Another One From a Year Ago

Santa Fe Diner, by Reed A. George

Panasonic Lumix DMC-GX7

 

I guess I was smart enough to travel to Santa Fe last winter. I took this shot with my GX7 sitting on the restaurant table. I like that you can see each of the couple's heads three times (the heads themselves, reflections in the mirror beside them, and reflections on the table surface). Pretty cool.

 

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Petroglyph National Monument, New Mexico

One final post of images from my recent trip to Albuquerque, New Mexico. Very close to my hotel, Petroglyph National Monument offered a unique early morning walk before my business meetings started.

 

Petroglyphs are images by native people of the area, made by chipping away at the surface of the basalt rock in the area. The basalt stones were created about 200,000 years ago, when lava flowed 5-50 feet thick over a series of six separate eruptions. These boulders have a thin dark patina layer on their surface, caused by water, sun, temperature extremes, and microbes. It was by chipping away at the outer layer and exposing the lighter stone color underneath that native Americans made the petroglyph images.

 

Petroglyph on the Mesa Top, by Reed A. George

Panasonic Lumix DMC-GX7, Bower 7.5mm f3.5 Fisheye Lens

iso 400, f-stop unrecorded, 1/250 sec.

 

Most of these petroglyphs were made 400-700 years ago. Those from that period ("Rio Grande" style) include human figures, masks, hands, feet, as well as animal shapes and tracks, and geometric designs. Others date back as far as 3,000 years.

 

Various Petroglyphs, by Reed A. George

Panasonic Lumix DMC-G1, Pana-Leica Macro-Elmarit 45mm f2.8 Lens

 

As I've written in other posts, I found the Bower fisheye lens to be very useful on this trip. This was a bit of a surprise for me, as I've always thought of fisheye lenses as gimmicks, for special effects only. On this walk, I carried the GX7 with the fisheye attached, and my backup Micro 4/3 body, the GX1, with the Macro-Elmarit. This made for a very good combination in this particular setting.

 

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New Mexican Art, Shot With Lumix DMC-GX7 Micro 4/3 Camera

I've been posting a few images from New Mexico, including a couple of fisheye images. Well, here are a few more, probably the last I'll post from this particular trip.

 

Old and New, by Reed A. George

Panasonic Lumix DMC-GX7, Lumix 14-42mm f3.5-5.6 Series II Kit Lens at 31mm

iso 200, f22, 1/200 sec.

 

This was shot outside an art museum. I very much like the contrast of the modern art right up front, and the more traditional looking sculpture in the background. After capturing this, I decided to get up close and personal with the stature, taking advantage of the fisheye lens' capability of simultaneously showing detail of the sculpture and the distinctly Southwestern architecture and courtyard surrounding it.

 

Native, by Reed A. George

Panasonic Lumix DMC-GX7, Bower 7.5mm f3.5 Fisheye Lens

iso 200, f-stop unrecorded (f8?), 1/1000 sec.

 

I really like how the fisheye captured this scene. I don't consider this to be only a special effect lens, as I had anticipated. Yes, there is quite a lot of distortion of the lines in the building, but I don't think it takes much away from the composition. I would like to compare this image to what I would get with the Voigtlander 12mm f5.6 (rectilinear, not fisheye) lens on a Leica M body. Less distortion, and even a little wider angle would be expected, but I don't know if I'd like the image as much or more. Sounds like a good test for the future.

 

Finally, a purely tourist-targeted scene:

 

Southwestern Kitsch, by Reed A. George

Panasonic Lumix DMC-GX7, Lumix 14-42mm f3.5-5.6 Series II Kit Lens at 34mm

iso 200, f11, 1/640 sec.

I don't mind that this is a stereotypical tourist trap scene, including some fake, painted peppers (the multicolor ones; the red ones are real). It's part of the environment in New Mexico now. So, why not show it?

 

One of my goals on this short trip was to see if I can rely on the GX7 for good travel photography. Carrying the GX7 and the even smaller GX1 as a backup body worked very well for me. I'm thoroughly impressed with the image quality of the GX7, if not the handling. I still don't feel that it quite fits my hands. But, it's pretty darned good.

 

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More Fisheye Images - Panasonic Lumix DMC-GX7

I've always thought of a fisheye lens as a novelty. I never really owned one, other than a toy fisheye film camera, and I only used that once or twice. Over the holidays, I found the Bower 7.5mm f3.5 fisheye lens for Micro 4/3 for an amazing low price, and bought it.

 

I decided to take it with me on my trip to New Mexico. Another place where Micro 4/3 compactness shines. I don't think I'd ever carry a lens like this with a full-sized DSLR kit. The probability of use : weight ratio would be too low.

 

Anyway, I used it. The shot below is the only interesting one I could make at sunset over the city. Instead of a beautiful desert sunset, on this evening the clouds were rolling in, and the color just wasn't there. So, I pointed the fishey upward, got right to the base of the tree, and shot this.

Upward Reach, by Reed A. George

Panasonic Lumix DMC-GX7, Bower 7.5mm f3.5 Fisheye Lens

iso 200, 1/125 sec., f-stop unrecorded

 

The Bower lens is also marketed under other names. I believe it's identical to one sold under the Samyang and Rokinon name. It's a manual focus lens, but with the depth of field you get with a 7.5mm lens on Micro 4/3 sensors, that really isn't a drawback at all. At far less than half the cost of a Panasonic fisheye lens, I think it's a reasonable compromise.

 

Here's a shot I made outside a church in New Mexico:

 

Sacred Tree, by Reed A. George

Panasonic Lumix DMC-GX7, Bower 7.5mm f3.5 Fisheye Lens

iso 200, 1/800 sec., f-stop unrecorded

Here again, the fisheye perspective allowed me to make a somewhat interesting image, even in midday sun. The distortion of the lens works with the tree branch arching overhead, with its crucifixes hanging down. Mother Mary makes a nice off-center focal point.

 

So, this lens has my vote. I enjoyed using it on the GX7 quite a lot.

 

Click on my Amazon link below to buy yours, and support this blog!

 

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Afternoon Break, New Mexican Style

This very nice lady allowed me to photograh her on her break from working at the shop next door. Her only concern was "I don't have to look up, do I?"

Afternoon Break, by Reed A. George

Panasonic Lumix DMC-GX7, 14-42mm f3.5-5.6 Series II Kit Lens at 34mm

iso 400, f9, 1/800 sec.

 

I simply had to ask if I could shoot her picture. I found the patterns in the tile steps leading up to where she was sitting irresistable.

 

Once again, I'm finding the new Series II kit lens from Panasonic to be very, very good.

 

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I Love Meeting Interesting People When I Travel

This is Doc. I met him on my recent trip to New Mexico.

 

Doc, by Reed A. George

Panasonic Lumix DMC-GX7, Lumix 14-42mm f3.5-5.6 Series II Lens at 33mm

iso 200, f5.4, 1/200 sec.

 

Doc had just gotten out of the hospital and ventured into town looking for work. He loves living in New Mexico, and it shows.

 

Doc's Hands, by Reed A. George

Panasonic Lumix DMC-GX7, Lumix 14-42mm f3.5-5.6 Series II Lens at 29mm

iso 200, f5.4, 1/320 sec.

 

As you can see, I was using my Lumix DMC-GX7 on this trip. With the Series II kit zoom mounted, I think of it as a reasonable stand-in for the Leica X-Vario. I find the lens specifications to be extremely similar. While the GX7 has the disadvantage of a smaller sensor, it has the major advantage of interchangeable lenses, making it a much more flexible system camera. I'm quite impressed with the performance of the Series II kit lens.

 

One of my goals on this trip was to bond with the GX7, which I've had for a while now, and used very little. Did I meet that goal? Well, to some extent, yes. I now better respect the imaging capability of the GX7, which is really quite tremendous. I also reminded myself just how compact and light the Micro 4/3 kits can be. I carried two bodies (GX7, GX1), several lenses: a Bower fisheye 7.5mm f3.5, Lumix 20mm f1.7, Lumix 14mm f2.5, Olympus 75mm f1.8, 14-42mm Series II kit lens, a Pentax 55mm f1.8 lens and adapter (just for fun), and a small flash, all in a single messenger bag. It was light and easy to carry.

 

That said, the form factor of the GX7 is just not ideal for me. Can I live with it? Yes, but I do inadvertently hit buttons sometimes. I find the GX1 fits my hand better. Maybe one of the SLR-shaped Lumix cameras, perhaps the DMC-G6, would suit me better. But, the performance in such a small package in the GX series cameras is truly impressive to me.

 

More results to come from the GX7 and GX1 on this trip.

 

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Taking Advantage of the Lumix GX7 Silent Shutter

New Mexico Diner, by Reed A. George

Panasonic Lumix DMC-GX7, Lumix 20mm f1.7 Lens

 

The GX7 has an electronic (silent) shutter feature, which is very nice. The first thing I do when setting up any digital camera is find the controls to make all of the beeps and sounds go away. Permanently. Up until the GX7, all of my Lumix Micro 4/3 cameras have had a mechanical shutter, which is not all that quiet. The GX7 gives you the option of using either the mechanical shutter, or the silent electronic option.

 

The electronic shutter is not always appropriate. It doesn't work with flash (which I use as sparingly as possible, anyway), and it reportedly has problems with specific wavelengths of fluorescent lighting. But, as you can see above, it can really be handy in the right situation. I had the camera on my table, and simply pointed it in the right direction and pushed the shutter release. This was shot wide open at f1.4 f1.7 (thanks to Dennis Gallus for pointing out my typo). The image is right from the camera (unedited jpeg).

 

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Fisheye Image - Zen Heart - Panasonic Lumix DMC-GX7 and Bower 7.5mm Fisheye Lens

As I write this, I'm on the final day of a trip to New Mexico. I've had precious little free time, which means the meeting I'm attending is actually pretty good.

 

I decided to make this a "Micro 4/3 only" trip, in an attempt to bond with my new GX7. I must say it's working. The image quality from this camera is stunning. I'm still not completely sold on how it feels in my hand, actually preferring the feel of either the earlier DMC-GX1 (which is also along for the trip), or one of the more SLR-shaped Lumix cameras (which I've now sold off).

 

Here's a shot I made at the Upaya Zen Center in Santa Fe:

 

Zen Heart, by Reed A. George

Panasonic Lumix DMC-GX7, Bower 7.5mm f3.5 Fisheye lens

 

I visited the Center for an early morning meditation session (7:00 am). It was really worth the drive up from Albuquerque, where I'm staying. I was back in time for my meeting.

 

(Click Here) to read about Upaya Zen Center. They host a no-charge meditation session every morning.

 

This silver heart pendant (about 2" in size) was attached to the fence around Upaya's community garden. My lens was about 4" away from it, which is one of the cool features of the fisheye. You can get very close focus. In the background, you can see the Center and the base of their windmill (on left) and prayer flags on the back fence (on right). I like how this single image has the focal point of the heart, but also includes a lot of information about the place.

 

I really am impressed by the image quality of the GX7. Now if I can just get comfortable with it in my hand.

 

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