Day Sleepers - Cool Project

My Day Sleepers (NYC), by Reed A. George

Panasonic Lumix DMC-LX7

iso 800, f1.8, 1/125 sec.

 

I captured these guys sleeping on the subway in NYC. It's interesting to see people sleeping in public places, especially when they're not unfortunate homeless people.

 

I read an interesting piece on the Leica Camera Blog about Eric Leleu, a Frenchman who did an extensive project, photographing "day sleepers" in China. Interestingly, Eric used a Leica M6 for many years, and more recently a digital Leica M240, but in both cases with just one lens - a 35mm f1.4 Summilux.

 

(Click Here) to read the story on the Leica Camera Blog. Knowing he shot all of these with a 35mm wide angle impresses me. He had to get pretty close in many cases.

 

DMC-365.blogspot.com

This Photo Project Could Work Well in Any City - But Started in San Francisco (Project24)

I absolutely love and miss San Francisco. Though I've lived in many different places, and was not born there, I consider the Bay Area to be home.

 

Check out this cool photography project in San Francisco, "Project24."

 

Image Source: http://www.rangefinderforum.com/forums/showthread.php?t=149616

 

In this project, each of 24 photographers gets an assignment consisting of two pieces of information: the hour of the day and the neighborhood they are to shoot in. That's it. They shoot with black and white film for one hour. I think this is a great idea.

 

(Click Here) to read more about Project24.

 

I want to do one in DC.

 

DMC-365.blogspot.com

 

 

Matt Marash's Large Format Photography and Barber Shop Project

Old Style Barber Chair, by Reed A. George

Leica M8, Canon 50mm f1.4 LTM Lens

 

I met Matt Marash at the Film Photography Project's Walking Workshop 2014 in Ohio. He's associated with the project, and one of his areas of interest is large format photography. At the workshop, Matt was shooting 8x10 instant film. Very cool.

 

Matt has a lot going on photographically. His large format photography website is quite nice. Be sure to check out his barber shop project, which is just a great idea for a photography project. (Click Here) to see it.

 

(Click Here) to find out more about the Film Photography Project. If you're interested in film photography, this is the place for you.

 

DMC-365.blogspot.com

 

My Second Shot at Parkour Photography

Back in March, I had the opportunity to photograph some local practitioners of parkour, which is basically acrobatics in public places. (Click Here) to see that post, in which I used my Nikon F2SB and black and white film. I enjoyed it immensely, and they appreciated seeing the photos.

 

Last night, I went to one of the practice sessions for a larger group of DC Metro Parkour members. Here are some of the shots.

Parkour, by Reed A. George

 

While I shot a few of these images with my Nikon Df, most were made with my Micro 4/3 Lumix DMC-GX1 and Bower fisheye lens. All used flash to freeze the motion.

 

I recently came very close to selling off my Micro 4/3 gear, since I just have not been using it much. That, and the fact that the new Lumix LX100 (which also uses a Micro 4/3 sensor) is so capable, it replaces much of my interchangeable lens Micro 4/3 gear on travel, made me consider selling all of it. I did sell several pieces of gear, but decided to keep a smaller set of Micro 4/3 bodies and lenses. Specifically, I kept the most compact lenses, and the ones that are special in some way. The Bower fisheye is an example of that - I don't have a fisheye lens for any other camera system, so I kept it. It sure came in handy last night!

 

I'm planning to continue to work on creative techniques for photographing this exciting sport.

 

DMC-365.blogspot.com

 

Parkour! The Benefits of Simply Getting Out to Shoot

It has been a long winter. Last weekend, cabin fever got the best of me, and I drove into DC with my Nikon F2SB (loaded up with HP5+), 50mm f1.4 AI, 28mm f3.5 pre-AI, and 135mm f3.5 pre-AI lenses. Having literally no idea what I was going to photograph, I decided to park at L'Enfant Plaza and walk over to the Smithsonian castle.

 

As soon as I got out of my car, I noticed two young men practicing parkour at the Department of Energy building. Don't know what parkour is? (Click Here) to find out.

 

That was all I needed. I wound up following them around for two hours, shooting their acrobatic antics. I've only developed the first of two rolls of HP5 I shot, so there are more to come. Here are some that I liked from the first roll.

 

 

 

I ended up shooting mostly with the 28mm lens, getting as close as possible to the action. I also shot a few with the 50mm f1.4.

 

It took me a little while to get comfortable and find the right angles to shoot from. The first two traceurs, David and Garrett, were joined by Juan. All three of them were extremely friendly and welcoming of a tag-along.

 

This experience reminded me that finding an interesting subject is not always a contemplative exercise. I never would have dreamed up the idea of finding a local parkour group. I had to be out there looking. And now, I'm sure this is something I'll continue to photograph for some time to come.

 

DMC-365.blogspot.com

Dreaming in Monochrom(e) - Japanese Lunch and Grocery Shopping With My Wife

I enjoy having Japanese food with my wife. Recently, we went to the (very) small area in Bethesda, Maryland for lunch and to visit the Japanese grocer. I shot these two images with my Leica M4-2, 35mm f1.4 Summilux, and Ilford Delta 3200 film.

 

 

DMC-365.blogspot.com

 

 

Fifty Years of Nikon

Camera images from nikonusa.com

 

I am turning 50 years old in December, just two months away. I'm not too hung up on age, but 50 is a big one. Half a century.

 

I just pulled the trigger on the purchase of a Nikon DF (sold refurbished direct from Nikon). I thought long and hard about that investment, since I already have attention deficit problems with my existing cameras, and like to focus on particular cameras, at least for some period of time. But, the DF is just too attractive for a photographer like me. Familiar controls, real knobs instead of (or in addition to) menus, married with amazing digital sensor technology, and the ability to use any of my Nikkor lenses to boot.

 

So, I'm thinking that I may pair up my new DF with a camera that was around and in use when I was born, my Nikon F film SLR with plain prism. I don't know exactly what the project will be yet, but it will take advantage of fifty years of Nikon SLR technology, in my 50th year of life.

 

Stay tuned!

 

DMC-365.blogspot.com

 

Miho Kajioka's "Hello October" on burn.

Sometimes, I love simple images. In my own work, I tend toward more complicated compositions. In fact, I think I need to stretch and do a project of simple images.

 

Here's one by Miho Kajioka, posted on burn. magazine's site. David Alan Harvey is the curator of burn.

Hello October, by Miho Kajioka

Image Source: http://www.burnmagazine.org/burn-diary/2014/10/hello-october/

 

(Click Here) to go and see burn.

 

DMC-365.blogspot.com

Magnum Workshop Day 5/7 - Focus Pays Off, With One Usable Shot

Okay, at the end of Day 4 I felt pretty confident. I had a few images from the beach and the ladder shot, which reasonably tied in to my "end of the season" in Ptown theme. DAH selected a couple of the images, didn't like the beach exit picture I posted yesterday, and told me frankly that I had more work to do. He did suggest that I head back to the beach to see what else I could make of that.

 

I had in the back of my mind that I may once again find the surf fishermen, but that didn't happen.

 

I threw my Lumix GX7 over my shoulder, grabbed lunch to go in a bag, and biked back out to the shore. I went to the places I'd been the day before, met and talked with a few different people on the beach, and even got a young couple to let me shoot their relaxing day in the sand. None of these made it past my own filter.

 

Making a long loop ride around the seashore as shown below, I ended up at a bike shop near the west end of town.

 

Original Map Source: http://www.visit-provincetown.com/wp-content/uploads/2013/03/parkingPtown.png

 

Sort of out of options after leaving the beach with no real good additions to show for my efforts, I decided to act on DAH's advice to find a spot and let the image develop. The bike shop had lots of "Sale" signs up, indicating the end of the season. The deli inside the store was already closed for the season, and I photographed that, but not to much effect.

 

Going back outside, I noticed one of the shop employees working there. I struck up a conversation, and found that he himself was a sign of the change of seasons in town. Having come to Ptown for the summer from Bulgaria, this young man was preparing to return home in a couple of days. While he had enjoyed Ptown very much, working very long hours (90 hours per week!), he was looking forward to getting home to see his family. I asked where he had lived during the summer, and he told me he'd shared a space with two other people on the property. Asking if I could photograph his room, he told me that he was not allowed to bring guests in. And, he was working at the moment, anyway.

 

Having to pursue it further, I asked him if he could grab his suitcase, and let me photograph him walking out the door of the shop. Not exactly what I wanted, and staged for sure, it would have at least been something. He politely told me that he'd already been on break that afternoon, and wasn't allowed to take another. I asked him if I could request that his boss make an exception. He replied that his boss himself was on break, and not available. He would not be back for about 30 minutes. I said I'd wait.

 

Now at this point, it was clear that I was pushing hard, and quite possibly had outstayed my welcome. This guy was extremely nice, but was getting a little uncomfortable about my persistence. Anyway, I decided to wait it out.

 

Sitting on a picnic table in front of the store, waiting, I shot a couple of pictures of people coming and going, but nothing with a story. And then it happened. A lady from the neighborhood who'd befriended this young gentleman over the summer came to say goodbye before he left to return to Bulgaria. She hugged him, and told him how much she enjoyed knowing him. Real emotion, finally! I asked her permission to photograph them together, and she happily obliged. Here's the one shot I got from a few hours of pursuit:

 

Goodbye My Friend

 

This one shot made it all worthwhile. In fact, it was the only useful image I got the entire day.

 

That evening back at the Fine Arts Work Center (FAWC), Costa Manos was our featured speaker. Like Bruno Barbey, Costa has been with Magnum for 50 years. Costa was the main motivator for the Magnum Days in Provincetown program. Costa walked us through his amazing career in photography, beginning with his early coverage of a South Carolina island known as Daufuskie. This was where Costa made his first "serious" image, in 1952.

 

(Click Here) to see that image on the Magnum website.

 

It is an amazing image. In fact, it haunted me. Haunted me to the point that I purchased a limited edition print of it. I am not an art collector, but I really wanted to have this image to put on my wall as a reminder of the workshop, meeting Costa, and all of the other great people involved in the workshop.

 

DMC-365.blogspot.com

 

 

Magnum Workshop Day 4/7 - Starting to Find My Way

Day 4. Wednesday. David Alan Harvey (DAH) had arrived on Tuesday night, and I knew that I'd be working with him for the rest of the week.

 

My final meeting with Bruno Barbey in the morning allowed me to share my images from Rego Automotive, two or three of which Bruno actually liked. I also showed him my shots from meeting the NYC surf fishermen. Bruno suggested that I try to find them again.

I joined DAH at around 10:30AM, and each of us students shared what we had so far. David was clear in telling us that we didn't have much for being on the third day of the workshop, and I agreed. He shared some of his own work, including a series from a strip bar in NYC, and showed us every exposure. This helped us to understand how he built up to the final few amazing images by working the scene. DAH doesn't believe in walking around looking for images. He finds a spot and sticks with it until a photograph emerges. This was an important lesson for me, and one that would pay off in the end.

 

After lunch, I grabbed my bike and headed back toward the beach, hopeful of finding the surf fisherman again.

 

On the way, I noticed this scene, which has some relation to the changing of seasons in Ptown. Trying to follow directions and work the scene, I shot this one, which I thought was just an ice breaker. Then I proceeded to get close, and shoot images of individuals working. Technically fine, they just showed one or two guys painting. DAH picked this shot below because the real visual draw was having all of these ladders in place on one house. It gives the impression of working to get the painting done quickly. So, this was the only one that made the cut.

 

 

Winter Preparations

I never did find the surf fishing group again. However, on this day, I did finally start to find my groove. It was Wednesday, DAH was in town, and the pressure was on. Walking the beach, I caught a flash of brilliant color out of the corner of my eye. It was this young lady, letting her beach towel blow in the breeze. Walking over to her, I explained that I simply had to have that image for my workshop series. She happily obliged. I knew at this point that things were starting to go somewhere, at least a little.

Golden Towel

 

Then, I happened to catch this amusing little moment. Having my Lumix DMC-GX7 and kit zoom allowed me to quickly capture this image without anyone noticing. One second later and it was gone.

 

Caught in the Moment

 

Not five minutes later, I found this somewhat similar scene:

 

 

A Theme, Perhaps?

 

Deciding that a final day or two at the beach did fit my story line of Ptown shutting down for the season, I was happy to bring these into my image collection. I knew that I would need some pictures of people departing, and grabbed the shot below to try to capture that feeling.

 

Leaving the Beach

 

That shot didn't make the cut. DAH liked the concept, but not the execution. Getting a couple of closing shots would prove to be no simple feat. At least I had a start, however. I went into Wednesday evening feeling much more confident. Maybe too much so.

 

The public talk was by DAH on this evening. Knowing that he'd just arrived after days of trying to fly in from Europe, and had worked the full day that day, I was impressed with his energy and clear thought in presenting his work. There are many great examples of DAH's work to look at. Having been a National Geographic photographer for many years, of course he had stories. One of his latest projects, "Based on a True Story," demonstrates an edgy, energy-filled depiction of Rio de Janeiro. I was very pleased to get a copy of the book, complete with signature, as part of being in David's workshop.

 

So, I had a start. Far from really having a full story, I knew I had to find more good images in the coming two days, but at least I had a start.

 

DMC-365.blogspot.com

 

 

Magnum Workshop Day 3/7 - Still Searching

Tuesday. Now I was really feeling that I needed to find a groove and produce some pictures. I knew just how quickly it was going to be Friday.

 

I didn't sleep well on Monday night, thinking of just how I might get a photo story out of this week. Ptown was winding down for the season and I didn't want to shoot the more obvious topics. The Center for Coastal Studies was an intriguing possibility, but the chances of getting together with them while they were so busy were just too low.

 

I knew that I was thinking too hard about it, and needed to pursue something. Stop thinking and start doing. I convinced myself that the best opportunity to go a little deeper was at Rego Automotive. No, it wasn't a flashy story, but Pat was an interesting and talented guy, working hard to make a small business successful in Ptown. Since I didn't really get any photographs to share on Monday, I let Bruno know that I would miss the morning session and go pursue some images at Rego Automotive.

 

I was very pleased to find Pat already hard at work when I showed up, and that he was willing to let me hang around and shoot more pictures. I supplied several images to Pat and his wife, Lacey, to use on their facebook page. I am happy to see them on the Rego Automotive page, and hope they help!

 

Anyway, I spent a few hours hanging out, talking with Pat while he worked, and photographing the course of his business.

 

I left around lunch time, feeling that I had at least pushed a little further into a story. I wasn't sure that I had enough to make a project from, but the experience had been good and in the right direction.

 

In the afternoon, I rode my bike out to the National Seashore to visit Richard Ryder at the Lifesaving museum. Mr. Ryder had answered my email inquiry from before the workshop. There were no special events during my week in Ptown, but he invited me to come and see the regular displays at the museum. I very much enjoyed meeting Richard, and shot some portraits of him in the old station, where his family members had served in generations past.

 

Richard Ryder, Lifesaving Museum Historian

 

There was certainly a good story in Richard's own family history with the station, but the kind of story that's best told by a writer, not a photographer. Pleased to have met Richard, I had to scratch that story off my list as well, and move on.

 

Looking down the beach from the museum, I noticed a caravan of trucks on the beach, and a group of people surf fishing. It was a long walk, but I had to see if I could find something interesting there. The fishermen were all New York City employees - policemen, firemen, sanitation workers. They have been coming to Ptown to fish together for over 30 years.

 

Surf Fishing

 

These guys were super-friendly, and full of stories. I hung around for an hour or so, and shot what I found interesting, which was mainly their personalities. The fishing wasn't productive, at least while I was there. Looking back on it now, this was potentially the "one that got away." If I'd been prepared to spend more time with them, I could have really gotten something good. As it was, I had only my bike and camera, and felt the need to get back to look through my images from earlier in the day and prepare for the next morning's review. If I had it to do over again, I would have done something to ensure that I could reconnect with this group later on. I am sure that their evenings together were as interesting as their days at the beach fishing.

 

When I did get back to review my images, I liked some from Rego Automotive. But, none of them really showed much human emotion or connection between people. I still was not there. At least I had something to show and get feedback on from Bruno the next morning.

 

I did realize how potentially productive the fishing group was, and planned to try to locate them again the next day. I could have helped myself out by getting contact information so that I could ensure success. Lesson learned.

 

On this evening, Bruno Barbey presented his work spanning 50 years in Magnum. So many of his images stuck in my mind, but one of a huge crowd in Poland, umbrellas getting covered in snow, was my favorite.

 

(Click Here) to see this awesome image on Magnum's website.

 

Another thing that really impressed me was Bruno's recent coverage of China. Caroline, Bruno's wife, shared an amazing video of Bruno shooting in the Chinese streets and interacting with the people. It really gave the presentation a different feeling, showing how people enjoyed his presence.

 

DMC-365.blogspot.com

 

 

Magnum Workshop Day 2/7 - Monday, First Day in Bruno Barbey's Group

I started Monday morning with a drive to a place I'd read about in Land's End (see Day 1 for a full reference on this book about Ptown), the Beech Forest. I was up before daylight, and drove into the National Seashore to find the place. I ended up hiking in the forest for an hour or so, knowing that I wasn't going to find my photo project for the workshop there, but still quite interested in the place.

 

Morning in the Beech Forest

 

Returning from the forest, I went for coffee at a place in Ptown called Wired Puppy. This ended up being my morning stop every day I was there.

 

I happened to run into Bruno Barbey there, and had a nice chat before starting our workshop at 9:00 AM. I was a little surprised to find that Bruno shoots a Canon DSLR and zoom lens. Bruno and his wife, Caroline, are very nice, extremely creative people, and are interested in the people they meet. It turns out that Caroline is a very gifted videographer.

 

Morning Coffee with Bruno Barbey

 

We began our first workshop day with each student presenting their portfolios. Bruno withheld comment, saying that he'd meet with each of us individually later to discuss them. I never really got the chance to get this feedback since I transferred into David Alan Harvey's group on Wednesday.

 

One statement that Bruno made that I liked very much, and that has stuck with me:

"Photography is a fantastic excuse to meet people."

Bruno Barbey

Viewing Portfolios (fellow student, Peter at top, Bruno Barbey below)

 

Bruno told us that we did not have to work on a project, but I was intent on finding some sort of theme to my week's work. At this point in time, I had no idea what that was. I also knew that a key to my learning would be to go at least one level deeper than just shooting pictures of strangers. Again, I had no idea how I would achieve that. This gave me more than a little anxiety about what was to come.

 

As soon as we broke at about lunch time to allow us to get out and shoot, I went to rent a bicycle for the week. My goal was to leave the car parked for the remainder of the week, which I achieved with only a couple of minor exceptions. Riding back from the bike shop, I stopped at the Ptown wharf, which I knew was a center for activity in the town. Shooting a few pictures, I left not feeling any closer to a real objective for the week.

 

I did stop in at the Center for Coastal Studies (coastalstudies.org), and learned of several interesting potential stories, including restoration of a historic sailing vessel, a fishing net entanglement project (where they go out and untangle turtles, whales, and other non-target sea life from nets), and even biological studies of whale age and bacterial environment using genomic and other technologies. Given more time in Ptown, this is where I would have focused my efforts. As it was, the group was at sea during most of the week, and I just couldn't rely on making contact later in the week. As it turned out, as much as I would have enjoyed it, I'm glad that I didn't rely too much on this one; we never did get to make contact when the boat came back in.

 

Ptown Wharf

 

One idea I'd picked up from Land's End was the transition that Ptown goes through between summer and winter. I saw a few indications of that transition at the wharf, but was unsure about how to proceed with it as a concept.

End of Summer, Ptown

 

I continued to bike around town, including passing by a local auto repair garage (Rego Automotive), where my attention was caught by a 1974 Karmann Ghia, similar to the one I'd first learned to drive in, far ahead of my legal driving age. I went inside and introduced myself to Pat who runs the place. I asked him if I could shoot a few images, which he agreed to. He was working on a lovely 1959 MGA at the time.

 

Pat of Rego Automotive

 

Not sure how to go further, and feeling like I'd probably distracted Pat from his work for long enough, I moved on.

 

It was at this point that I stopped in to visit one of our workshop staff, Angela Russo, who runs a fine art photography studio in Ptown. (Click Here) to visit Angela's website and see some of her amazing color and large format photography. Feeling a little lost for a subject, having a conversation with Angela really helped me to get my head back in the game and keep looking. Angela is one of those few people I've met that I immediately knew I'd make friends with. She's a very special person, and continued to help me throughout the week, even though she wasn't assigned to work with either Bruno or David's groups.

 

Each weekday evening, one of the Magnum mentors gave a public talk and presentation of their work. On Monday, Olivia Arthur presented her work, largely centered around the Middle East and the treatment of women there. While Olivia found trends in the roles of women across the Middle East, she also found very interesting diversity from place to place. For example, she found Saudi Arabia to be culturally entirely apart from the other countries she worked in. In Dubai, she explored the cultural aspects of this rapidly developing country where only 10% of the people are citizens, and 70% are male. Olivia is a master story teller, and currently has two books in progress.

 

I left the workshop late that evening feeling very disconnected and concerned about being able to achieve the goal set out by Bruno Barbey as producing 8-10 presentable images in five days, one of which was now over. We were scheduled to meet at 9:00 each morning to review progress; I felt that I had nothing to show for my first full day of exploring.

 

DMC-365.blogspot.com

 

Magnum Workshop, Day 1/7, Travel to Provincetown.

I've decided to document the experience of attending the Magnum Days workshop in Provincetown Massachussetts, one day at a time.

 

(Click Here) to read about Magnum Days.

 

I'm doing this after the fact, because our days were too full to do it in real time. I want to document for my own purposes, and share the process that I went through in the course of the five day workshop. I'll actually cover seven days, starting with Sunday, September 14, and ending with Saturday, September 20.

 

Sunday started early, with an hour drive from my home into DC to catch a flight from Reagan National to Boston's Logan Airport. There, I rented a car and drove the 2 1/2 hours to Provincetown, arriving in the mid afternoon. This allowed me the opportunity to meet up with my friends James and Maria, Boston natives who happened to be in Provincetown for a mini-vacation. We spent a little time together, and then I headed off to check in to my room and attend the first Magnum Days activity, a welcome party and barbecue.

 

Based on the fact that this was a Magnum event, I assumed that we would each work on a project throughout the week. In fact, I think it said that in the informational materials somewhere. In any case, I knew that we would have an exhibition of the workshop students' work on the following Friday. In order to prepare, I did a couple of things. First, weeks before the event, I started getting information about Provincetown (which I'll abbreviate as "Ptown," since that's fully accepted by the locals). I sent off an email to a historic lifesaving museum at the National Seashore, to see if there were any events during the time I'd be there. I received a nice response telling me there weren't, but that I was welcome to come and meet a historian on either Tuesday or Thursday afternoon, and see their museum. Didn't sound like much of a lead, but better than nothing.

 

I also decided to purchase a book on Ptown, entitled Land's End: A Walk in Provincetown, by Michael Cunningham. That turned out to be a very good primer about the town. It quickly became clear that Ptown is known for a few things: art, homosexuality, and partying. I also learned quite a lot about the land, lighthouses, and the National Seashore. Knowing that a Magnum workshop would be no place for landscape images, I wasn't sure if I could work any of that knowledge into my project. And, I wasn't particularly interested in covering the gay or party community, at least not on the surface of it.

 

I had also thought about the type of stories that our mentors have covered in their careers. Clearly, I wouldn't be covering a war in Ptown (thankfully). In fact, I tried to imagine anything there that may even reflect the fact that our country is currently involved in several military actions. The closest I could come was finding that Ptown had a Veterans of Foreign Wars (VFW) post. I thought that may lead somewhere.

 

Of course, as I checked in and got my bearings, I shot a few images. You may have already seen this one, which has no interesting subject, but does show the beautiful nature of the Ptown light.

 

 

Attending the welcome party, we got a quick orientation to the Fine Arts Work Center (FAWC) in Ptown, which includes a fully-functional printing operation. I always love to look at tools, a practice that I'm sure came from my Dad. Check out these brayers. That's what I call organization.

 

 

After the party, I decided to walk down the main drag, Commercial Street, to see what it was like. I didn't want to just shoot random street photography during this workshop, and ended up spending much less time here than most of the other students.

 

 

When you're looking for a project idea, I think it's generally a bad idea to define what you don't want to do. But, on this evening, I did decide not to focus on drinking and homosexuality in Ptown. It was just too obvious. Not that this thought brought me any closer to what I did want to cover. I think you can see that I didn't have a coherent project idea at this point; it would take a while to form.

 

The other important development on Sunday was that those of us signed up to work with David Alan Harvey learned that he was stuck in Europe due to an airline strike, and would not arrive until Tuesday night. I decided to take this as a positive opportunity, as I was also very interested in learning from the other Magnum mentors, specifically Bruno Barbey. I got to spend the first two days with Bruno, which really added to the experience.

 

DMC-365.blogspot.com

 

 

How to Pursue a Quest - by Chase Jarvis, on Author Chris Guillebeau

We all know that life is a journey, not a destination. How you get there is as important as where you end up.

 

Chase Jarvis recently interviewed author Chris Guillebeau, who's just written a new book called The Happiness of Pursuit. Chris also runs a blog called "Art of Nonconformity." I'm going to check both of these out.

 

(Click Here) to read the interview post on Chase's blog. I love the story that Chris shares of the family living in Oklahoma who decides to have an international perspective, which they obtain through preparing ethnic food from around the world. Pretty cool.

 

I've copied the following directly from Chase's blog, rather than restate them myself:

 

"According to Chris, here are the 5 key qualities of a quest:

1. A clear goal and a specific end point
2. A clear challenge
3. A sacrifice of some kind
4. A calling or sense of mission
5. A series of small steps and incremental progress toward the goal"

This whole idea of a quest having a beginning and end, milestones, etc. sounds very familiar to me. This is the same set of features that are used to describe a project, any project, from a project management perspective. Pretty boring, actually. The inspiring part comes from the challenge, sense of mission, expecting the unexpected, and sacrifice. That's not typically part of the project management discussion.

 

There are many questions to answer in forming your own quest. How big, how long should it be? Lifelong quest or weekend quest? How do you get a quest with a sense of mission that will still be enjoyable, or at least endurable? How many quests can you be on at any given time?

 

I am going to buy this book and see what I can pick up from it. If you're interested, please use the link below to purchase yours from Amazon.

 

DMC-365.blogspot.com

 

 

Paal Audestad - 36 Images With His Old Leica M4

Image Source: http://blog.leica-camera.com/photographers/guest-blog-posts/36-pictures-on-the-roll-with-paal-audestad/

 

Norwegian music and performance photographer Paal Audestad recently got his Leica M4 repaired after many years on the shelf. He took 36 images with it, thoughtfully, without even a light meter to help. And got 36 great images.

 

You must (Click Here) and see them all on the Leica Camera Blog. I'm quite impressed.

 

The post gives some insight into "slow photography" with film, versus blasting away with digital. It doesn't discount either approach. Funny, though, I don't think of an M4 as slow by any means. My Mamiya Universal, or 4x5 Speed Graphic? Now that's slow.

 

The funniest part of the story is how Audestad once lost his M4 during a night of partying. Where did he finally find it? In the refrigerator. Hilarious.

 

Audestad says he'll keep this little project with his M4 going as long as he can, he says perhaps until the M4 breaks again. That could/should be a very long time, Paal.

 

DMC-365.blogspot.com

Engineer Prints Arrived - Pretty Impressive!

A couple of weeks ago, I wrote about a new product from Photojojo - large, low tech monochrome prints. At 3' x 4' in size, these prints are made on lightweight (aka cheap) paper, using large printers designed for engineering drawings.

 

(Click Here) to read my previous post about Engineer prints.

 

Well, I ordered two, with very different images, to see if I like the result. Both images were shot with my 4x5 pinhole camera. Here they are:

 

Trunks, by Reed A. George

Wooden Pinhole Camera (4x5)

Arista EDU iso 400 film

 

In my opinion, this first image is almost perfect for the engineer print technology. It came out looking really great, and the quirky artifacts of the low tech printing really don't detract from the power of the image. I'm 100% pleased with how this one printed.

 

Walking Meditation, by Reed A. George

Wooden Pinhole Camera (4x5)

Arista EDU iso 100 film - 90 second exposure

 

The second image, Walking Meditation, is part of a new project I'm doing. As you can see, it's quite different from my usual work. Not a sharp element in the whole image, it's meant to be much less literal. I wanted this image to give the viewer a feeling, not an answer. The engineer print of this one is a little more difficult to judge. When I first viewed it, I was not pleased with the result, thinking I'd chosen the wrong image to print in this way.

 

Now that both of these huge prints are pinned to my wall, I'm enjoying both of them quite a lot. I'm thinking that I may make an entire exhibition of engineer prints of pinhole images. That in itself could be a fun project.

 

So, I consider this little experiment a success.

 

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