Rolleiflex 2.8F Planar - Kid at Train Festival

Intense Focus, by Reed A. George

Rolleiflex 2.8F Planar, Kodak TMax 400 Film

 

A while back, I posted a series of images from a local train festival, mostly of kids enjoying the displays. (Click Here) to see those pictures, taken with my Leica IIIG.

 

Well, I just developed the roll of film that was in my Rolleiflex that day, and found this image. I really like how the boy's face contrasts well with the dark shirt of the lady behind him. I also seem to have gotten the focus just about right.

 

Every time I use the Rolleiflex, I get something that I enjoy out of it.

 

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Kids at the Manassas Train Festival - Leica IIIG, Summitar 5cm f2 Uncoated Lens

Last weekend, some friends and I attended a train event in Old Town Manassas, Virginia. I focused on photographing kids at the miniature train displays with my Leica IIIG and wartime Summitar 5cm f2 collapsible lens. All of these were shot on Agfa APX400 film, exposed at iso 200 level.

 

 

It's great to see these modern kids so deeply interested in trains and mechanical things.

 

Speaking of mechanical things, shooting with the IIIG was a pleasant challenge. Focusing quickly is not the forte' of Barnack cameras, especially in shade, but I did pretty well overall. My Agfa APX400 did pretty well here, as well, if a bit on the low contrast side. All in all, a very enjoyable photographic experience.

 

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New Construction, Old Camera - Kodak Brownie Reflex Synchro

The Washington DC Metro has finally come to Northern Virginia. Not yet all the way to where I live, but it is now in Reston. Below, you'll see a few pictures of the construction going on around the new Wiehle Avenue Station on the Metro's Silver Line.

As in my previous two posts, these were made with the Kodak Brownie Reflex camera. (Click Here) to read a little about that camera. I picked mine up for $10 in dirty, but good working order.

 

Wiehle Station Construction, by Reed A. George

Kodak Brownie Reflex Synchro Camera, Efke 100 Film (127 size)

 

 

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I Would Do This! Amtrak Writer's Residency

Image Source: http://commons.wikimedia.org/wiki/File:Amtrak_-_GE_P42DC_-_Heritage_Phase_III_Livery.JPG

 

Author Alexander Chee had a great idea, and something really came of it. Apparently, he mentioned in an interview with PEN magazine that he wished Amtrak had a writer-in-residency program, since riding a train seems an ideal way to get creative.

 

(Click Here) to read a little more about the program.

 

I would definitely do this. I think I could be Amtrak's first photographer in residence, and would be happy to write up a trip across the country, or even up or down one of our coasts.

 

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Subway Snapshot - Japan

 

Subway Snapshot, by Reed A. George

 

I am struggling to get home tonight, returning from the International Leica Society (LHSA) Spring Shoot in Ft. Lauderdale, Florida. I am also struggling to get a post written today. Working on my iPod, without my normal bluetooth keyboard (due to airplane mode turning off bluetooth), I decided to go through the images stored on my iPad and pick an image I like. Here you see it.

 

I can't even remember which camera I used for this shot. My guess is it's the Panasonic Lumix DMC-LX7, but it could have been my Leica M9. I edited it on the iPad, using the photo editing app Snapseed, adding the framing effect and adjusting white balance.

 

I do know I shot it in the Kyoto subway. I like how both people are using their cell phones, and how the woman at left is looking at me. I can even live with the tilted perspective.

 

Thanks for hanging in with me on a challenging day for producing my blog post.

 

DMC-365.blogspot.com

 

Fred Bonatto Shares Bosnia on getdpi.com With His Leica M8

I always really liked the Leica M8. Yes, it had a cropped sensor. Yes, you had to use UV/IR filters. Yes, lens coding was a pain, especially for people like me who don't have the latest (coded) lenses. But, it sure could make a nice image when all the right pieces were in place.

 

Fred Bonatto (username bonatto on getdpi.com) has shared some images from Bosnia, taken with his M8.

 

 

Image Source: http://www.getdpi.com/forum/leica-m-x-r/44317-bosnia-m8.html

 

(Click Here) to read bonatto's post, and see several more excellent Leica M8 images.

 

Here's one that I shot with my M8. I sold my M8 when I got the M9.

 

Eric Felton Orchestra, by Reed A. George

Leica M8, Minolta Rokkor 40mm f2 Lens

iso 640, f2, 1/90 sec.

 

The M8 delivered beautiful, not-overstated color. But, I think it really excelled at black and white.

 

In my humble opinion, the M9 does everything that the M8 did, and much more. Full frame, no filters required, manual lens settings (or coding, if you need them). The M8 was capable of magic when things were all correct; the M9 is capable of magic any time.

 

DMC-365.blogspot.com

 

 

Diptych - Barcelona

 

Barcelona Couple, by Reed A. George

Panasonic Lumix DMC-G3, Holga 25mm f8 Plastic Lens

iso 400, f8, 1/100 sec

 
You may have already seen my previous post of shots taken with the Holga plastic lens for Micro 4/3 cameras. The two above give me fond memories of walking "La Rambla," a major pedestrian thoroughfare in Barcelona. I shot these two shots seconds apart, as I walked past this couple at the subway station.
 
I pay attention to the pace of my shooting. Sometimes, I really enjoy taking a lot of time, setting up a shot, attempting perfection. I find that style of shooting relaxing and rewarding. On the opposite end, another of my favorite styles is street shooting, where I typically set the camera up with manual range focusing (no autofocus), preset exposure (sometimes I'll use Aperture priority, but use Manual more often than not), and use the camera to capture extremely brief little moments. This is a real challenge, and there's no time for fiddling with the camera. The result is just that - captured moments. Imperfect, spontaneous. Sometimes the imperfections add to the image, sometimes not.
 
In the case above, the imperfections are clear - thanks to using a $20 plastic lens with fixed f-stop and only very rough focus control. Personally, I love the result. It is very close to the level of detail in my memories of that morning, walking down La Rambla.
 
Thanks again to Andrea Costa for pointing me towards this great creative tool (the Holga lens).
 
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Spanish Girl on Train

I took these two shots on a train, on the way to the Spanish coastal city of Sitges. Individually, I don't think they say much. Together, they remind me of some of the details of the day - the weather, the sounds of the train on the tracks, the day we had exploring the Mediterranean beach and sights.

Spanish Girl on Train, by Reed A. George

Panasonic Lumix DMC-G3, Processed with Snapseed

 
I'm in the process of working out how to use my iPad for photo backup on travel. I'm not quite there yet. As a result, these pictures don't have metadata associated with them (a problem I think I know how to fix), so I can't say the exposure details at this point. Not that they matter much - it's the feeling and details of these shots that mean something to me.
 
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New Fun "Salon" Contest on mu-43.com

 

First Train Departs, by Reed A. George
Panasonic Lumix DMC-G1, Pana-Leica 45mm f2.8 Macro-Elmarit
iso100, f7.1, 1/6 sec
 
There is a fun contest being hosted at mu-43.com. The current theme is "Motion."
 
(Click Here) for the contest announcement and instructions for entering.
 
My entry is the image above, of the first train leaving Gora Station in Hakone, Japan. This is the Japan Tozan Railway, which follows single-track switchbacks up the mountain from Hakone Yumoto Station.
 
(Click Here) for more of my images and information about the railway.
 
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