Trip to NYC - Traveling "Camera Light"

My family and I are heading out to NYC for the Thanksgiving weekend. Our plan is to head up on Black Friday, return on Sunday (remember the delay in my posts, usually about a week).

My NYC Kit

 

I've got several cameras that I've acquired recently, which I have not fully explored. One is my Leica IIIG, which I've only used for a single test roll. It will be my main camera for this trip. I'll pair it up with my 50mm f2 Summicron collapsible lens. Since the IIIG has framelines for both 50 and 90mm, I'll also bring along my wartime 90mm f4 Elmar. I plan to shoot all black and white with the IIIG.

 

For color, and for family snapshots, I'm bringing along my Lumix DMC-LX7.

 

All of it fits in this tiny Lowepro bag. It is very light and will be easy to carry.

 

My Packed Camera Bag

 

DMC-365.blogspot.com

 

Reductionism in Photography, as Covered by Theme

Reduction, by Reed A. George

Panasonic Lumix DMC-GX7, 14-42mm f3.5-5.6 Series II Kit Lens

iso 200, f9, 1/60 sec.

 

I read an interesting post on the blog Theme, about reductionism in photography. It considers the act of boiling down everything that we see, hear, and think to a simple concept. In photography, that translates to reducing composition to the absolute minimum.

 

(Click Here) to read the post about reductionism on the Theme blog.

 

Personally, I'm not sure where the intersection is between reductionism and simplicity. Many photographic texts and teachers stress simplicity in photographic composition. I don't really work that way. I have been told that some of my images have too much clutter, are not simple to understand. In general, I don't mind this, if the image still transmits a message. I don't want my images to be so simple as to be obvious or shallow.

 

The picture above is a rare example of simplicity (or is it reductionism?) for me. I took this one in Provincetown, Massachussetts when I was there for a workshop. To me, it represents a special quality to the light that I experienced there. It also reminds me of the simple yet completely satisfactory room that I stayed in while I was there. Of course, no other viewer will have the benefit of that experience.

 

It was the light that caught my eye, not the subject. I love how the light coming through the holes in the strainer is golden; I didn't set that up in any way. It's just the way it was.

 

Anyway, I'm sure that I can benefit from considering reductionism in my photographic work. I will do that, without losing some of the complexity that I feel when I make a picture. There's something to learn from each and every person's approach to photography and art.

 

But, I still don't really know if reductionism and simplicity are the same concept.

 

DMC-365.blogspot.com

 

My Mamiya Universal Kit

My Mamiya Universal Press Camera Kit

 

I've been meaning to shoot some images of my new Mamiya Universal camera and lenses. Well, here it is. Pretty much a dream kit, it includes:

 

• Mamiya Universal Body
• Normal Lens: 100mm f3.5 with hood and caps
• Wide Angle Lenses: 65mm f6.3 and 50mm f6.3, both with accessory finders (pictured), caps, 50mm hood
• Telephoto Lens: 150mm f5.6 with hood and caps
• Polaroid Film Backs: M80 (obsolete) and Pack Film Back
• Roll Film Backs: 6x9 (2) and 6x7, all for 120 film
• Ground glass focusing back and several cut sheet film holders
• Assorted 55mm filters and additional cable release

I am the proud owner of all of this wonderful high quality medium format goodness because of one thing, my good friend Dennis Gallus, who thought of me first when he decided to sell it. Thank you, Dennis!

 

The more I use this camera, the more I like it. You're going to be seeing more images from it quite soon.

 

DMC-365.blogspot.com

 

Time For Some Pinhole Shooting - ePHOTOzine's Peter Black Reviews the Ilford Obscura 4x5 Pinhole Camera

Image Source: http://www.filmsnotdead.com/wp-content/uploads/2013/03/20130311-094504-pm.jpg

 

 

I just read a review of a new product from Ilford - a 4x5 film pinhole camera called the Obscura.

 

(Click Here) to read the review on ePHOTOzine.

 

Here's what I learned from the review: 1) Ilford appears to be in the film game for the long haul, which I love, and 2) the Obscura requires film loading in a changing bag, as it doesn't use a normal 4x5 film holder. Wow. That doesn't seem very smart.

 

I have one that I bought used, but I'm pretty sure it's from, you guessed it, pinholecameras.com.

 

(Click Here) to see their website.

 

I'm quite happy with mine, but don't use it often enough. Do I hear inspiration coming on? Maybe.

 

I have also made a cardboard pinhole camera that uses 35mm film. This one is a kit. See the Amazon link below if you're interested in one of those. It's not exactly the same as mine, so I can't say how easy or hard it is to build. Mine was tougher than expected to get right, but it does work and was a fun project.

 

From My Cardboard 35mm Film Pinhole Camera

 

The result above is what you can expect from a 35mm format or smaller pinhole - funky, blurry, potentially fun.

 

I find that my 4x5 pinhole yields reasonably sharp images. Actually, it would be hard to tell a 4x5 pinhole image from one made with an old inexpensive lens. You can decide whether that's a plus or minus. Sometimes funky, blurry, is good.

 

I think I'll load mine up this weekend.

 

DMC-365.blogspot.com