I Love Slow Photography - Jim Austin Shares "SloFo" on Film Photography Project Blog

Slow, by Reed A. George

Mamiya Universal Press Camera

 

I love slow photography. Probably my favorite camera for ultra-slow, contemplative photography is the Mamiya Universal Press (MUP). You just don't hurry this camera up. It's big, heavy, and stubborn. It makes me do photography it's way.

 

Jim ("Jimages") Austin has written a nice blog post on the Film Photography Project's blog about slow photography, which he refers to as "SloFo." I'm not sure why we need a new term for it, but I enjoyed Jim's post nonetheless. Jim was shooting in the Bahamas with a selection of Konica, Nikon, and Nikonos film cameras.

 

(Click Here) to read the blog post on the Film Photography Project's page. Be sure to watch the video that's linked to from the text; it shares different pictures than are used in the text. Plus, it's kind of fun to see Jim paddling his boat to shore.

 

If you're a rapid-fire high speed continuous shooter, you owe it to yourself to try some slow photography. Personally, I find it much more rewarding and useful in sharing my creative vision.

 

DMC-365.blogspot.com

Nice Summary of Six Years of Micro 4/3 on m43photo.blogspot.com

Dancing, Golden Gate Park, by Reed A. George

Panasonic Lumix DMC-G1, Voigtlander 28mm f2 Ultron Lens

 

 

I have spent a lot of time shooting, and thinking about, the Micro 4/3 format. In fact, my blog is named in observance of the standard "DMC-XX..." camera model designation of Panasonic's Lumix cameras. For Panasonic, the DMC-G1 was the first Micro 4/3 camera. I made good use of that one. Then, for an entire year, I focused mostly on shooting a pair of DMC-G3s.

 

I have ventured far and wide since that first year of 2012, but still regularly include Micro 4/3 gear and images in my posts.

 

The blog m43photo.blogspot.com, started in 2009, has been focused on Micro 4/3 longer, and more exclusively than my own, but with fewer overall blog posts. Now they have posted a brief retrospective of what's gone on in terms of camera and lens development over the past six years.

 

(Click Here) to read the post on m43photo.blogspot.com

 

I have been ambivalent over the years about whether or not the Micro 4/3 sensor size was the right compromise between sensor size (larger would provide better image quality) and equipment size (smaller sensors lead to smaller cameras and lenses). About a year or two ago, it seemed that APS-C was about the smallest you could go and still expect truly excellent image quality at higher iso settings. Now, I'm beginning to once again think that Micro 4/3 may turn out to be an ideal size.

 

In the Magnum workshop that I just attended, I shot with both my Leica M9, a full frame digital rangefinder, and the Lumix DMC-GX7, a Micro 4/3 camera. As it turned out, I used the GX7 for most of my shooting, which included a lot of bike rides around the Cape Cod National Seashore; most of the images in my final project submission were shot on Micro 4/3. There were certainly no complaints about image quality.

 

In fact, at the same workshop, David Alan Harvey showed us his new book Based on a True Story. The cover shot was made with a Lumix GF1 Micro 4/3 camera. It's hard to argue with the image quality he achieved.

 

It will be interesting to see how the evolution of Micro 4/3 proceeds over the coming several years.

 

DMC-365.blogspot.com

Professional Traveler Dusty Blackthorn Makes Great Images with Lumix LX5

Dusty Blackthorn, guest poster on SteveHuffPhoto, is a "professional traveler." From the look of his pictures, Dusty takes some interesting modes of transportation.

Image Source: http://www.stevehuffphoto.com/2014/08/20/daily-inspiration-658-by-dusty-blackthorn/

 

Dusty has been using a Panasonic Lumix DMC-LX5, but says he feels his pushing the limits of that camera.

 

(Click Here) to read his post on Steve Huff's blog. He has a couple of other interesting shots there.

 

Dusty is looking for input on what camera to upgrade to. Personally, I think he's mastered the LX5 and should stick with it.

 

DMC-365.blogspot.com

 

 

Film Latitude - Mike B Reports on Overexposing by Seven Stops!

"Humber Light" - Bronica ETRs - Zenzanon 75mm ƒ/2.8 @ ƒ/11 1/8s

Image Source: http://blia-yof.blogspot.com/

 

I found this image and related post on Mike B's "A Year on Film" blog. In this post, Mike writes about the incredible latitude of film, in this case Rollei IR400 IR film. While this shot above was exposed, I would say, perfectly, Mike shares an image that was overexposed by seven full stops, and still rescued. Yes, you can tell it was overexposed, but there's quite a lot of image information there.

 

(Click Here) to read Mike B's post.

 

I like a lot of things about this post. First, I'm intrigued by Mike's blog in that he is part of a "52 Rolls of Film" project, which equates to one roll per week for an entire year. I could do that. So far in 2014, I'm averaging about twice that rate. Second, Mike writes about how his digital cameras are taking the backseat to film cameras. He writes that he no longer buys film cameras, but his collection continues to grow through gifts from others. Having just returned from a trip to Ohio where I won a new Nikkormat FT3 at the Film Photography Project (FPP) Walking Workshop, and received a wonderful Konica FC-1 film SLR from my uncle, I can appreciate that. Finally, I like that Mike is using the Bronica ETRS. I have a full ETRS kit (including the 35mm panoramic back) that has not been out in ages. I must fix that.

 

Be sure to check out the FPP website if you're into film by (Clicking Here).

 

DMC-365.blogspot.com

 

 

Come Support My Fellow Blogger - T&T Straps by Tyson Robichaud

I've cross-posted some of Tyson Robichaud's blog posts before. He's a Lumix and Micro 4/3 user, but not exclusively.

 

(Click Here) to go to Tyson's blog.

 

Tyson has begun offering hand made rope (yes, rope) camera straps. Called "Garda Straps," Tyson makes each one by hand. They come in black or green (the black is thicker rope than the green) and regular or large lengths.

 

Image Source: http://tysonrobichaudphotography.files.wordpress.com/2014/02/img_5723.jpg

 

You've got to see the video on Tyson's site, which shows exactly how they're made, and more importantly, just how strong they are.

 

(Click Here) to read the post and be sure to watch the video.

 

At $30, including shipping in the US, it's certainly worth a try. I've ordered mine, a green, large model. I'll post once I've received mine with any impressions.

 

Good luck, Tyson!

 

DMC-365.blogspot.com