Autumn Color

I got out in the autumn colors today, from a vantage point at Bear's Den overlooking the Shenandoah Valley, less than an hour from home.  Here's the overall scene (don't forget that it's interactive - you can zoom and scroll around in the 360 degree panorama image if you click on image):

Post from RICOH THETA. #theta360 - Spherical Image - RICOH THETA

And here are my favorite shots from the day, all shot with my Nikon D810.  The first two with the Nikkor 200-500mm, the rest with the Zeiss Milvus 50mm f1.4 (amazing lens!).

River and Roots Festival - Great for Kids of All Ages!

I love music festivals. But, size matters. The huge ones can be a bit much. My two favorite festivals, ever, are held every year at the same place - Watermelon Park in Berryville, VA.

 

River and Roots Fun, by Reed A. George

Nikon Df, Nikkor 28mm f1.8 AF-S G Lens

iso 1000, f2, 1/125 sec.

 

The Watermelon Park Fest, held every September, is the larger of the two. (Click Here) to read more about it.

 

I made the photo above at the River and Roots Festival in June, also held at Watermelon Park. This one's smaller, but so much fun. Large enough to attract major acts (the headliner this year was David "Dawg" Grisman), R&R is small enough that there's no stress or hurry to be anywhere. Wonderful. This year, I only made it out for the first day of the festival, going home in time to miss the deluge of rain, yet also missing Dawg and many other great musical performances.

I shot with my Nikon Df, and enjoyed trying out my new 28mm f1.8 AF-S lens. In the shot above, it allowed me to capture enough of the scene to share how it felt, but still shows the emotion and wonder on the little girl's face. I had to get pretty close to pull this off, but not uncomfortably so.

 

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Tips for Better Hiking Photography, Skip Spitzer on Luminous Landscape

I love to do outdoor and nature photography. I love to hike. My family hates to hike with me because I do too much photography on our hikes. Balance is important. However, now I have the excuse that I'm just staying aerobic, after reading Skip Spitzer's post on the Luminous Landscape blog.

 

Family Hike at Shenandoah National Park (Will They Ever Go Again?), by Reed A. George

 

In Skip's post, he gives quite a lot of information about how to be a better hiker and photographer at the same time.

 

(Click Here) to read the full post. Here are the points that were most important to me:

 

1. Have a real relationship with the nature you're photographing
2. Be skillful enough in your hiking to be at ease, feel the "flow" of the experience
3. Focus on keeping your energy usage aerobic (go slow, with only short bursts of intense activity)
4. Learn about the best hiking gear and materials (a cotton shirt isn't the best idea)
5. Learn to understand, respect, and manage the risks so that you can enjoy the experience

In the post, you'll also see a link to Skip's video program, which you can view for only $10. I'll probably do that when I have time.

 

So, you see, the reason I stop every ten feet or so to shoot several pictures is that I'm trying to stay aerobic. Yes, I quite like that excuse.

 

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Letting the Water Run By

At last weekend's festival on the Shenandoah River (River and Roots, that is), I shot a few pictures of this young man relaxing in the rapids:

 

 

Letting it All Roll By, by Reed A. George

Nikon D700, Nikkor 180mm f2.8 AF Lens

iso 1600 f2.8, 1/750 sec.

 

 

 

Moving On, by Reed A. George

Nikon D700, Nikkor 180mm f2.8 AF Lens

iso 1600 f2.8, 1/750 sec.

 

I like the layers of light rapids, dark still water and tree shadows, and low green of the leaves. In the first shot, the boy provides just enough of a focal point, and some mystery or question to the image. A nice diversion from shooting the music event.

 

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Panasonic Lumix DMC-TS5, Macro, and Damselflies

 

 

 

Damselflies - American Rubyspot (Hetaerina americana)

by Reed A. George

Panasonic Lumix DMC-TS5

 

Last weekend, I took a little float trip down the Shenandoah River. Part of the River and Roots music festival, held at Watermelon Park in Berryville, Virginia, this educational event was led by musician and teacher Josh Bearman of The Hot Seats.

 

Anyway, back to the subject at hand - damselflies. This potential couple of American Rubyspots was perched very near the water surface. I say potential couple, because at this stage, the female (to the right) is being held by the male, and allowed to evaluate him for suitability. If she approves, her abdomen and terminal genitalia will connect to his body, forming a sort of circular orientation between their bodies.

 

These guys spend 1-3 years as aquatic larvae, with only a couple of weeks as adults, during which they mate and then die.

 

The tiny sensor on the Panasonic Lumix DMC-TS5 has all of the drawbacks of a small sensor, of course, which includes digital noise at high ISO settings. However, a big advantage of the small sensor is the closeup capability, as demonstrated here. This would have been exceedingly difficult to capture with a DSLR, even forgetting about the risk of getting it wet. In this case, I simply left the camera in iAuto mode, and slid it down into the grass next to the damselflies. I shot several images in a few seconds, but found this one to be the best.

 

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Music Festival Photography

I really like shooting at music festivals. I love live music, creative people, and nature. The festivals give me all of that.

 

 

 

 

I especially like the smaller local festivals here in Northern Virginia. In fact, I'm headed out to one this weekend at Watermelon Park, in Berryville. This one's called "River and Roots," and I'll get to see many of my friends there.

 

By shooting at festivals, I've met a few of the best live music photographers there are. One of those is Milo Farineau. Another, his mentor, is Chester Simpson. Both are fabulous photographers and people.

 

Chester recently posted a link to his friend's thoughts on modern festivals, including Glastonbury in the UK.

 

(Click Here) to read Barry Wolman's thoughts, which include comparing Glastonbury to a "prison yard."

 

While the festivals I attend do focus as much on camping and spending time with friends, they also clearly celebrate the music, something that seems to be lost at some of the larger festivals. The music is what really brings us all together around here. If I felt as Wolman does, it would be time for me to stop attending festivals. As it is, I can't wait for this weekend!

 

Oh, and Happy Fourth of July!

 

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A Walk In The Woods, With Leica M9 - Composing Differently

Yesterday, I posted an image I made at Manassas National Battlefield, on my way to a hike at the Shenandoah National Park. Here are some shots from the hike itself.

 

I have been in the situation of shooting nature with my M9 recently. Not exactly what most nature photographers grab on their way out, the rangefinder presents challenges. It doesn't play well with long telephoto lenses or macro. This is part of the fun for me. In fact, it forces me to compose differently, maybe even better in some cases.

 

This little white mushroom was sticking out of a bank of green along the trail. If I were carrying my Nikon DSLR, I would have been motivated to grab a macro lens, and show as much detail of the mushroom as possible. It did have an interesting texture; this would not have been a bad idea. But, it would have missed some of the context, the contrast between this little fungus and everything else around it. This month's Whole Lotta Leica Lens, the Summicron 35mm f2, showed that quite well.

 

Shroom, by Reed A. George

Leica M9, Leica Summicron 35mm f2 Version 3

iso 400, f8, 1/25 sec.

 

Perhaps a little more in the normal Leica realm, I really liked the abstract shapes made by the flowing water, wood, and stone in the creek below. I would have liked to use a neutral density filter and get a longer exposure, to let the water flow even more. I don't carry filters for my Leica lenses.

Creek, by Reed A. George

Leica M9, Leica Summicron 35mm f2 Version 3

iso 160, f16, 1/3 sec.

I shot the leaf below from several angles before getting what I wanted. What really attracted me was the reflection of the green leaves and dark tree trunks above the water. This green patch was actually quite small, so my shots with the 35mm wide angle lens included too much. I switched to my lovely little Canon LTM 135mm f3.5 lens. This is an amazingly sharp lens. I was able to get it up on a tripod pretty high, and isolate the reflections from the rest of the scene. The leaf in the water provides an anchor point for the eye.

Summer Reflection, by Reed A. George

Leica M9, Canon LTM 135mm f3.5 Lens

iso 400, f5.6, 1/60 sec.

I spied this Northern Water Snake (Nerodia sipedon), sunning himself by the creek. My nature photographer instincts kicked in, and I started shooting from afar, to make sure I got a shot of him. Again using the 135mm, a rather modest telephoto length, I kept easing closer and closer. Here's the closest shot I got.

Northern Water Snake, by Reed A. George

Leica M9, Canon LTM 135mm f3.5 Lens

iso 320, f6.7, 1/1000 sec.

Upon looking at all of the shots I took when I got home, I discovered the one below. Including the full body of the snake, and more of his surroundings, I actually prefer this one:

Northern Water Snake With Context, by Reed A. George

Leica M9, Canon LTM 135mm f3.5 Lens

iso 320, f6.7, 1/1000 sec.

 

I most definitely would not have made the shot above with a DSLR and long telephoto. Just to be clear, this is not a weakness of the DSLR per se. It is my own way of thinking when I'm using that equipment. I'm really glad that I forced myself to work with what I had.

 

I continue to learn about this interface of equipment and creativity.

 

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Autumn Walk at Shenandoah National Park

My family and I took a walk at White Oak Canyon in the Shenandoah National Park. Rather than take the typical drive along Skyline Drive, which can tend to be drier and browner, we hiked along the creek.
 

October in Shenandoah National Park, by Reed A. George

Panasonic Lumix DMC-G3, Pana-Leica Summilux 25mm f1.4

iso 200, f5.6, 1/160 sec.

 
Since it took nearly two hours to drive out, we didn't catch great early morning light. It was still pretty good when we started the hike a little before 10:00 am, but most of the hike was in direct overhead sunlight.
 
 

All the Golds, by Reed A. George

Panasonic Lumix DMC-G3, Pana-Leica Summilux 25mm f1.4

iso 200, f5, 1/200 sec.

And Some Reds, by Reed A. George

Panasonic Lumix DMC-G3, Pana-Leica Summilux 25mm f1.4

iso 200, f4, 1/100 sec.

 
 
These conditions - bright blues skies and deep forest shadows - really pushed the dynamic range of the Lumix G3.

Looking Downstream, by Reed A. George

Panasonic Lumix DMC-G3, Pana-Leica Summilux 25mm f1.4

iso 200, f11, 1/40 sec.

 
Dynamic range is one of the aspects of Lumix sensor design that is promised to improve, most specifically with the DMC-G5 (even though it reportedly doesn't gain much in high iso performance), and more so in the newly-announced DMC-GH3.

I made an attempt at high dynamic range (HDR) imaging in one case of excessive contrast. I must say that I'm not satisfied with the result, but have some trouble putting my finger on why. Here it is:

Pool in HDR, by Reed A. George

Panasonic Lumix DMC-G3, Lumix 14mm f2.5

iso 200, f16, 5 Image HDR

 
Maybe there's just too much drawing the eye around in this shot? Is it cluttered with detail? What caught my eye was the band of fallen leaves in the foreground, and the reflection behind. Maybe I should have focused on just that, rather than trying to take in the whole scene?
 
Anyway, it was a very nice day in the forest. We caught the fall colors quite nicely.
 
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