Monday, June 11, 2012

Kirk Tuck of Visual Science Lab - Olympus Pen F 150mm f4 on G3 - Well, It Works Quite Well, Thank You!

 
Kirk Tuck's G3 and Oly 150mm f4
Kirk Tuck's Panasonic Lumix DMC-G3 and Olympus Pen F 150mm f4
Image Source: http://visualsciencelab.blogspot.com/2012/05/panasonic-g3-meets-lens-from-another.html
 
Kirk Tuck recently wrote about the experience of using a very nice legacy lens on his Panasonic Lumix DMC-G3. This is the 150mm f4 made by Olympus in the 1970s.
 
(Click Here) to read Kirk's post on Visual Science Lab.
 
By the way, if you don't read Kirk's blog regularly, you should. Here's the address:
 
http://visualsciencelab.blogspot.com
 
Kirk's contention is that Olympus is following its own footsteps, introducing new Pen lenses for the Micro 4/3 line that represent equivalents to those of the past. The Pen F lenses were made for the original Olympus Pen system, which was a half-frame 35mm format - the same field of view as Micro 4/3.
 
Kirk also makes the point that without all of today's gadgetry built into the camera, great optics can still produce great results. I agree wholeheartedly. After scanning film for a couple of hours last night, I had a couple of examples that remind me how sweet old glass can be. For example, this is from my Leica Summar 5cm f2 lens from the 1930s:
 
 
Stand-Up Bass Taking a Rest, by Reed A. George
Leica IIIC, Leica Summar 5cm f2
 
The Leica Summar is a very early 35mm rangefinder lens, and is known for "soft" glass, which is easily damaged by cleaning or otherwise. In fact, it took purchasing three different units before I found an undamaged one. But boy, does it have character.
 
I will admit that while I am still in love with many of my old lenses, including attached to the latest Lumix bodies, I for one cannot wait to try out the new Olympus 75mm f1.8.
 
Thanks, Kirk, for sharing your thoughts!
 
DMC-365.blogspot.com
 
 
Notice: As of today, 6/1/12, this lens is only available for pre-order. It is not in stock.
 

Sunday, June 10, 2012

Final Two Chapters of My Free G3 Settings eBook Available For Download! Get the Whole eBook Here, Free!

 
Lumix DMC-G3 by Reed A. George
Panasonic Lumix DMC-G3 and Nikon Nikkor AIS 28mm f2.8 Lens
by Reed A. George
 
Well, since I'm expecting the announcement of a new Panasonic Lumix Micro 4/3 body (the rumored DMC-G5? DMC-GH3?) any time now, I figured I had better wrap up my ebook on how I use the DMC-G3. In fact, I use two of them.
 
The final installment includes a chapter on setting up custom configurations, and a short chapter on my conclusions on the camera.
 
I learned a lot by working through every detail of how to set up this camera. And the best thing is, now that I've done it, and saved some custom configurations, I can forget about the details of what many of those menu settings actually mean. This camera has so many options, it's amazing. But, I want to set most of them once, and forget them. Custom Modes help a lot, as does the Quick Menu.
 
(Click Here) to download the final two chapters of my ebook, in Adobe pdf format.
 
For ease of navigation, I'm including links to the previous chapters below:
 
(Click Here) for Chapter 1 - Introduction and External Controls
 
(Click Here) for Chapter 2 - Menu Settings
 
(Click Here) for Chapter 3 - Focusing
 
I hope that you'll find them useful.
 
I recommend that you download and save all of them; I will consolidate them into a single file, but cannot guarantee that it will remain available for free forever...
 
DMC-365.blogspot.com
 

Final Two Chapters of My Free G3 Settings eBook Available For Download! Get the Whole eBook Here, Free!

 
Lumix DMC-G3 by Reed A. George
Panasonic Lumix DMC-G3 and Nikon Nikkor AIS 28mm f2.8 Lens
by Reed A. George
 
Well, since I'm expecting the announcement of a new Panasonic Lumix Micro 4/3 body (the rumored DMC-G5? DMC-GH3?) any time now, I figured I had better wrap up my ebook on how I use the DMC-G3. In fact, I use two of them.
 
The final installment includes a chapter on setting up custom configurations, and a short chapter on my conclusions on the camera.
 
I learned a lot by working through every detail of how to set up this camera. And the best thing is, now that I've done it, and saved some custom configurations, I can forget about the details of what many of those menu settings actually mean. This camera has so many options, it's amazing. But, I want to set most of them once, and forget them. Custom Modes help a lot, as does the Quick Menu.
 
(Click Here) to download the final two chapters of my ebook, in Adobe pdf format.
 
For ease of navigation, I'm including links to the previous chapters below:
 
(Click Here) for Chapter 1 - Introduction and External Controls
 
(Click Here) for Chapter 2 - Menu Settings
 
(Click Here) for Chapter 3 - Focusing
 
I hope that you'll find them useful.
 
I recommend that you download and save all of them; I will consolidate them into a single file, but cannot guarantee that it will remain available for free forever...
 
DMC-365.blogspot.com
 

Final Two Chapters of My Free G3 Settings eBook Available For Download! Get the Whole eBook Here, Free!

Lumix DMC-G3 by Reed A. George
Panasonic Lumix DMC-G3 and Nikon Nikkor AIS 28mm f2.8 Lens
by Reed A. George
 
Well, since I'm expecting the announcement of a new Panasonic Lumix Micro 4/3 body (the rumored DMC-G5? DMC-GH3?) any time now, I figured I had better wrap up my ebook on how I use the DMC-G3. In fact, I use two of them.
 
The final installment includes a chapter on setting up custom configurations, and a short chapter on my conclusions on the camera.
 
I learned a lot by working through every detail of how to set up this camera. And the best thing is, now that I've done it, and saved some custom configurations, I can forget about the details of what many of those menu settings actually mean. This camera has so many options, it's amazing. But, I want to set most of them once, and forget them. Custom Modes help a lot, as does the Quick Menu.
 
(Click Here) to download the final two chapters of my ebook, in Adobe pdf format.
 
For ease of navigation, I'm including links to the previous chapters below:
 
(Click Here) for Chapter 1 - Introduction and External Controls
 
(Click Here) for Chapter 2 - Menu Settings
 
(Click Here) for Chapter 3 - Focusing
 
I hope that you'll find them useful.
 
I recommend that you download and save all of them; I will consolidate them into a single file, but cannot guarantee that it will remain available for free forever...

 
DMC-365.blogspot.com
 

A Shot I Just Happen to Like

Small Town At Dusk, by Reed A. George
Small Town at Dusk, by Reed A. George
Panasonic Lumix DMC-G3, Pana-Leica Summilux 25mm f1.4
iso800, f3.5, 1/40 sec
 
 
I'm not in the mood to search the news this morning, so I thought I'd just share a shot that I happen to like. You know how sometimes you take an image, think nothing of it, but then it keeps popping up in your mind? Well, this is one of those for me.

I was with my daughter in Winchester, Virginia, and we showed up a little early for a music event. So, we walked the pedestrian street downtown, and I convinced her to pose for this shot.

How's that for using leading lines in composition? I like how the line of lamps on the brick wall mirrors an imaginary line from the vanishing point to her face. The line to her face is an implied line, one that's not really even there, but it leads the eye to her. I also like the vertical line of the painted sign on the brick wall. It puts her at an apex, a center of attention. So, I feel that it brings the viewer's focus to her, without having to make her a major fraction of the area of the image. No closeup needed. And, it will always remind me of a pretty carefree evening, walking hand-in-hand with her in smalltown, America.

Someday soon, she'll be too cool to be seen in public with her old man. But, I've got this image to help remember these days.

DMC-365.blogspot.com

 

Saturday, June 9, 2012

Their Worlds Were Turned Updside Down - Horseshoe Crabs, That Is

 
Horseshoe Crabs
Image Source: http://www.mu-43.com/f54/bizarre-beach-behavior-26033/

Poster penfan2010 posted on mu-43.com about some "bizarre beach behavior," experienced on a morning walk. Shot with an Olympus EPL1 and Olympus 17mm f2.8 lens, the pictures show horseshoe crabs (bizarre enough on their own), lying on their backs on the beach.

(Click Here) for the whole story, including a closeup of the nice sand pattern made by the one in lower central in the image above.

It turns out that horseshoe crabs come ashore in multitudes in late May, early June (at least along the US East Coast) to breed. These are the unlucky ones that got flipped over in the process. The night before must have been quite a sight!

If you're interested in these creatures, or others that have remained relatively unchanged for a very long time, you may like the book I link to below (at Amazon, of course). It just so happens I am about halfway through that book myself, right now. Horseshoe crabs, or creatures that look very much like them, have been around for hundreds of millions of years.

DMC-365.blogspot.com

 
 

Friday, June 8, 2012

How About Nepal?

 
Nepal, by phrenic at mu-43.com
Kathmandu, by user phrenic on mu-43.com
Image Source: http://www.mu-43.com/f56/golden-nepal-25259/
 
In another edition of my "traveling vicariously through the lens of other photographers" series, user phrenic from mu-43.com takes us to Kathmandu, Nepal.
 
(Click Here) to see the whole set. Some lovely shots there.
 
All of these shots were taken with first-generation Micro 4/3 cameras (Olympus E-P1 and Panasonic Lumix DMC-G1), one fisheye lens, and the rest zoom lenses. I had a G1 for a couple of years, and absolutely loved it. It now lives with my friend James, who continues to put it to good use. I think this speaks to the capability of Micro 4/3, even at the time of its market debut. Things only continue to improve, especially with all of the nice prime lenses now available.
 
I need to stop looking at all of those lenses, and save my own money for a trip to Nepal!
 
DMC-365.blogspot.com