 50mm f1.2 AIS Lens

iso 800, f2, 1/250 sec.

 

Fugu (Pufferfish), by Reed A. George

Nikon Df, Nikkor 50mm f1.2 AIS Lens

iso 800, f2, 1/500 sec.

 

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Belize - Fisherman and Frigate Birds at the Docks

At the dock in San Pedro, Belize, I came across this gentleman, cleaning the morning catch of snappers at the docks. These enormous frigate birds had gathered, much as you'd see seagulls and sometimes pelicans do in the US.

Sharing the Catch, by Reed A. George

Panasonic Lumix DMC-LX7

iso 200, f5.6, 1/1600 sec.

 

In the shot below, I really like how the birds form a curve leading to the food source. To me, it looks like the image is a composite of several shots of the birds; it's not. Just good timing.

 

Frigate Birds Lining Up, by Reed A. George

Panasonic Lumix DMC-LX7

iso 200, f5.6, 1/1000 sec.

And finally, a look at the barracuda that was lying at the fisherman's feet

 

Barracuda, by Reed A. George

Panasonic Lumix DMC-LX7

iso 200, f5.6, 1/800 sec.

 

On the Belize trip, as in the past, I found the LX7 camera to be so capable. I sure hope Panasonic continues to market and develop the LX line of cameras. The LX7 represents a very powerful combination of compact size, full manual control, lots of imaging features, and overall image quality. If I'm going on a trip where I have to pack light, carrying just the LX7 lets me have confidence that I can capture high quality images with a very small, lightweight camera.

 

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A Beautiful Sunset Outing - Fishing and Kayaking With the Lumix DMC-TS5

If you follow my blog, you've probably read that I enjoy using the little Panasonic Lumix DMC-TS5 when I go kayaking, fishing, diving, or just about anything that threatens to get me and the camera wet. On a Friday evening, I decided to get out for an hour or two for a sunset kayak paddle. Luckily, I have a nice reservoir near home, so it's easy to do on a moment's notice. Even with the shorter days of autumn, I was able to get out after work, and before the sun went down.

 

On this particular day, I decided to fish a little, using my ultralight rod and reel, and a twister-tail jig. I happened to catch a nice smallmouth bass, shown below.

 

 

 

Smallmouth Bass, by Reed A. George

Panasonic Lumix DMC-TS5

 

This fish was clearly fattening up for a long winter nap. Only about 1 1/2 pounds, this stocky little fish had quite a full stomach, and was still eating. Lucky for him, the only thing I took was a few extra minutes of his time, to photograph him (her?). Here's my favorite shot:

 

Sunset Catch, by Reed A. George

Panasonic Lumix DMC-TS5

Satisfied, I paddled back to where my car was parked before it got dark. Looking back, here's the sunset that followed.

 

Sunset (16:9), by Reed A. George

Panasonic Lumix DMC-TS5

The little TS5 sure does a good job. These images look great at full-size on my screen. I'm sure these would print just fine at 8"x12".

 

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The Fishing Camera - Panasonic Lumix DMC-TS5 - Strikes Again

I got out in my kayak for a couple of hours this weekend. I have a nice reservoir near my home, and have fished it a few times, never catching anything of any size. This time, I caught a nice smallmouth bass. Or was it a largemouth? A friend and I have been debating that back and forth. Every fisherman will have an opinion.

 

 

 

Smallmouth(?) Bass, by Reed A. George

Panasonic Lumix DMC-TS5

iso 325, 160, 125 (in same order as photos), f3.3, 1/250 sec.

 

The TS5 works great for this kind of shooting. In the kayak, fish on the line, I'm able to quickly open my waterproof bag and pull out the TS5. In iAuto mode, all I have to do is turn the power on and shoot. It autofocuses quite nicely for these types of shots.

 

I always want to take those cool images where the lens is partially underwater, partially above. That is particularly difficult with the TS5, as the lens element is so small, it's difficult to position it correctly to capture the water line.

 

Here's the smallmouth above the surface. My friend and I agree that he looks more like a largemouth in this picture:

 

Smallmouth(?) Bass, by Reed A. George

Panasonic Lumix DMC-TS5

iso 200, f3.3, 1/640 sec.

 

In all, I caught six fish - two smallmouth bass (the second was quite small, but more clearly a smallmouth), three white bass (all small) and one crappie (small). This was the first crappie I've ever caught in this particular reservoir. Here's what it looked like:

 

Crappie, by Reed A. George

Panasonic Lumix DMC-TS5

iso 100, f3.3, 1/125 sec.

 

I was tempted to stay and fish a while longer, but sunset came and went, and it was time to go.

 

Reservoir Sunset, by Reed A. George

Panasonic Lumix DMC-TS5

iso 160, f3.3, 1/800 sec.

 

I notice that iAuto mode on the TS5 seems to choose f3.3 often. I suppose with such a small sensor, getting enough depth of field is never an issue. I'm quite impressed with this little camera.

 

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Panasonic Lumix DMC-TS5 Goes Fishing Again

I have recently found that the very best treatment for my chronic lower back pain is kayaking. I know, it sounds weird to me as well, but there you have it. In fact, my physical therapist has now made a custom exercise for me, replicating the motion of paddling a kayak, and it really works.

 

Of course, permanently switching to Micro 4/3 to lower the weight of my camera would help, too. :)

 

Anyway, I got out in the kayak for a couple of hours today, and casted around with my ultralight spinning reel. Here's what I caught:

White Bass, by Reed A. George

Panasonic Lumix DMC-TS5 Waterproof Camera

White Bass, by Reed A. George

Panasonic Lumix DMC-TS5 Waterproof Camera

 

I had accidentally left the TS5 in one of the custom modes, this one for shooting through glass. I have no idea how it does it, but the effect is a little like a mild polarizer, which darkened up the water surface quite nicely.

 

It's really handy to have a tough, waterproof, compact camera on hand, especially in my kayak.

 

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User Report: Panasonic Lumix DMC-TS5 Waterproof Compact

Panasonic Lumix DMC-TS5 Lifestyle Tough Camera

Image Source: shop.panasonic.com

 

I am pleased to be a participant in Panasonic's Early Adopter program. My first review was of the new DMC-TS5 waterproof, shock proof, wifi-enabled, GPS-enabled, compact camera. How's that for a list of features?

 

(Click Here) to read my report on Panasonic's website.

 

I thought I'd add some images and video to the mix, since that's the real result of tesing a camera, right?

 

First off, this little camera is very convenient. I took it along on a family trip to pick strawberries at the farm. The macro capabilities are impressive. Put the camera into iAuto mode, and you're good to go.

 

Berries and Blossoms, by Reed A. George

Panasonic Lumix DMC-TS5

 

For a real test of the specific strengths of this waterproof, toughened camera, I took it with me on a trip to the Florida Keys. We arrived in Key West just before sunrise, so I stayed up and shot a little at the hotel beach. Here's a video of the surf coming in. At the end of the video, you'll see the camera get knocked over by an incoming wave! No worries; it's tough.

 

Click the Picture to See the Video!

Sunrise, Key West, by Reed A. George

Panasonic Lumix DMC-TS5

 

To really test the camera, we took it on a scuba diving trip. Here's the ride out to the reef:

 

Click the Picture to See the Video!

Headed to the Reef, by Reed A. George

Panasonic Lumix DMC-TS5

 

The seas were pretty rough on this day, with waves from three to five feet being the norm. Here's what it looked like from the water's surface, before we went down:

 

Rough Seas, by Reed A. George

Panasonic Lumix DMC-TS5

 

Of course, once we were under water, waves didn't matter, just current. And there was plenty of current.

 

All Is Good, by Reed A. George

Panasonic Lumix DMC-TS5

 

Shooting in the "Underwater Advanced" mode, I think the camera does a nice job of achieving color balance. This isn't bad for ~30 feet underwater with just the on-camera flash!

 

Snappers, by Reed A. George

Panasonic Lumix DMC-TS5

Here's an underwater video - look for the two barracudas:

Click the Picture to See the Video!

Barracuda!, by Reed A. George

Panasonic Lumix DMC-TS5

Here are some other shots from the Key West trip:

"Through Glass" Scene Mode Seems To Work!, by Reed A. George

Panasonic Lumix DMC-TS5

I Can Still Feel The Humidity, by Reed A. George

Panasonic Lumix DMC-TS5

Local, by Reed A. George

Panasonic Lumix DMC-TS5

I'll finish with a couple of shots of one of the things Key West is famous for - sunsets. I shot these in the sunset scene mode, which also works quite well:

Sunset From The Boat, by Reed A. George

Panasonic Lumix DMC-TS5

And finally, a sunset panorama, made completely in-camera, using the panorama mode.

I thoroughly enjoyed using the DMC-TS5 on this trip. It's wonderful to be able to carry a camera literally anywhere without having to worry about damaging it. After we got back to the hotel, I simply filled the sink with fresh water and submerged the camera for ten minutes or so. Clean and good as new!

 

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Skeletons From The Closet - Some February Results With the Super Ricohflex

Back on February 4, I introduced February's SFTC selection, the Super Ricohflex twin lens reflex camera.

(Click Here) to read about the camera.

 

This has been a tough month to get out and shoot, but I didn't let that stop me. Here is my first installment of results.

 

On this particular morning, I went to the waterfront in Washington, DC, which is essentially a series of floating fish markets tucked alongside a marina full of big yachts. It seems that I end up here once in a while. Last time was with another TLR, a Rolleiflex. (Click Here) to read that post. This time, it was the Ricohflex, loaded up with Kodak Tmax 400 film.

 

Doing Business, by Reed A. George

Ricoh Super Ricohflex, Kodak Tmax 400 Film

 

Don't Slip!, by Reed A. George

Ricoh Super Ricohflex, Kodak Tmax 400 Film

 

Dramatic Shadow, by Reed A. George

Ricoh Super Ricohflex, Kodak Tmax 400 Film

 

Crab Man, by Reed A. George

Ricoh Super Ricohflex, Kodak Tmax 400 Film

I had to crop this one to remove a distracting element. I went with the "normal" 4x6 ratio.

 

I find that twin lens reflex (TLR) cameras give me a fresh perspective for a couple of reasons. First, the square format. It allows for a whole different type of composition. There's something close and intimate about it. Second, since you don't really hold the camera up to your eye, it seems less confrontational to your subjects. I tend to put my eye close to the magnifier in the TLR hood, but shooting at waist level is even less noticeable. If I have enough light to shoot with hyperfocal settings, waist level shooting is fine.

 

My Super Ricohflex is a relatively new addition to my collection. I find that for some reason it tends to produce soft images if I'm focused close to the minimum distance (close up). I am not yet sure whether this is due to my own motion blur when holding the camera, or if the focus is not adjust quite right. In any case, it does a nice job at five feet or further away from the subject.

 

Quite a lot of fun to shoot. I've got some more images from the Super Ricohflex to share, but I haven't scanned and processed them all yet. Keep looking back - more to come.

 

March's SFTC selection, the Zeiss Ikonta, also has a square format. It is not a TLR, so shooting will feel quite different, but it should share some of the compositional qualities of shooting a square picture.

 

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