First Shots - 6x17 Panoramic Pinhole - "Reality So Subtle"

Some cameras take a while to figure out. Pinhole cameras are definitely different from everything else I shoot, and require a different frame of mind. That's one of the things I love about shooting them. And then there's panoramic format. I remember when I purchased a Hasselblad Xpan, a camera that I never fell in love with. It took me several rolls to get used to composing in the long panoramic format. I did eventually get comfortable with it, but then moved on to a panoramic 35mm back for my Bronica ETR.

 

Anyway, I digress. The subject of this post is the "Reality So Subtle" 6x17 medium format panoramic pinhole camera that my lovely wife gave me for my birthday. (Click Here) to read my post about the camera.

 

Here are some images from my first two rolls of film through the camera. Remember, there are only four exposures per roll of 120 film, so this hit rate may not be too bad. I shot one roll of Portra 160, another of Portra 400.

 

These first three were shot at Great Falls National Park in Virginia.

 

 

 

This next one came from the new Metro station in Reston, Virginia. It's my favorite of the bunch. There were actually some people walking through as I shot this one; they didn't show up because they were only there for a small fraction of the time the shutter was open.

 

 

So, I'm pretty pleased with this camera overall. That said, I need to use my head to find the right applications for it, and learn to use it just right. And that's not cheap. At four exposures per roll, plus the fact that my favorite film processor, thedarkroom.com, charges $10 extra per roll for panoramic format (!), I figure these cost well over $6 per exposure. That leads me to the conclusion that I'll start shooting black and white film in it for a while, and develop the images myself. That will bring it back to the "reasonable" level of about $1.50 per shot or so. That's less than a Polaroid image.

 

So, wish me luck! More to come.

 

DMC-365.blogspot.com

 

 

Grandpa's World War II Agfa Viking

I thought I had written about this a few years back, but it seems I forgot to post it.

Back in December of 2010, my Grandfather gave me his Agfa Viking camera. He picked it up during World War II, during which he was stationed in Japan and the Phillipines. He seems to remember trading a 35mm Japanese camera for it. Who knows what that may have been?

Anyway, once I got it, I saw that the shutter seemed to be working fine, and the lens turned to allow focusing (it's very common for the cell to get locked in place over so many years). Then I found the aspect that threatened to prevent me from using this old jewel - it is designed for 616 film, which is no longer available.

Grandpa's Agfa Viking

 

Undaunted, I hand-fabricated a thin plastic mask that allows 120 film (not as wide as 616) to ride in the correct film plane in the camera. I then modified some 120 spools to fit into the Viking. It's not perfect, and sometimes the spools slip during film transport. I measured out which exposure numbers on the 120 film backing would indicate sufficient travel. I can now use the red window on the back to make sure I've wound the film on far enough to avoid overlapping images.

 

This configuration results in a panoramic aspect ratio. Here are two shots I made in Washington, DC with the Viking:

Success!

 

As I said, it's a little fiddly to use, and frankly I have enough medium format folders that were designed for 120 film that I haven't gone back and used the Viking since that maiden voyage. But, it was great fun challenging myself to be able to shoot it at all. Pretty impressive images, if you ask me.

 

That said, I hope that someday the Film Photography Project (FPP), or someone else, will reintroduce 616 film for us niche camera owners. Probably hoping against hope. I'm not sure how many cameras were sold that used this particular format film. But then again, who would have guessed that FPP would be marketing 620 film? They are!

 

(Click Here) to check out FPP.

 

DMC-365.blogspot.com

 

Planning My Next Theme - Maybe

Great Falls, VA, at About 17 Degrees Fahrenheit, by Reed A. George

Rolleiflex

 

Well, if you've followed the twists and turns of this blog for a few years, you've seen it change quite a lot. If not, I can tell you that my focus shifted from mainly Panasonic/Lumix/Micro 4/3 gear in the first year to a prolonged emphasis on Leica, and on old film cameras. Recently, I've been thinking more about the creative process and how it relates to gear and format.

 

I think all of this has been useful for me, and I don't plan to drop any of it. I still shoot Lumix when the mood strikes me, and have zero problem relying on a full Micro 4/3 kit for much of my travel. I'll never lose the love for my Leicas. However, lately, some friends and I have been leaning more toward medium format film cameras for our weekend outings.

 

In my Skeletons From The Closet series, I used several of my old medium format cameras. My friends Charlie and Alain are Rolleiflex users. I love my Rolleiflexes as well. I recently picked up (through the favor of another friend) a wondrous Mamiya Universal Press camera kit. I also really enjoy medium format folding cameras, and my Bronica ETR (6x4.5 format) kit has been sitting idle for far too long.

 

So, I may just have to start a new emphasis on medium format film shooting. In fact, my first couple of rolls through the Mamiya are on their way to The Darkroom as I write this.

 

Don't know about The Darkroom? (Click Here) for the best film processing I've ever found.

 

As I've learned that focusing on just one type of equipment is only satisfying for a finite period of time, I'll figure out how to make the best creative use of this type of gear. I won't limit myself to one camera or maker. I will commit to the "slow photography" movement, at least for this part of my shooting. With a Mamiya Universal, you don't have much choice but to commit to slow photography. :)

 

Anyway, that's my thought at this point in time. Again, this will not be an exclusive focus. I surely won't be traveling with just a Mamiya Universal very often. But, it could be a new dimension to add to my subjects.

 

Input always appreciated! Drop me a comment with your thoughts.

 

DMC-365.blogspot.com

 

Skeletons From The Closet - August's Agfa Record III - Buddhist Temple

My SFTC camera for August made a huge impression on me. The Agfa Record III with Solinar is a super capable camera.

 

(Click Here) to read about the camera.

 

Producing big ol' 6x9 negatives, the image quality is spectacular, in my opinion. Here are some shots from a recent trip to my local Buddhist temple, all on Kodak Portra 400 color negative film.

 

Altar Flowers, by Reed A. George

Agfa Record III with 105mm f4.5 Solinar Lens

 

Tree Deck and Altar, by Reed A. George

Agfa Record III with 105mm f4.5 Solinar Lens

 

I wish I had lined up Buddha's face in the reflection on the rail. That would have been difficult but interesting.

 

Bell, by Reed A. George

Agfa Record III with 105mm f4.5 Solinar Lens

 

Smile!, by Reed A. George

Agfa Record III with 105mm f4.5 Solinar Lens

 

This old camera is amazing. I recently found myself looking long and hard at the modern Fujifilm GF670, a folding 6x7 medium format camera. While I was looking, the Record III showed up in my life, thanks to a package from my Mom. With its uncoupled rangefinder built-in, and accessory shoe to hold my Voigtlander CV Meter II, the Record III is very convenient to use; I don't have to carry around a separate meter and/or rangefinder in my pocket. And, unlike the GF670, the Record III doesn't need a battery to operate.

 

So, the Record III is a perfect high quality medium format camera for carrying on travel. In fact, it went with me to Maui recently. The film is off for processing at The Darkroom now, so you'll see those pics soon as well.

 

DMC-365.blogspot.com